Latest Graham Nash Articles
Legendary musician Graham Nash will hit the road for a tour in March.
Celebrate David Crosby’s birthday with a look back at Crosby, Stills, Nash & Young’s Woodstock set, which was the quartet’s second ever live performance.
Watch Graham Nash tell the story behind and perform CSNY’s “Ohio” during a 2013 visit to ‘The Howard Stern Show.’
Graham Nash has announced that he will perform ‘Songs For Beginners’ and ‘Wild Tales’ at a special show this September.
Graham Nash, the Sun Ra Arkestra and Jim White joined Yo La Tengo at the first night of their annual Hanukkah run of shows in New York City.
Two-time Rock & Roll Hall Of Fame inductee Graham Nash continued his ‘An Intimate Evening Of Songs & Stories’ tour in Los Angeles on Thursday, where photographer Robert Chapman captured the action.
About Graham Nash
Musican, songwriter. Born Graham Nash on February 2, 1942 in Manchester, England. At an early age Nash showed a passion for music. By his early teens, he had teamed up with schoolmate and close friend Allan Clarke to create a band that could replicate the “skiffle” songs – a pop mix of jazz, blues, folk, roots and country – that they admired so much on English radio.
The pair went through a number of different names for themselves, from Two Teens to The Levins to The Guytones. But it wasn’t until they connected with three other musicians – Eric Haydock (bass), Tony Hicks (lead guitar), Don Rathbone (drums) – that Clarke and Nash found a stable sound, and the beginnings of success. In 1963 the group renamed themselves the Hollies, and recorded their first single: a Coasters cover called “Ain’t That Just Like Me.” The song didn’t experience popular success, but another Coasters cover, “Searchin'”, along with its B-side “Whole World Over”, both reached No. 12 on the U.K. pop charts that same year. The Hollies, with Nash as one of its key songwriters, began making inroads into the U.S. soon after, with Top 10 hits such as “Stop Stop Stop” (1966).
As the 1960s took shape and rock fans clamored for a more psychedelic edge to their music, the Hollies tried to deliver, with Nash leading the way. Frustration with his bandmates, however, and longing to strike out on his own, paved the way for Nash’s departure from the band in 1968. Before the year was out, Nash had teamed up with another set of musicians, David Crosby and Steven Stills, whom he’d met during a Hollies tour. The trio immediately began recording together and, in 1969, their album Crosby, Stills and Nash proved to be huge success, with hits like “Marrakesh Express” and “Suite: Judy Blue Eyes.” Later that year, Neil Young joined the band, and the four of them came together to deliver one of the more memorable performances at Woodstock.
Nash’s new group, dubbed by critics as a “super group” because of its collection of highly regarded rock stars, responded to the headlines and mood of their generation with songs like “Woodstock”(1970) and “Ohio” (1970), the latter being a response to the four students killed by National Guard soldiers on the campus of Kent University. Like any kind of creative partnership, however, CSN&Y has had its difficulties. There have been breakups, feuds, reunion shows and new albums over the last three-plus decades.
Nash, as expected, has always gone his own way. In 1971, Nash’s first set of studio work, Songs, achieved decent success, peaking at No. 15 on the U.S. charts. And while other albums haven’t delivered the same kind of commercial results, Nash, considered one of the more upbeat and steady musicians to come out of the 1960s, has never let it faze him. His longtime band mate and friend, David Crosby, has credited Nash with helping him fight his own substance abuse problems.
Outspoken and unafraid to show his political leanings, Nash was at the forefront of the anti-nuclear movement of the 1970s and 80s. In recent years, with more attention being paid to kick-starting America’s nuclear industry, Nash has once again been vocal in his opposition.
In 1997, Nash was inducted into the Rock and Roll Hall of Fame as a member of Crosby, Stills and Nash and the Hollies in 2010.
Trey Anastasio Band played sans Cyro Baptista at the House Of Blues in Houston after the percussionist was sidelined with the flu.
Tedeschi Trucks Band delivered an acoustic section to open up the second set of their Chicago Theatre residency closer and also stopped by Buddy Guy’s Legends to perform with the legend himself.
Jerry Joeseph helped Widespread Panic dust off a cover of The Beatles’ “Come Together” during night two of WSP’s Panic En La Playa Nueve run in Mexico, which featured a Red Hot Mama Pajama theme.
Tedeschi Trucks Band returned to the Chicago Theatre on Friday night to continue their four-night residency in The Windy City.
Umphrey’s McGee debuted “Red Room” nearly 13 years since its release on 2007’s ‘The Bottom Half’ and busted out another Rush cover at Stage AE in Pittsburgh.