Latest William Tyler Articles
Watch William Tyler’s “Man In A Hurry” video featuring cameos from Meg Duffy of Hand Habits and Olympic skateboarder Cory Juneau + check out the guitarist’s new 2019 tour dates.
- Instrumental Edition - The Light: Sarah Louise, Mary Lattimore & Mac McCaughan, William Tyler & Bill Mackay
Aaron “Neddy” Stein profiles recent releases featuring instrumental music from Sarah Louise, Mary Lattimore & Mac McCaughan, William Tyler & Bill Mackay
Garcia Peoples teamed with guitarist William Tyler on a number of Grateful Dead classics during their SXSW appearance at the Brooklyn Bowl Family Reunion – watch full show pro-shot video.
Williams Tyler’s second ‘The Lagniappe Sessions’ recordings for Aquarium Drunkard features covers of songs by Fleetwood Mac, Yo La Tengo and more.
Guitarist William Tyler was joined by fellow guitarist Steve Gunn Tuesday night at (le) poisson rouge in New York City.
Release Day Picks profiles new LPs and EPs Team JamBase will be checking out on release day Friday. This week we highlight new albums by Santana, Michael Franti & Spearhead, William Tyler, The Motet and Cycles.
More William Tyler Articles
Latest William Tyler Setlist
William Tyler at Volksbühne
- Call Me When I’m Breathing Again
- Gone Clear
- Sunken Garden
- Virginia Is for Loners
- Eventual Surrender
- Fail Safe
- Man in a Hurry
- Kingdom of Jones
- A Portrait of Sarah
- Missionary Ridge
About William Tyler
I met William Tyler on a train going south out of London. He had nervous and cryptic and welcoming aura and was the first Nashville native (there is such a thing) that I’d ever met. We both carried more than we could manage on that trip, and I realized later that his bags were full of books. Books about psychology, philosophy, the Civil War, and astrology. Books — I realize now as I write this — about measuring and deciphering the boundaries of kindness and cruelty. William Tyler is interested in the human capacity for understanding ourselves; this is what I feel I mostly know about him now, so many years later. He is one of the most profound autodidacts I know, and he seems to be chasing knowledge in support of something he feels sure exists in all of us. The notes beneath the notes. Empathy might be the closest I can get to putting a name to it. Listen to his music and you’ll understand what I’m talking about.
William and I bonded early in our relationship over Barry Hannah, a hellraising writer from Mississippi who practically reinvented the way that words could be assembled on a page. Like Hannah, William Tyler knows the South — as a crucible of American histories and cultures, an entity capable of expansive beauty and incomprehensible violence, often in the same beat — as his native place, the place that holds him and that he runs from. In the music of William Tyler, the South is not apart from America; the South is America condensed. And like Hannah — and this part is important — William moved to California, where Goes West was written. We don’t know how long William will stay — Hannah lasted just a couple of years, writing in the employ of director Robert Altman — but the change of scenery seems to suit him.
William’s new record, Goes West, is the best music that he’s ever made. I’m sure of this because I know and love all of his music intimately, and this album moves me the most, and the most consistently. The first time I heard it was in the late spring in the Texas Hill Country, rolling between limestone and scrub. I was on a cleanse then — no alcohol, no drugs, no evil thoughts — and was astonished at the emotional clarity that the album held. It offered up a model for what I wanted my head to feel like. Goes West marks a sort of narrowing of focus for William’s music; it sounds as though he found a way to point himself directly towards the rich and bittersweet emotional center of his music without being distracted by side trips. Perhaps
this is down to the fact that William only plays acoustic guitar on the album, a clear and conscious decision considering that he is one of Nashville’s great electric guitarists. The band that performs Goes West alongside William — including guitarists Meg Duffy and Bill Frisell, bassist and producer Brad Cook, keyboardist James Wallace, drummer Griffin Goldsmith, and engineer Tucker Martine — is the best and most sympathetic group of players that William could have assembled to play these songs.
The second time I heard Goes West, I was also in Texas and I was on LSD with my friend Brad and we were driving out of Marfa on Highway 90. It was around sundown and the music sounded like it was coming out of the clouds and dancing right in front of my eyes. I know that sounds exactly like what someone on acid would say, but the whole reason I took the acid in the first place is that I was looking for some peace of mind after a long, hot, sweaty summer. Goes West gave me that. We stopped the car and looked out over the expansive horizon and I felt better. We turned around and headed towards town.
—M.C. Taylor, Durham, NC
- [UPDATED] SweetWater 420 Fest Announces Free nugs.tv Webcast: Widespread Panic, Joe Russo's Almost Dead & More
A free webcast of this weekend’s SweetWater 420 Fest will feature performances from Widespread Panic, Joe Russo’s Almost Dead, Pigeons Playing Ping Pong and more.
Listen to “Krewe,” the first single from Lettuce’s forthcoming ‘Elevate’ album and see where the band will play this fall.
Pink Floyd’s Roger Waters performed with Nick Mason at the Beacon Theatre on Thursday night.
The show went on for Gov’t Mule at the Pabst Theater in Milwaukee on Thursday despite the absence of drummer Matt Abts.
High Sierra Music Festival lineup additions include Dawes, Shook Twins, Midnight North and more.