Phish Tour 2021 – Setlist, Recap & The Skinny: Hershey
The band kicked off a two-night stand at the venue where they had previously played just three times before.
By Robert Ker Aug 11, 2021 • 5:57 am PDT

On August 10, Phish pulled their buses up to Hershey, Pennsylvania, for a couple of breather tour dates in between two higher-profile three-night stands â their first Midwest shows in two years, during the previous weekend at Deer Creek, and their first New York Tri-state area shows in over 18 months at Atlantic City.
Summer Tour 2021 had thus far been a success, marked by lengthy improvisation and technological evolutions in keyboardist Page McConnellâs gadgetry, Trey Anastasioâs guitar tone, and Chris Kurodaâs lighting rig, and hopes were high that this would be a chance for the band to have some fun away from the pressure of the bigger dates.
Phish Summer Tour Recaps & The Skinny
These hopes were bolstered by the good fortune of having a gnarly thunderstorm pass by in a hurry, leaving behind a rainbow that stretched across the stadium in a fashion not unlike the Fare Thee Well rainbow of 2015. Trey even noticed and pointed it out during the opening song, âFirst Tube.â
That song, and the âAxillaâ that followed, revealed Treyâs hand from the start: he was here to get his rock star on. This ambition led to a feisty first set, which went on from âAxillaâ to feature an inspired segue from âFuegoâ into âRunaway Jimâ before cooling off with âGumbo.â A punchy âSample In A Jarâ gave way to an excellent âSteam,â in which Trey showed off his new Languedoc with fluid playing, effortless crescendos, and confident leadership.
Trey then continued his inspired guitar playing by nailing his elusive solo in a slowed-down âSugar Shack,â performed in the shadow of a literal chocolate factory, and bringing the heat in an uncommonly (by recent standards) smoking âLlama.â Indeed, the âLlamaâ was so electric that Trey paused after it was over to reflect on how fun the song is and to wonder aloud why they donât play it more often these days.
The delightful stage banter continued with drummer Jon Fishman pretending to read critical texts from fans, and in that playful spirit they hopped into a âDeath Donât Hurt Very Longâ that featured the usual soloing and minor antics, as well as an unusual ending that played up the malicious vibe for another minute or two. Finally, they closed the set with âRun Like an Antelope,â a song that will never melt your face as it did in 1994, but still let an assertive Trey hit all the glorious peaks and carve new currents in the compositionâs established structure. For a first set in the summertime, there was nothing to complain about.
Read on after The Skinny for the rest of the recap and more.
The Skinny
The Setlist |
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Set 1: First Tube, Axilla, Fuego [1] -> Runaway Jim, Gumbo > Sample in a Jar, Steam, Sugar Shack, Llama, Death Don't Hurt Very Long > Run Like an Antelope Set 2: No Men In No Man's Land > Soul Planet -> NICU > Joy, Scent of a Mule, Golden Age > Prince Caspian > Backwards Down the Number Line > The Lizards > Character Zero Encore: Rock and Roll
Fuego was unfinished. Soul Planet had a No Men in No Man's Land quote and a DEG tease from Trey. |
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The Venue |
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Hersheypark Stadium [See upcoming shows] |
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7,286 |
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3 shows |
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The Music |
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11 songs / 7:41 pm to 9:02 pm (81 minutes) |
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11 songs / 9:30 pm to 11:05 pm (95 minutes) |
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22 songs |
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2000 |
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11.09 [Gap chart] |
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None |
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Axilla, Sugar Shack, Llama, Death Don't Hurt Very Long, Soul Planet, Joy, Scent Of A Mule, The Lizards, Rock And Roll |
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Sugar Shack LTP 07/10/2019 (31 Show Gap) |
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No Men In No Man’s Land 16:21 |
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Axilla 3:38 |
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Lawn Boy - 1, A Picture of Nectar - 1, Hoist - 2, Billy Breathes - 2, Farmhouse - 1, Joy - 3, Fuego - 1, Big Boat - 1, Kasvot Växt - 1, Sigma Oasis - 1, Misc. - 6, Covers - 2 |
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The Rest |
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72° and Light Rain at Showtime |
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Koa 4 |
The second set began promisingly, with a âNo Men In No Manâs Landâ that failed to cross the 20-minute mark but retained the summer 2021 tradition of second frame openers that show off the power of a fully operational Phish with democratic deep dives. The first âSoul Planetâ of the year then boosted the energy even more â the band has wisely trimmed the âsongâ portion of it, and Hersheyâs jam portion was full of open space and tension, primarily fueled by terrific interplay between Trey and Fishman and complemented by extraordinary lighting by Kuroda. Trey then shifted the jam into a nifty segue into âNICU,â with the band listening closely and keeping up.
âJoyâ followed âNICU,â and it seemed straightaway that Trey mistimed the placement of the second-set ballad. âJoyâ cut off the exploration part of the second set too early, and left too much time to run through the late-set âhitsâ afterward. âScent Of A Muleâ kicked off a string of curious song choices in a set devoid of coherent flow, in which âGolden Ageâ was ripcorded for âPrince Caspian,â and âBackwards Down the Number Lineâ was just ⌠there. The stretch wasnât entirely devoid of highlights â Fishmanâs sampler lent the âMule Duelâ uncommon playfulness and dissonance, and nobody will deny the pure joy of âThe Lizardsâ â but it still felt unfocused, as if too many songs with a similar function were trying to elbow each other out of the way.
Perhaps playing in front of an amusement park prompted Trey to play a Saturday show on Tuesday, but after the always-welcome âRock and Rollâ encore sent crowds off into the night, eyes and expectations are now turned to Wednesday.
Phish returns to Hersheypark Stadium for another show tonight. Livestreams are available via LivePhish.com.
First Tube
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No Men In No Manâs Land
Phish From The Road Photos
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