Latest Carl Broemel Articles
Stream Carl Broemel’s just-released EP ‘Brokenhearted Jubilee,’ which features covers of songs by Nick Drake, Paul McCartney, Gillian Welch and more.
Watch Carl Broemel perform five songs for SiriusXM including an extended take on “4th Of July” that features a cover of Nick Drake’s “Pink Moon.”
Watch Steelism and My Morning Jacket guitarist Carl Broemel perform the Beach Boys instrumental track “Pet Sounds” during a recent show in Nashville.
Release Day Picks this week highlights new albums by Prince, Amy Helm, Billy Gibbons, John McLaughlin & Jimmy Herring, Robert Walter’s 20th Congress, Carl Broemel, Scott Sharrard, Particle, Mountain Man, Adam’s House Cat and The Artisanals.
My Morning Jacket guitarist Carl Broemel shared the official video for ‘Wished Out’ single “Dark Matter.”
My Morning Jacket’s Carl Broemel will tour in support of his upcoming solo album ‘Wished Out’ that features the single “Starting From Scratch.”
More Carl Broemel Articles
About Carl Broemel
It takes a lot of time to know your mind. Its a simple statement, yet earnest and profound in its offering. Sometimes it’s the spaces in between, the subtleties and ambiguities that provide us with the most meaning. All Birds Say (ATO Records) is an intimate collection of musings on life from My Morning Jacket guitarist, Carl Broemel. Broemel reflects on things as they are with Zen-like contentment, making no judgment on how they should be he gives pause for introspection but stops short of preaching. The songs are firmly planted between past and present. It’s in these little fractured moments that the listener bears witness to thoughtful contemplation that give rise to epiphanies on larger themes.
Broemel could’ve taken the easy road and penned a lyrical triptych to the remarkable journey he’s experienced over the past several years, but instead All Birds Say is an incredibly honest and sincere insight into the artist’s inner-most thoughts as he attempts to reconcile his role in life. “Where do you start? Or where do you stop? And how do you reconcile the things you do versus the things you don’t? It’s something I’m constantly thinking about. I think there’s a lot of trying to be aware of what you’re doing now versus dwelling on things or worrying about what’s gonna happen later. A lot of the songs are really just me talking to myself, trying to make sense of things in my head.”
Deft in its presentation, the songs on the album unfold in a dream-like stream of consciousness with lush and elegant arrangements. The album’s brilliance is displayed in Broemel’s effortless delivery. It’s the perfect amalgamation of lazy sophistication whimsical poise and grace. The instrumentation serves as the ideal complement to Broemel’s well crafted set of modern-folk standards; complete with pedal steel, dobro, strings, autoharp, clarinet, bassoon, vibraphone, and baritone sax, among others. Think Ron Sexsmith, Neko Case, Neal Casal, Andrew Bird, Mose Allison, and early Boz Scaggs singing an orchestrated chorus of breezy ballads and waltzes.
The guitar figure of the instrumental title track that opens the album serves as a natural introduction to “Life Leftover,” an introspective meditation on the importance of being more present in life that’s at the heart of All Birds Say. The album also afforded him the chance to collaborate with his own father, a former member of the Indianapolis Symphony who provides rich color and depth to the music with clarinet, baritone sax, and bassoon. ”To me, making records is like alchemy. It’s something that no one can ever perfect, but you have an insatiable desire to keep doing it and get better at it. I really believe that everything we experience contributes to what we do next, so this album is really a result of all the records and tours I’ve done so far.”
The best records always seem to be the ones that slowly reveal themselves like a pleasant surprise and allow the listener to peel through deeper layers upon repeated listen the kind of records that you grow with and can go back to months later and hear something then that resonates with you in a way that wouldn’t have otherwise. It’s an interactive process between the listener and the artist, and one to be thankful for. This is the kind of album that epitomizes the vinyl experience; an instant classic that is sure to stand the test of time.
The latest installment of ‘The JamBase Podcast’ features Kelsey Waldon talking “Musical Mentors” and Ben Morrison sitting for a “Quit My Day Job” segment after “The Rundown” of recent news stories.
The Wood Brothers shared “Cry Over Nothing,” a track featured on their forthcoming studio album ‘Kingdom In My Mind.’
‘GarciaLive Volume 12’ features a Jerry Garcia and Merl Saunders performance from January 23, 1973 at the Boarding House in San Francisco.
Amanda Shires confirmed an extensive tour to start 2020 that includes support from L.A. Edwards.
The first installment of ‘After Midnight,’ a five-episode episode original narrative podcast celebrating the 20th anniversary of Phish’s Big Cypress Millennium Eve festival in Florida’s Everglades has arrived.