Jazz Fest 2011| New Orleans | Weekend Two | Review | Pics
By Team JamBase May 11, 2011 • 2:54 pm PDT

New Orleans Jazz & Heritage Festival :: 05.05.11-05.08.11 :: Fair Grounds Race Course :: New Orleans, LA
Although Jazz Fest is a religious experience, walking by the Gospel Tent to begin each day is only the tip of the iceberg of what transpires once you get into the Fair Grounds. Each band can feel it, too, whether they are from Montreal or the Big Easy, and wouldn’t trade their spot at the Fest for any other place. The musical joy emanating from each stage is downright infectious, and the food is out of this world. Having only lived in the city for just under two years, I’d always heard people talk about their trips to the Fair Grounds with a great enthusiasm, but didn’t fully grasp just how good it could be. New Orleans loves a tradition, and Jazz Fest might be the city’s finest yearly cultural display to the outside world. After seven days of sunshine and reportedly record crowds for the 42-year-old granddaddy of music festivals, there’s no telling how they’ll top this one in 2012.
Thursday, May 5
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Next, it was over to the Congo Square Stage where Meters Man Zigaboo Modeliste and his first-rate backing band were officially welcoming Week Two’s crowd to New Orleans with a cover of Allen Toussaint’s “Night People.” The punk-and-cabaret New Orleans Bingo Show was highly entertaining and thoroughly rockin’ over at the Gentilly Stage as Preservation Hall Jazz Band mainstay Ben Jaffe showed off his chameleonic musical range, a direct 180-degree turn from PHJB’s jazzy roots.
Pulling from a range of different influences is what this town’s musicians do best and perhaps no band shows off the modern New Orleans sound then Galactic, who invited Mike Dillon up to the stage for the duration of their big main stage set. The tireless Stanton Moore proved to the masses that a drum solo can highlight a festival day, taking it to the front of the stage for a 6-7 solo while his fellow band members carried his snare, cowbell and bass drum.
Next, Wilco proved why they were invited to this party, delivering a Nels Cline showcasing set, including “Impossible Germany,” “Bull Black Nova” and “Handshake Drugs” to cap off to a strong opening day at the track. Finally, it was over to see one of the kings of funk as Maceo Parker was blowin’ it up at the Congo Square Stage in a big way.
Friday, May 6
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If it wasn’t for the Stanton Moore Trio I wouldn’t have even known about the unique setting for the Lagniappe Stage. Set within the confines of the horse track clubhouse, it’s a cool scene in there that Stanton Moore’s wife Aletta apparently helps put together. Paired with Greyboy All-Stars’ Robert Walters and NYC guitarist Scott Metzger (RANA), the trio played a set heavy on numbers from Stanton’s new Squash Blossom record.
Big Sam’s Funky Nation is in rare company as far as their ability to incite a huge dance-a-thon, and their set included his take on “Hard To Handle” and the declaration that Sam is the king of the Jazz Fest party. To continue the genre-stretching day, we darted over to the Gentilly Stage for Jamey Johnson’s excellent set and a guest drop-in by the Blind Boys of Alabama, giving Jazz Fest patrons yet another righteous musical moment during “I Saw the Light.”
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After a short breather at home, our crew made it down to the French Quarter for a Superjam that quite possibly carried the weekend – an intricately dark, psychedelic rave up highlighted by the dexterous, controlled guitar work of Brian Stoltz with George Porter Jr., Marco Benevento and Adam Deitch. After about an hour of dim lights and heavy jams, the lights were finally lifted and the band went off on Jimi’s “Fire,” Cee Lo’s “Fuck You” and War’s “Why Can’t We Be Friends.” If there is a recording of this show in circulation it is recommended to check it out, a truly one-of-a-kind performance that showed me what Jazz Fest After Dark is all about.
Saturday, May 7
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We caught a Galactic cover by local master Trombone Shorty before watching The Strokes hilariously overdressed rock show at the Gentilly Stage. The Strokes have been lavishly praised for over a decade as torchbearers of the New York rock and roll scene, and Julian Casablancas, wearing hot yellow high tops, put forth the effort to deliver the strangely out-of-place rocker vibe, wearing a leather jacket in 85-degree weather.
The overly crowded nature of Saturday made it a difficult day to navigate the vastness of the Fair Grounds and hopefully the festival organizers will cap attendance in the future at some clip slightly below the amount in attendance on Saturday. Although done for the best of causes, there is a point when the inability to move around becomes a slight issue. Having said that, after this weekend I can’t imagine a soul in the city who doesn’t take in at least a day at the Fair Grounds.
Sunday, May 8
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A surprise jaunt over to Kid Rock was both unexpected and totally enjoyable. His Jazz Fest set was a great opportunity to see the many phases of his storied career. From his Waylon mode on tracks like “Cowboy” to the barroom feel of “All Summer Long” (with Trombone Shorty), the colorful, charismatic frontman had total command on Sunday – a larger than life presence one had to see to believe. A trip into the Blues Tent for Sonny Landreth was a necessity, but sound problems slightly marred what was otherwise a transcendent afternoon set in the cool Jazz Tent.
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There’s always a feeling of relief once Mardi Gras has passed and life returns to normalcy in New Orleans, but after this year’s Jazz Fest, I’m counting down the days until next year’s Fest.
Continue reading for lots more pics from Weekend Two of Jazz Fest 2011…
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Continue reading for more pics from Thursday…
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Continue reading for pics from Friday…
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Continue reading for more pics from Friday…
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Continue reading for pics from Saturday…
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Continue reading for pics from Sunday…
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Continue reading for pics of Garage a Trois late night…
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Continue reading for pics of Marco Benevento and George Porter Jr…
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Continue reading for pics of Thievery Corporation…
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JamBase | New Orleans
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