Latest The Disco Biscuits Articles
Celebrate the Disco Biscuits bassist Marc Brownstein’s birthday today by watching pro-shot video of the band’s performance at the 2001 Gathering Of The Vibes festival.
The annual Holidaze destination event featuring the Disco Biscuits, Umphrey’s McGee and STS9 will take a hiatus in 2019.
The Disco Biscuits closed out their three-night run at The Capitol Theatre by honoring the venue’s long-standing association with the Grateful Dead – watch full show pro-shot video.
The Disco Biscuits offered up “Onamae Wa” and the rarity “Shadows” both for the first time since 2015 as they hit the midway point of their Capitol Theatre run – watch full show pro-shot video.
Free webcasts of all three of this weekend’s the Disco Biscuits shows at The Capitol Theatre in Port Chester, New York are available.
The Disco Biscuits detailed a series of three shows in Colorado over Memorial Day Weekend, including their return to Red Rocks.
More The Disco Biscuits Articles
Latest The Disco Biscuits Setlist
The Disco Biscuits at Capitol Theatre
- Little Lai
- Onamae Wa
- Little Betty Boop
- King of the World
- We Like To Party
- Home Again
About The Disco Biscuits
Uniting elements of electronic dance music with more traditional forms of American rock, the Disco Biscuits have long established themselves as one of the most exciting – and influential – touring bands in the country. In the late 90s, the band pioneered a unique style of music, often referred to as “trance-fusion,” that distinguished them from their peers, while heavily influencing an entire generation of younger “livetronica” acts.
It’s now been more than 10 years since guitarist Jon Gutwillig, bassist Marc Brownstein, keyboardist Aron Magner, and original drummer Sam Altman first formed the Disco Biscuits from within the ivy walls of the University of Pennsylvania. Since then (and with Allen Aucoin now on drums, following his victory at a Bisco firing squad drum-off at Atlantic City’s Borgata Casino in 2005), the band has repeatedly sold out many of the nation’s most prestigious venues and are a proven draw at U.S. festivals, earning key slots at majors such as Bonnaroo and Lollapalooza. Along the way, they’ve accumulated cover stories (Relix Magazine), accolades (Jammy Award for “Jam of the Year”), and hit videos (“Caterpillar;” MTV Latin America).
The Disco Biscuits’ live show has developed from a regional nightclub attraction to a full on American experience. As Brownstein explains, “There’s this deep, fun-loving community built around the band that’s a decade old and which extends throughout the entire country. When we go anywhere, there’s something else going on that’s not just about the band and the music, but it’s a part of a greater experience.”
Standard rock concerts have become formulaic showcases where bands support their latest album by performing new songs amidst a selection of greatest hits. The Disco Biscuits, on the other hand, use their shows to create an entirely new album every night, in front of a live audience. Gutwillig equates it to watching a painter craft an image from scratch, using just a palette and a muse. “It’s unlike buying the art, where it’s already painted,” he says. “It’s watching the paint getting thrown on the canvas in a frenzy. And we’re doing it with dance beats and we’re doing it with grooves and we’re trying to make it as exciting as possible. It’s almost like getting cars into a field with cameras and just shooting a high-speed chase right there on the spot. What we’re trying to do, for the observer, is to make the most awesome, exciting, high-speed chase that they could possibly watch. And we’re trying to do it in a way that makes everyone feel like they went there, they lived it, and they felt it deep inside. That’s our goal.”
At the end of each summer, the Disco Biscuits host the largest live electronica event of its kind in the country. Called “Camp Bisco,” the festival has featured electro superstars (Amon Tobin, Infected Mushroom), live bands (Umphrey’s McGee, Brazilian Girls), hip-hop acts (The Roots, Slick Rick), and even weekend-long games of “color wars” organized and run by the fans.
Beyond just making music, the band is involved in community & political outreach. Brownstein is a co-founder and co-chair of HeadCount, a non-profit voter registration organization that registered nearly 50,000 new voters at live concerts in 2004 and aims to register 200,000 additional voters for the 2008 election. In addition to the Disco Biscuits, HeadCount has received support and involvement from a number of top-tiered touring acts, including the Dave Matthews Band and Phil Lesh & Friends, while members of the Grateful Dead, moe., and Leftover Salmon sit on its board of directors.
JamBase will celebrate its 20th anniversary with a special show featuring The Camp Harry All-Stars, Big Light and Ron Artis II & The Truth at San Francisco’s The Chapel.
Young guitar prodigy Taz Niederauer was joined by P-Funk’s Eric McFadden and Dead & Co.’s Oteil Burbridge on Monday night.
The Flaming Lips will hit the road with The Claypool Lennon Delirium and Particle Kid for a 12-show summer tour.
Phish will soon release an official recording of their November 11, 1998 show at Van Andel Arena in Grand Rapids, Michigan via LivePhish.
Episode 35 of ‘The JamBase Podcast’ features a double dose of “Tour Stories” segments after “The Rundown.” Zach Gill tells tales of a wild “BBQ” at an ALO show, meeting the president and jamming with Eddie Vedder, while Son Volt’s Jay Farrar recalls a pair of weird incidents during his time on the road.