Latest Donna The Buffalo Articles
Release Day Picks this week highlights new albums by Charles Bradley, J Mascis, The Revivalists, Donna The Buffalo, John Medeski’s Mad Skillet, Rhett Miller, Fleet Foxes and The Beatles.
Donna The Buffalo shared “Dance In The Street,” the title track from their first new album in five years, which is due out in early November.
Donna The Buffalo’s Tara Nevins weighs in on the upcoming Lockn’ Festival, what it’s like to be a woman in the music business these days and much more.
We premiere Donna The Buffalo’s Live at JamBase HQ performances of “Don’t Know What We’ve Got,” “One Day At A Time” and “All Aboard.”
Latest Donna The Buffalo Setlist
Donna the Buffalo at Don Gibson Theatre
- Family Picture
- Positive Friction
- No Place Like the Right Time
- Conscious Evolution
- I Believe
About Donna The Buffalo
On the Heels of Their 10th Studio Album – Tonight, Tomorrow and Yesterday Donna the Buffalo Enter Their 25th Year As a Band
Original roots music since 1989, infused with elements of cajun, rock, folk, reggae, and country
“Donna The Buffalo is from central New York state, not Louisiana, but this widely loved quintet has woven that joyful, hip-shaking zydeco pulse into the DNA of its sound, and leaders Jeb Puryear and Tara Nevins have wrapped that core vibe with hopeful, mellow lyrics.” –Music City Roots, Craig Havighurst
Look around you. Consider the keepsakes you cherish, the relationships you relish, the enduring cornerstones in your life, and ask yourself how many have held steadfast since 1989. Closing in on the quarter-century mark, Donna the Buffalo has proven itself a consistent purveyor of Americana music. What’s the recipe? To be sure, it’s infused with more spices than you’ll find at a Cajun cookout by way of a southern-fried, country old-time jamboree.
Donna the Buffalo is Jeb Puryear (vocals, electric guitar) and Tara Nevins (vocals, guitar, fiddle, accordion, scrubboard) joined by David McCracken (Hammond organ, Honer Clavinet & piano), Kyle Spark (bass) and Mark Raudabaugh (drums). “It’s been really fun with this lineup,” Puryear says. “You get to the point where you’re playing on a really high level, things are clicking and it’s like turning on the key to a really good car. It just goes.”
“You have to do just what you want to do, and everyone likes different things,” Nevins says. “Both Jeb and I come from this background of old-time fiddle music, which is very natural, very real, very under-produced, and all about coming from the gut – flying by the seat of your pants. So we have that in us, too.”
Donna the Buffalo debuted their first studio album in five years, Tonight, Tomorrow and Yesterday, on June 18, 2014 via Sugar Hill Records. All Music Guide says the album, “highlights everything this consistent band does, and it has a warm, live-sounding production… This is what 21st century Americana sounds like, a little bit of this and that from anywhere wrapped up into a poignant, jamming dance reel, a place where the past and history meet easily in the immediate now and everybody feels like dancing.”
The group draws its inspiration from a cherished part of the American heritage: the old-time music festivals of the south that drew entire towns and counties together. “Those festivals were so explosive, and the community and the feeling of people being with each other, that’s the feeling we were shooting for in our music,” Puryear says. “Donna the Buffalo is an extension of the joy we’ve found.”
Put another way, it’s love made audible – and in the most transparent way imaginable on Tonight, Tomorrow and Yesterday. Puryear sums it up – how else? – from the heart: “We tried to do the record and keep in tact the things people love about us.”
Over the years, the band has also built a following that proudly calls itself The Herd, along with a well-deserved reputation for crafting social narratives and slipstream grooves without equal. To merely call this “roots music” does it disservice, for the roots nurtured by Puryear and Nevins run wild, deep and strong – a tribute to how much Donna the Buffalo marries musical trailblazing and tradition.
“It’s a great feeling to promote such a feeling of community, like you’re really part of something that’s happening, like a movement or a positive force…” Nevins says, “All those people that come and follow you and you recognize them and you become friends with them – you’re all moving along for the same purpose. It is powerful. It’s very powerful, actually.”
As an expansion of this community and the band’s own dedication to live roots music, Donna started, and are still the driving force behind, the twenty-five year old Finger Lakes GrassRoots Festival of Music and Dance in Trumansburg, NY, the bi-annual Shakori Hills GrassRoots Festival in Silk Hope, NC and the Virginia Key GrassRoots Festival in Miami, FL. DtB are regulars at MerleFest (NC), Suwannee Springfest & Magnolia Fest (FL), All Good (WV), FloydFest (VA), The Great Blue Heron Festival (NY), Del Fest (MD), Rhythm & Roots Festival (RI), Targhee Bluegrass Fest (WY) as well as a variety of other venues and festivals across the nation.
Donna the Buffalo has toured the nation for nearly twenty five years with an ever-evolving grassroots sound and plans to keep on doing so for many years to come.
Umphrey’s McGee dusted off Paul Simon’s “50 Ways To Leave Your Lover” for the first time in nearly five years last night in Cleveland.
Spafford dusted off an Eagles cover and delivered their debut of Leonard Cohen’s “Hallelujah” during their first of two from Terrapin Crossroads – watch full show pro-shot video.
Trey Anastasio sat in with Mike Gordon’s solo band for the first time since 2014 last night at The Sinclair in Boston joining his Phish bandmate for the majority of the second set and encore.
Umphrey’s McGee teamed with Big Something’s Casey Conrad on a Rolling Stones cover and unearthed a true rarity last night at Stage AE.
Widespread Panic returned to The Capitol Theatre for the first time in 27 years kicking off their first-ever headlining run at the historic rock palace on Friday night.