Marillion are one of the UK music scenes best kept secrets; purveyors of soulful, powerful, and often deeply-moving music, whose blistering live shows leave their audiences breathless. When Fish, Marillions original lead singer, left the band in 1988 after four albums he was replaced by the charismatic Steve Hogarth. A former member of The Europeans and some-time collaborator with The The and Julian Cope, Hogarth brought a new heart and energy to the band.
Predictions of doom were swiftly dispelled, as across a further NINE albums, Hogarth along with existing members Steve Rothery (guitar), Mark Kelly (keyboards), Pete Trewavas (bass), and Ian Mosley (drums) reinvigorated and constantly redefined Marillions sound. They forged into new musical territories with a succession of inventive, emotional albums, displaying little regard to the vagaries of The Musical Fashion Police, or the bandwagoneering of radio playlists. After the release of 1999s marillion.com the band banished the spectre of record company pressure once and for all by launching their own record label (the aptly-named Intact imprint) and freeing themselves up to produce some of the finest music of their career.
Thanks to their pioneering embrace of the Internet, Marillion have developed a unique and intimate relationship with their fans. From sponsoring entire tours of the USA to funding the recording of recent albums, Marillions global fan-base is unique in its affection and dedication. As a result, such passionate, wholesale support has allowed Marillion to step outside of the conventional music industry and find their own path.
In 2001 Anoraknophobia saw Marillion take the groundbreaking step of asking fans to pre-order an album 12 months before release. An amazing 12,000 people signed up, helping to finance the recording. The band once again took pre-orders for the 2004 masterpiece Marbles, but this time the money was channelled into a campaign fund to promote its launch.
When singles Dont Hurt Yourself and Youre Gone breached the UK top 20 the latter making it all the way to number 7 jaws dropped right across the music world.
Not bad going for a band without major label backing.
But it was merely the latest twist in a 23-year-long history of a group who have held on to the conviction that what theyre doing MEANS something real.
In the face of ignorance and apathy, Marillion continue to defy preconceptions and labelling. The band has evolved into a vibrant musical force to those who already love Marillion, theyre something special; to everyone else theyre a love affair waiting to happen.
The new album Somewhere Else could well be the one that brings the band the widespread global recognition they have long deserved. Those who’ve heard it think its the best Marillion album yet AND its their 14th thats three more albums than U2, two more than The Beatles, and the same number as The Ramones, a feat rare in the annals of rock.
Rarer still that a band should still be bettering itself after nearly a quarter of a century.
The Tedeschi Trucks Band tacked on a three-night stand in Boston to their Fall Tour 2019.
Greensky Bluegrass busted out a Phish cover, dedicated a song to Jeff Austin and welcomed Billy Strings and members of his band as part of their Red Rocks Run 2019 finale on Sunday.
The Revivalists enlisted Bob Saget for a cover of The Who’s “My Generation” as part of their set on Sunday at KAABOO Del Mar.
Ween returned to the stage for the first time in 2019 on Sunday for a full performance of their 1997 studio album ‘The Mollusk’ and more at Riot Fest in Chicago.
‘Not Not Jazz,’ a documentary film about Medeski, Martin & Wood, will premiere at the Woodstock Fim Festival in New York.