Latest Panda Bear Articles
Animal Collective announced their first tour of 2019, which spans a seven-day span in October.
Watch the Dean Blunt-directed psychedelic-tinged video for “Token” from Panda Bear’s forthcoming studio album ‘Buoys.’
Panda Bear detailed a February run of tour dates in support of ‘Buoys,’ his first full-length effort since 2015.
Watch the animated video for “Dolphins,” the lead single from Panda Bear’s first full-length album since 2015.
Release Day Picks this week highlights new albums by Death Cab for Cutie, Animal Collective, Cory Wong, Fruition, Circles Around the Sun and Oh Sees.
Animal Collective detailed their new audiovisual album ‘Tangerine Reef’ and shared its lead single “Hair Cutter.”
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About Panda Bear
Both as a member of Animal Collective and as the solo artist, Panda Bear, Noah Lennox spent the aughts helping redefine the aesthetics and methodology of experimental and independent music. With work ranging from splayed but lyrical noise, florid acoustic arrangements, and guitar-centric psychedelia, he and his bandmates have covered a vast musical territory that blurs the line between pop and experimentalism. But while Panda Bear and Animal Collective have garnered acclaim with each successive sonic venture, their music really started to take hold when they began working with electronics. In 2007, Lennox released the milestone Person Pitch, a mélange of loopy samples, ethereal textures, and dubby echoesall bound together by his soulful tenor. Hailed by many as an instant classic, the album’s influence was almost immediately recognizable. He continued work with Animal Collective, releasing another landmark album Merriweather Post Pavilion in 2009.
While the interval since Person Pitch has seen plenty of work from the Animal Collective camp, Panda Bear activity has been rare. He has toured sparingly, done intermittent remix work, and appeared on a few peers’ releases while rumors circulated about his next full-length, Tomboy. The second half of 2010 saw the record’s first offerings: a string of 7″s containing tracks from the album, each released on a different label. With one more due before the album’s release on April 12th, the singles have revealed Tomboy’s palette while helping Lennox gauge his progress and focus on individual songs.
Recorded at his studio in Lisbon, Tomboy sees Lennox stepping away from the sample-based parameters of his previous record and incorporating more guitar and synthesizer. Still prevalent, though, is the interest in texture that made Person Pitch such a dense record; crashing waves and cheering crowds bounce against the gurgling arpeggios and give the tracks an immense sense of space. Soaked in reverb and punctuated with inflections of delay, the album’s drums reveal a dub influence which gives them a visceral punch that lingers after each hit. Lennox’s lofty, self-harmonizing vocals smooth out the songs, and Sonic Boom’s mixing gives the work a large dynamic range. With Tomboy, Lennox has created a more plaintive atmosphere, but in accordance with the conflicting image of its title, the highs of the album balance out its lows. The record, massive in its span of emotion, genre, and sound, is the welcome return of one of the most prolific and consistent audio pioneers in recent memory.
Celebrate Sharon Jones, who passed away on this date in 2016, with her appearance leading The Dap-Kings on a holiday-themed installment of NPR Music’s ‘Tiny Desk Concert.’
Tedeschi Trucks Band expanded their 2020 winter tour with two concerts scheduled for February.
Nathaniel Rateliff will hit the road for a solo tour this March will more 2020 dates and a solo album to come.
Joe Russo’s Almost Dead confirmed 16 new 2020 tour dates spanning March through September with the promise of more to come.
Andrew Bruss caught Tool’s concert last week at TD Garden in Boston, check out his review and photos from the show.