Circles Around the Sun Shows
- Nearby Shows
- Sorry. There are no upcoming Circles Around the Sun shows near Ashburn, Virginia.
- August 2019
- Aug222019
- Arrington, VA
- 4 days • Aug 22 - 25, 2019
Circles Around the Sun at Lockn’
Trey Anastasio BandTedeschi Trucks BandBob Weir and Wolf BrosExact performance date not yet confirmed.
- January 2020 top
- Jan72020
- Miami, FL
- 5 days • Jan 7 - 11, 2020
Circles Around the Sun at Jam Cruise 18
The Claypool Lennon Deliriummoe.GalacticExact performance date not yet confirmed.
See Members of Circles Around the Sun
- July 2019
- Jul182019
- Jul192019
- Jul202019
- Jul212019
- Jul232019
- Jul242019
- Jul252019
- Jul262019
- Jul272019
- Jul282019
- Jul312019
- August 2019 top
- Aug12019
- Darrington, WA
- 4 days • Aug 1 - 4, 2019
Grateful Shred at Summer Meltdown
TipperUmphrey’s McGeeGramatikExact performance date not yet confirmed.
- Aug22019
- Aug32019
- Aug62019
- Aug72019
- Aug92019
- Aug102019
- September 2019 top
- Sep62019
- Sep72019
- January 2020 top
- Jan72020
- Miami, FL
- 5 days • Jan 7 - 11, 2020
Grateful Shred at Jam Cruise 18
The Claypool Lennon Deliriummoe.GalacticExact performance date not yet confirmed.
Latest Circles Around the Sun Articles
Members
About Circles Around the Sun
Circles Around the Sun was formed for a very specific purpose: to create intermission music for Fare Thee Well, a series of reunion concerts played by the surviving members of the Grateful Dead during 2015. The shows celebrated the band’s 50th anniversary and served as their official sendoff. Video director Justin Kreutzmann (son of GD drummer Bill) approached guitarist/composer Neal Casal (Ryan Adams’ Cardinals, Chris Robinson Brotherhood, Phil Lesh & Friends) about creating five hours of music to accompany his biographical visuals to be shown during the Fare Three Well concert intermissions. Casal enlisted keyboardist Adam MacDougall (a fellow member of the Robinson Brotherhood and Lesh’s Friends bands), bassist Dan Horne (Beachwood Sparks, Jonathan Wilson), and drummer Mark Levy (the Congress). Casal explained that “…the idea was to not only show reverence for the past but to ultimately move it forward,” adding “If there’s anything to be learned from the Grateful Dead, it is to dissolve your boundaries, push your limits, and discover your own voice in this world.” To that end, this new band entered the studio without having prepared any material. They composed on the spot and recorded live for two days with engineer J.P. Hesser. They kept the process pure by not adding anything during post-production. While most involved with the project assumed these sessions would just end up as background music that concertgoers would pay little attention to, they were wrong.
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