It's not easy being a multi-hyphenate. But
singer-songwriter-guitarist-radio producer/
host-author-journalist-record
producer-photographer David Gans at least makes
it look like loads of fun. That he can juggle so
many balls in the air is nothing short of
astonishing; that he does it with such skill,
passion, assurance, wit and grace is even more
remarkable.
Known far and wide as the light behind the widely
syndicated Grateful Dead Hour radio program,
several books on the Dead and a number of
intriguing CDs relating to the band and its music
(see below), David has in recent years blossomed
into a compelling performer in his own right,
touring nationally and releasing several albums,
the most recent of which is the critically
acclaimed Twisted Love Songs. The seventeen tunes
on Twisted Love Songs offer a wonderful glimpse
of the breadth of this modern troubadour's
musical gifts.
Armed with his sturdy baritone, an
electro-acoustic guitar and a pedal-controlled
looping setup that allows him to layer multiple
guitar parts into a complex contrapuntal weave,
David makes the term "solo artist" seem woefully
inadequate - surely we're hearing other unseen
guitarists in this glorious stew! But no, the
folks who were witness to the live performances
from which the album was culled can tell you
there were no other players in the shadows or
pre-recorded tape legerdemain involved - just a
marvelous right brain-left brain synergy that
allows David to conceive of and execute his loop
collages in real-time and in perfect rhythm; no
easy feat, to be sure. On the instrumental
"Cassidy's Cat," he deftly interlaces melodic
figures from a trio of beloved Grateful Dead
songs - "Cassidy," "China Cat Sunflower" and
"Bird Song" - to fascinating effect: it unfolds
like some steadily moving audio collage. Other
songs on the CD use looping to different degrees,
some not at all. This isn't the gimmick of some
one-trick pony, but a carefully conceived
approach to song construction that has evolved
with David's own songwriting.
And it is the strength of his large and
impressive body of original songs that has earned
him his ever-growing devoted following. As he
says, "My presentation might be novel and
intriguing with the loops and all, but the song's
the thing." Those songs are impossible to
categorize or pigeonhole. He writes tunes that
are clearly autobiographical and ones that are
like finely rendered fictional short stories. A
gentle, lilting love ballad that seems to radiate
a golden glow might be followed by a dark,
sardonic indictment of some human folly. "I think
the mission of art is to personalize the
universal and universalize the personal," he says.
Indeed, his journey is our journey, and the
characters in his songs are like all of us:
asking questions, looking for answers, amused,
confused, outraged, amazed, engaged, cynical,
indignant, loving, lonely, on the run, hiding
out, waiting and wanting and hoping and praying
that, as he sings, "it's gonna get better." Yep,
it's the whole human ball o' wax, a compassionate
everyman's take that combines the charming
simplicity of classic American folk tunes with
rare literate incisiveness. You gotta love a
songwriter who can write lines like "Narcissistic
cathexis is my ex's pathology/ She hooks 'em and
crooks 'em and cooks 'em with impunity," as he
does in "Desert of Love," a truly twisted love
song.
But "skilled solo performer" fills only one page
of David's artistic resumé. As so many concert-
and club-goers have seen, he is also is a
supremely sympathetic musical collaborator,
always up for adding his voice and/or guitar
(electric or acoustic) to any kind of tune that
calls for it. Besides playing in all sorts of
bands through the years, from the fondly
remembered Reptiles to the recent Honky Tonk
Hippies, he's also sat in with an amazing range
of fine musicians, such as Phil Lesh, Railroad
Earth, Donna the Buffalo, Henry Kaiser, New
Riders of the Purple Sage, Peter Rowan,
Ollabelle, the late great Vassar Clements, Jim
Lauderdale, The String Cheese Incident, Peter
Rowan, and moe., to name just a few. He has also
written songs with a host of others, including
Jim Page, Lorin Rowan, and Grateful Dead lyricist
Robert Hunter. And his live repertoire is
peppered with an incredibly broad (and
unpredictable) range of cover tunes by old and
new musical heroes. Pressed to list some of his
own songwriting influences not too long ago,
David reeled off Bob Dylan, The Beatles, Jackson
Browne, Steve Goodman, John Prine, CSN, Willie
Nelson, Merle Haggard, Holland-Dozier-Holland,
Mann & Weil, Carole King, Gram Parsons, Elton
John & Bernie Taupin, Robbie Robertson and the
Grateful Dead; quite a list. But he'll also tell
you that in recent years, as he's toured
extensively and played with so many superb
musicians at festivals and in other settings,
he's discovered a whole new generation of
songwriters and players who are inspiring him.
As both a player and a fan, he understands the
indefinable transformative power of music - how
it feeds our very life-force, bonds us together
in obvious and unseen ways, teaches us, heals us,
makes us better citizens of this fragile planet.
As David notes, "I came up in the time when we
thought music could change world, and I still
think it can - the only way the world can be
changed: one person, one soul at a time."
He's definitely doing his part.
- Blair Jackson
Recordings
Home By Morning (with Eric Rawlins; 1997);
"Monica Lewinsky" (CD?single - David?Gans and the
Broken Angels); Solo Electric (2000); Live at
the Powerhouse (DVD; 2002); Solo Acoustic (2003);
Twisted Love Songs (2007). cdbaby.com/all/dgans
www.dgans.com/discography
Music Productions and Compilations
The Music Never Stopped: Roots of the Grateful
Dead (1995), Grateful Dead: So Many Roads
(1965-1995) (1999); Might as Well: The
Persuasions Sing Grateful Dead (2000); Stolen
Roses: Songs of the Grateful Dead (2000);
Postcards of the Hanging: Grateful Dead Perform
the Songs of Bob Dylan (2002); All Good Things:
Jerry Garcia Studio Sessions (2004); Live From
Berkeley: Performances from KPFA's Dead to the
World (2005); Well-Matched: The Best of Jerry
Garcia and Merl Saunders (2006)
Books
Playing in the Band: An Oral and Visual Portrait
of the Grateful Dead (with Peter Simon
(1985/1996); Talking Heads: The Band and Their
Music (1985), Conversations with the Dead
(1992/2002); Not Fade Away: the Online World
Remembers Jerry Garcia (1995) www.dgans.com/books
Photography
www.flickr.com/photos/dgans