Joe Russo Quartet | 02.13.09 | New York
By Team JamBase Feb 27, 2009 • 12:40 pm PST

Joe Russo Quartet :: 02.13.09 :: Sullivan Hall :: New York, NY
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Joe Russo is a Brooklyn-based musician that is also a regular on the festival scene, something I respect as not many NYC jazz musicians are inclusive enough to share the stage with such diverse talent. This show was the night before Valentine’s Day and was really two concerts in one. Three independent bands played earlier in the night and The Joe Russo Quartet took the stage around midnight. The late night show was billed as a post-moe. gig, as the legendary live band was playing just up the street at Terminal 5.
The bands on the earlier bill were lesser known, though each demonstrated a lot of potential. Shotgun Stereo is an NYC group that could be considered by some to be punk rock. They impressed me with their ability to get an authentic blues sound, a quality lacking in much rock music today. Bryan Fenkart is a singer-songwriter from Astoria, Queens that reminded me of Ben Folds, playing melodic, soft music. The Great Divide from Ann Arbor, MI was the most jazz influenced of the three, setting the tone for the night, with tight, soulful horns, keys and a great jazz guitar/bass combo. I presume the sophisticated talent of this band is the result of formal musical training.
A broad swath of music fans are attracted to Joe Russo and his other project the Benevento/Russo Duo. These range from jazz freaks, neo-hippies/yippies and the scourge that is NYC hipsters. The Duo’s ability to appeal to such a varied audience is due to a combination of unique musical style, location and a willingness to branch out. Joe Russo and Marco Benevento are both pillars of the NYC experimental jazz scene. Like Medeski Martin and Wood, they are carrying the torch for this tradition in New York and keeping improvisation alive.
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One of the best things about Sullivan Hall is the unpretentious, casual atmosphere. The music business in general can feel like a perpetual competition for one-upmanship in a game of “hipper than thou.” For this very reason it is difficult to sound sincere when writing about music, thankfully, Web 2.0, blogs and the comment system have been important in helping to keep the media authentic and in check. Sullivan Hall is a venue for the people; the smaller stage does not put the musician on such a high pedestal as to separate them completely from the audience. The line gets blurred between the music and the audience, creating an interaction and synergy that is important to the live music experience, and which is difficult to replicate in arenas and large, fancy venues.
As I left the building, I walked through the surrounding neighborhood of Greenwich Village, one of the most colorful parts of NYC. I thought back to the history of the 1960’s counterculture embedded in the area. I look forward to Sullivan Hall bringing more of this particular type of niche music that is hard to find anywhere else on a regular basis.
Be sure to check our recent exclusive feature/interview with Sir Joe Russo here.
Joe Russo tour dates available here.
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