NOLA: Goin’ Home | 09.29 & 09.30
By Team JamBase Oct 17, 2007 • 12:00 am PDT

Goin’ Home: A Tribute to Fats Domino :: 09.29.07 :: Tipitina’s :: New Orleans, LA
Congo Square Rhythms Festival :: 09.30.07 :: Congo Square :: New Orleans, LA
On September 29 and 30, New Orleans remembered two key elements of its rich musical history.
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While Fats Domino did not perform he did make a brief appearance that night, basking in all the love that was sent his way. Fats Domino is unquestionably one of the greatest living musical treasures of New Orleans. Thanks to the efforts of the Tipitina’s Foundation and their new Tribute CD, Mr. Domino’s songs are being heard by a whole new generation of music lovers. To quote Lenny Kravitz from the album notes, “We love you Fats Domino!”
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Continue reading for coverage of the Congo Square Rhythms Festival…
![]() Congo Square :: New Orleans, LA |
The day started with a service at St. Augustine Church. “The Amistad Mass: A Tribute to the Unknown Slave” featured a musical performance by the Blind Boys of Alabama. From there a second line featuring the Treme Brass Band led us away from St. Augustine and through the gates of Armstrong Park. A light rain gained intensity until it became a downpour when we reached Congo Square, but there was no way to dampen the spirit of this second line. Beaming faces danced along as the parade drew closer to our sacred destination. It was truly one of those moments when you know that you are in the right place at the right time.
The rain didn’t last too long, and by the time we were ready for music on the main stage the sun was shining and the day was heating up. The Festival featured two stages, one for dance demonstrations and one for featured musical acts. The lineup included Bamboula 2000, Tribe 101 (replacing Donald Harrison & Congo Nation), Big Sam’s Funky Nation and Ivan Neville’s Dumpstaphunk. Big Chief Bo Dollis, who has not performed much recently due to illness, stopped by and seemed to be in great spirits as he watched the action. The day was filled with rhythmic drums and dancing Indians back in the place where it all started (in this country at least). Sometimes you have to go back to understand how to move forward.
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