The Jam Stampede with John Kadlecik :: 04.16.12 :: Gramercy Theatre :: New York, NY
Having recently caught a solo John show at Sullivan Hall, I knew what to expect from the opener. John’s sweet and clear voice delivered one eloquent song after another. Naturally, the crowd arrived in hopes of another Grateful Dead love fest, but he did not immediately answer their call. After a fresh take on a couple obscure Robert Hunter covers, the crowd was so entranced by his waxing musical deliver that John ribbed them, “Wow. It is so, so quiet in here!” John’s voice is crystal clean and clear. If Pigpen’s voice conjures up Thunderbird, John’s is a smooth flowing Molson Golden. Transitioning into a gentle rendition of Dylan’s “Visions of Johanna,” a tune the Grateful Dead covered a few times, the pleased audience, recognizing the sounds of a familiar tune, sang along to the parts they knew while growing visibly animated. Although John chose specific songs from his soul, it was obvious from the audience, although satisfied, that they were anticipating even more.
Recharging between sets, I found JK straddling a doorway alone, savoring a few recharge moments before unleashing his fury on us. Knowing he has a very unique place on the music scene, he plays some of the most beloved songs in musical history with a band that has no equal in terms of passionate fan following. Naturally, I asked what many of my peers wanted to know:
“With the vast Furthur catalog at your disposal, what song is the one you are always most chomping at the bit to play?”
He reflected for a moment. If John’s reserved delivery yet often quirky speech aren’t reminiscent of John Denver, his bespectacled face hiding an innocent, boyish face certainly is. He replied matter of factly, “Whatever song is next.” Even after all the years and all the shows, he simply relishes the chance to shred his guitar with his innate prowess, picking on the strings with some old friends, all onstage buoyed by his presence. Kadlecik shared how he feels fortunate, due to his success as the lead guitarist for Furthur, to have an opportunity to play a setlist of songs of his choice that are not always Grateful Dead related because he may not otherwise have the chance to do so if not for his notoriety in recent years.
The set progressed with familiar grooves, highlighted by a tightly conceived and melodious “Unbroken Chain”, complete with the requisite improvisational noodling after the second verse. Lizzy Friel, lead singer of the well-respected Jerry tribute act Reflections, joined the band to provide luscious harmonies on numerous songs. Having recently become engaged, Lizzy exuded a radiant glow which only facilitated better vocals during her guest turn.
There are 324 Grateful Dead cover bands in the U.S. according to www.gratefuldeadtributebands.com, which included those quality outfits I have seen like Reflections, Ship of Fools, Splintered Sunlight, Wig Jam, Dead Sessions, Reckoning, Cosmic Charlie and Dark Star Orchestra. By the end of this entertaining and engaging evening, I was convinced that I’d just witnessed the most rewarding tribute experience. Jam Stampede tackles each and every number with an altered angle offering a unique take on timeless classics. Rather than replicate and spit out versions as a Jerry wannabe act, the band utilizes the Grateful Dead’s song structures as a foundation or starting point to then explore the vast musical landscape around it. By accentuating new and original points within a tune, varying the chord structure, and even changing the crescendo spots, they effectively maintained interest from an audience who remained surprised at a show where one has heard and sang along to all the songs so many times previously.
Having witnessed the first set’s talent, people were angling for a better view, competing for a closer spot near the stage in anticipation at the start of the second set. “Help > Slip > Franklin’s” was a tight and energetic place to start. John Kadlecik had graced the stage for numerous songs throughout, and watching as he often leaned back to allow Mike to take over the patented Jerry solos was reminiscent of a baton being passed. The music was so energetic and together, even the usually mundane “Playin > Uncle John’s” pairing took on an interesting dynamic due to the band playing with a mutual purpose and connection, with Lizzy again joining to add to the myriad of voices, which collided in a wonderful harmonic melting of sounds. However, it was the encore of “Bertha” that culminated a most surprising and special night of celebration amongst old friends. JK and MM alternated spots to improve, inspire and demonstrate each other’s virtuoso guitar work.
I vividly recall occasionally spotting a bumper sticker on 80s Dead tour that simply stated: “The Fat Man Rocks.” Although meant in endearing levity, I never accepted this misguided attempt at humor. Chastising another about weight, even if one respects them, never demonstrates good taste. Intelligent men know that if you mention any similar remark to your girl, you are destined for a night in the dog house. Similarly, I never could comprehend how anyone so blatantly competent and proficient would consistently garner the moniker of “Fake Jerry.” Considering that “Fake Jerry” could never be a proper label anyway, as there is no mortal presently strumming a guitar who can approach the talent and icon status of Garcia, ultimately, it was a catchy, cute if not an accurate moniker. After this intimate showcase of guitar talent, I discovered first hand there is a John and a Mike, and fortuitously for those in attendance, they are both very real originals in their own right.
John Kadlecik Setlist
Down to Eugene, Givin’ Me the Business, Yellow Moon, American Spring, It’s Alright, Visions of Johanna, The Light That Has Lighted the World, Watching the Wheels, Seen Love*, Sister Smiles*, What’s Become of Mary*, Fast Enough for You*, Illegal Smile
* – with Lizzy Friel on harmony vocals
Jam Stampede Setlist
Set I: Other One > Morning Dew > Box of Rain*# > Simple Twist of Fate# > China Cat > Rider* > Unbroken Chain# > Other One > Deal*
Set II: Help > Slip > Franklin’s > Playin*# > Uncle Johns*# > Playin*# > Lovelight# > Bertha#
# with John Kadlecik
* – with Lizzy Friel on harmony vocals
JamBase | Shakedown Street
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