The Roots Picnic | 06.06 | Philadelphia
By Team JamBase Jun 11, 2009 • 11:40 am PDT

The Roots Picnic :: 06.06.09 :: Festival Pier @ Penn’s Landing :: Philadelphia, PA
![]() |
Currently commuting from Philly to NYC as the house band for Late Night with Jimmy Fallon, The Roots sure brought the numbers out and about for a homespun get-down that kicked off the summer in style. As the afternoon sun burned down on the Ray-Ban and neon sporting youngsters, a nice number of aging fans wearing time-worn Public Enemy garb were offered another memory blast from those late ’80s/early ’90s. Never underestimate this crew from the 215 (area code), who opened Saturday’s festivities on the main stage with a dance crew, The Jabbawockeez, and special guest MCs Jordan Knight and Donnie Wahlberg of New Kids On The Block (really) fame. Sure it was cheesy, but Donnie Wahlberg went tête-à-tête with Black Thought for a few rounds of a freestyle session and then left the stage by saying that he was just thrilled to be standing on this side of the Delaware River with these legends.
![]() |
The main stage was graced early with Elevator Fight, featuring a lively Zoe Kravitz (daughter of Lisa Bonet and Lenny Kravitz) mixed with the bass playing of Philly’s own Bodega and a few other musicians. Their raucous rock was just the jolt of caffeine needed for a lazy afternoon crowd. Bus Driver‘s splash of indie hip-hop was greeted with more flying beach balls as the rapid-mouthed MC spouted rhymes about the first black astronauts. His pink tee and brown deck shoes matched his spirit and his hand motions were not unlike TV on the Radio‘s supercharged frontman Tunde Adebimpe.
The Brooklyn Afrobeat torch bearers Antibalas amped the crowds even more as a war-painted Duke Amayo and the grooviest horn section this side of New Orleans went at it. Antibalas’ trumpeter Jordan McLean, saxophonist Stuart Bogie, trombonist Aaron Johnson, and baritone sax wiz Martin Perna were arguably the busiest musicians of the day playing with Public Enemy, TV on the Radio and their own band. At one point during the 10-minute “Indictment” jam, Stuart Boogie led fans in an exercise of crowd participation asking that one side of the venue be ‘patience’ and the other half be ‘persistence.’ I saw Mike Gordon try a similar exercise at the All Good Festival last year and watched this fail just as miserably. Let it be known that afternoon crowds are lethargic and even simple exercises don’t work. No worries though, Antibalas just blasted the failed effort away in a barrage of wishes that Dick Chaney be indicted before they finished the second most danceable set of the day.
![]() |
On Saturday Dan Auerbach and Patrick Carney of The Black Keys blasted-out their minimalistic sludgy-blues rock as grand and ballsy as ever. Waves of deliciousness poured out Auerbach’s guitar on opener “Thickfreakness.” The sludgy blasts washed over Carney’s drum kit that was adorned in the late afternoon sunlight. The Akron, Ohio twosome burnt rubber for nearly an hour. Their impressive set touched on old songs and also new ones from last year’s acclaimed Attack and Release, including a massively distorted and reverberating “Psychotic Girl.” Their only downfall was Auerbach actually blowing up his guitar amp three songs before the set was supposed to end. The five minutes of delay in the rising action made their train lose its steam.
![]() |
In 1988, I was 13 and filled with the angst of my parent’s recent divorce. Public Enemy’s album, It Takes A Nation Of Millions To Hold Us Back was my anthem. Seeing them perform one of the most influential rap albums ever, backed by The Roots and a five-piece Antibalas horn section, was the clear and undefeated highlight of the day. No, scratch that, the year! Chuck D and Flava Flav, the ever evolving lyrical anarchists, performed the album in reverse and brought the noise for over an hour. They kicked off with an aggressive skull-cracking version of the album’s closer “Party For Your Right To Fight” and ended with “Bring The Noise.” The stage was packed from front to back with percussionists, guitarists, a few keyboards, Questlove on the drums, two DJ’s, Damon “Tuba Gooding Jr” Bryson, Professor Griff, and Black Thought. Flava Flav was unexpectedly toned down in an orange suit sans hat and shades, but an enormous timepiece still swung from his neck as he bounded around the stage as youthful as ever. Chuck D owned the mic with delivery like no other and this rap star needed no gold chains to show his prowess. It was a beautiful and loud tribute to their fanatical Bomb Squad productions of yesteryear. The all-star backing band breathed new life into hit after hit as they reinvented the harshness of the album’s sound with an organic, urgent horn-driven funk and hardcore rhythm that embellished upon many fond memories. After a “Fight The Power” encore, Flav Flav lingered on stage. Even his nonsensical rants couldn’t damage this last 20th anniversary revival.
![]() |
The Roots retook the stage after 11 pm. It was like finishing a massive climb and approaching the summit. As we looked back, behind us lay a wake of artists and performances all leading to this last set. The Roots did not disappoint and their jam-filled closing set seemed to contain only a few Roots tunes, with the highlight being a 20-plus minute version of “You Got Me.” I doubt one song was ever able to capture all of the emotion and styles of one day so well. This never-ending song captured The Roots’ magic and contained so much history in sound that the song in itself was its own playlist. It included some reggae, some hard-rock, a little classic soul, bits of George Thorogood‘s “Bad To The Bone,” Guns N’ Roses‘s “Sweet Child Of Mine,” Led Zeppelin‘s “Immigrant Song,” Muddy Waters‘s “I’m A Man” and a few fake endings – the whole kitchen sink was shoved into this behemoth. In between, The Roots worked in bits of their own songs but the hour set came off as one monster jam. The Roots Picnic exemplifies Philadelphia in all the best possible ways. The Roots seamlessly bridge all things spectacular about music’s many genres as well as the medium’s ability to bridge the generation gap. Hats off to them and to the Picnic’s huge, yet peaceful crowd. This event is one for the record books, and here’s hoping that it will continue to grow in the years to come.
Continue reading for more pics of The Roots Picnic…
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() | |
![]() |
JamBase | Illadelph
Go See Live Music!