Latest Pimps Of Joytime Articles
Stu Kelly chats with The Pimps Of Joytime frontman Brian Jay about the band’s new album ‘Third World Chronicles,’ what’s in store for 2017 and much more.
Albums out today from Craig Finn and The Pimps Of Joytime highlight this week’s new releases.
Brooklyn dance-funk act The Pimps Of Joytime will soon release ‘Third Wall Chronicles’ and tour with MarchForth.
Watch Brian J, aka “The Hustler” take on “The People’s Champ” in a fierce game of Jenga as part of Pimps Of Joytime’s new video for “Dance Cardia.”
New Orleans funk outfit Galactic will perform a show at Red Rocks Amphitheatre in Colorado with Boombox and The Pimps Of Joytime on the bill.
Brooklyn funk acts Turkuaz and The Pimps Of Joytime played before a capacity crowd in Ardmore, Pennsylvania on Saturday night.
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Latest Pimps Of Joytime Setlist
The Pimps of Joytime at Golden Gate Park
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About Pimps Of Joytime
Let’s take it higher.
Anyone familiar with the Pimps of Joytime live experience knows the feeling – it’s that moment when a deep bluesy groove morphs into a full-on EDM dance beat, or the sensation when the wide-eyed audience collectively elevates in sync with the band’s tangible energy.
On Jukestone Paradise, the Pimps of Joytime raise the bar with swagger to spare, crafting ten cohesive songs that ring out like the soundtrack for a ride through the diverse Brooklyn neighborhood where their sound materialized. Pulling from lead guitarist and singer Brian J’s deep discography of influences, the creation of ukestone Paradise began a decade ago, when he penned anthems like “Sky” and “Freedom Dancer,” all the way up to the album’s studio recording sessions.
You might accurately call the Pimps of Joytime a ‘post-genre’ band; they’re a group whose sound – even within a single song – mirrors the diversity of our era’s musical tastes. “It’s a sonic tapestry that’s representative of this time and place that we live in,” says Brian J.
That’s where the Pimps excel, by mashing up ’70s funk tones with modern dance beats, mixed with original samples creating their mosaic sound. For listeners weary of today’s DJ culture but eager to dance with abandon, the Pimps of Joytime are the antidote.
“At our core, the Pimps of Joytime are not just dance music,” says Brian J of the band’s three-part harmony attack. “My first vocal mentor was a doo-wop singer, so I have a long-time love affair with vocal harmonies.”
With the release of ukestone Paradise, the band makes official their solid touring lineup, featuring dual female vocalists and percussionists Mayteana Morales and Cole WilliamsX. And they’re hitting the road hard, continuing a constant touring schedule that’s already left prominent sets at festivals like Voodoo, Outside ands, Bonnaroo and High Sierra in their wake.
Behind the frontlines are bassist/keyboardist David Bailis and drummer John Staten, forming the rhythmic backbone of the Pimps’ audible collage. And for ukestone Paradise, they called in a few friends to lend their talents, including Ivan Neville, who lends New Orleans flavor to “Sky,” and Rubblebucket’s Alex Toth, who co-wrote the quirky and infectious “Dance Cardia.”
Just as Brooklyn has changed since the Pimps started, so has the band’s sound. But as Williamsburg gentrifies, the Pimps of Joytime’s diverse evolution keeps the neighborhood’s spirit alive. That spirit goes into the Pimps’ pot, over a soulful roux of rhythm and groove.
ALO will start 2020 with their annual Tour D’Amour and the release of new EP ‘Creatures, Vol. 2: Weave,’ which includes lead single “Baby Blind Spot.”
The Black Crowes’ Chris Robinson and Rich Robinson teamed up for acoustic performances and an interview during a recent visit to KCRW’s ‘Morning Becomes Eclectic.’
The latest installment of ‘The JamBase Podcast’ features Kelsey Waldon talking “Musical Mentors” and Ben Morrison sitting for a “Quit My Day Job” segment after “The Rundown” of recent news stories.
The Wood Brothers shared “Cry Over Nothing,” a track featured on their forthcoming studio album ‘Kingdom In My Mind.’
‘GarciaLive Volume 12’ features a Jerry Garcia and Merl Saunders performance from January 23, 1973 at the Boarding House in San Francisco.