Latest Amy Ray Articles
Release Day Picks this week highlights new albums by Tom Petty, John Butler Trio, Loretta Lynn, TAUK, Turkuaz, Amy Ray, Ivan Neville & Cris Jacobs and more.
Listen to “Sure Feels Good Anyway,” the lead single from Amy Ray’s guest-filled new album ‘Holler.’
Watch highlights of last night’s TTB show at the Orpheum Theatre featuring special guest Amy Ray of the Indigo Girls.
Watch highlights from the first night of the Tedeschi Trucks Band’s 2016 Beacon residency including Susan sitting-in with Amy Ray and vice versa.
About Amy Ray
I love how everything works in the underground community and I wanted to participate in it, says Amy Ray, founder of the indie label Daemon Records, one half of the Indigo Girls, and solo artist in her own right. When she founded Daemon in 1990, her mission was to support local musicians, both in putting out their music and teaching them how to sustain their careers. But that grassroots, independent way of life extended to Rays own career, too; after almost a decade of putting out other peoples music, she decided to put out some of her own solo records, too.
So she traveled around the southeast writing, rehearsing, and recording for much of 2000. I loved the simplicity of it, she says. Driving myself around, loading my own gear. You roll down windows of the van, listen to music with your band. Its the way music should be.
To back up for a moment, the Indigo Girls werent always a big band. They had beginnings that could only really be described as humble. While Amy and band mate Emily Saliers were still in high school, they would sneak into clubs with fake IDs to play. The two of them played covers: Dire Straits or Patti Smith or maybe even All Along the Watchtower, but slowly started writing and playing their own material. They played frat parties and dorms and were on the road for most of Amys senior year. We started playing punk clubs because back then, the folk clubs didn’t like us because we were too gay and too loud, Amy says. In 1987, an A&R rep for Epic who was in town to see REM came see them play at Atlantas Little Five Points Pub, home to, as Amy puts it, transients, punk rockers, drag queens, and family. He convinced them to sign with the major label, but at that point I thought I would really miss the independent thing because I really loved it.
Where the Indigo Girls are stripped-down, Amys solo albums are urgent, loud, and defiant. This appears to be constantly a source of surprise to critics, who seem shocked theyre comparing one-half of the Indigo Girls to a riot grrrl. Longtime listeners and newcomers alike were shocked at how much Ray, wellitalics his ownrocked, wrote Jimmy Draper in the San Francisco Bay Guardian. The difference between the music Amy Ray makes as half of the Indigo Girls and the music she makes on her own isnt just the difference between acoustic and electric guitar, Jon M. Gilbertson wrote in No Depression. Cranking the amplifier toughens her stance and streamlines her attitude.
Her debut solo album, 2001s Stag, was a manifesto, more overtly political and punk-influenced than her Indigo Girls output. VH1.com called Stag “One of those rare albums that fuses aggression, good music, and institutional critique without sounding strident or stiff.” David Peisner at Rolling Stonewhose founder Amy mocks on that albums Lucystoners: who gave the boys what they deserve/But with the girls he lost his nerve.couldnt help but like it, calling it Angry, bold, pointed, and eclectic as hell. Amy is getting in touch with her inner punk rocker, wrote Jennifer Perkins in Venus Zine. For the scores of people who know little more about Amy Ray than Closer to Fine, well, Ray is sure to win their hearts.
2005s Prom, which explored the eternal dance between gender and sexuality, youth and adulthood, deftly wove together both her own experience as a teenager with what she sees as the new challenges for a younger generation. (All that, plus album art of Amy wearing the gaudiest 80s puff-sleeve gown seen since the heyday of Dynasty.) Popmatters Jill LaBrack deemed Prom rock and roll and its best. Fred Mills at Magnet called the albums song Put it Out for Good impossible to resist, its the defiant anthem for summer. Freed of the risk of major label disapproval, wrote Glen Sarvady in CMJ, Ray cuts loose with some disarmingly forthright lyrics.
Her live album, Live in Knoxville, is a testament to how electric her concerts can be. I love the tradition of live releases, Amy says. Its a document of a time and place. In this case, its the last show of the 2005 Rocktober Tour that may have been sparsely attended, but was made up for in a heady combination of energy and intimacy.
Cast aside any notions of these albums as just one womans efforttheyre anything but solitary. In a way, Amy says, their defining characteristic is community. I wanted to play with players that arent necessarily studio musicians, people that have a very specific style, that I might not get to play with as an Indigo Girl, So she asked some of her favorite musicians to record or tour with her: Joan Jett, The Butchies, Jody Bleyle and Donna Dresch from Team Dresch, Rock-A-Teens, Josephine Wiggs of the Breeders, Tara Jane ONeil, and Kate Schellenbach of Luscious Jackson. Theyre people who I was into, I was a fan of what they were doing musically. Its like I was playing with my idols, she says. These collaborations changed the way she wrote music, too. I was writing with the fantasy of being able to play with these other bands.
It was actually when she started a discipline surrounding her own writing process (If Im at home, I write between two and five hours a day in her library, which is filled with Amys two loves: books and musical equipment.) that she began to write her solo material. After she wrote the song Lucystoners, she realized that there would be many more songs like thatsongs that, she says, are something I need to sing alone rather than with Emily.
And thats what it comes down to: her solo albums dont represent a mere side project, but a way for her to fully realize herself as a musician. As Amy puts it, I dont get set in my ways, musically.
The Tedeschi Trucks Band tacked on a three-night stand in Boston to their Fall Tour 2019.
Greensky Bluegrass busted out a Phish cover, dedicated a song to Jeff Austin and welcomed Billy Strings and members of his band as part of their Red Rocks Run 2019 finale on Sunday.
The Revivalists enlisted Bob Saget for a cover of The Who’s “My Generation” as part of their set on Sunday at KAABOO Del Mar.
Ween returned to the stage for the first time in 2019 on Sunday for a full performance of their 1997 studio album ‘The Mollusk’ and more at Riot Fest in Chicago.
‘Not Not Jazz,’ a documentary film about Medeski, Martin & Wood, will premiere at the Woodstock Fim Festival in New York.