About John Maus
When John Maus (not to be confused with the John Maus of Walker Brothers fame) wasn’t playing keyboards for Animal Collective, Panda Bear, and Haunted Graffiti, he was writing and recording his own hermetic, experimental, and oftentimes misunderstood compositions. Drawing on artists like David Bowie, Scott Walker, and Joy Division, Maus’ swollen, distorted, and unabashedly strange debut, 2006’s Songs, was more or less reviled by any and all music critics within earshot. CMJ wrote, “It took this Ariel Pink cohort five years to write and record his debut album, and only five minutes to become more annoying than Ariel Pink.” Commenting on Maus’ vocal style, Drowned in Sound’s Mike Diver said that while some listeners “…will hear a little Nick Cave in it…others will hear a man crapping out of his mouth.” In spite of the harsh criticism (much of which Maus posted, to hilarious effect, on his MySpace profile), Maus continued to generate new material. His second album, Love Is Real, was released on Upset the Rhythm in 2007. Four years later, he returned with We Must Become the Pitiless Censors of Ourselves, which featured some of his most dynamic and nuanced music to date.
Tedeschi Trucks Band busted out a Cowboy cover during their acoustic set at the Warner Theatre in Washington D.C.
Joe Russo’s Almost Dead dusted off a Radiohead cover and welcomed Scott Metzger’s “future wife” violinist Katie Jacoby for a Bob Dylan tune at The Capitol Theatre in Port Chester, New York.
Phish Riviera Maya 2020 continued in Mexico with night two featuring bust outs, impressive segues, rarities, memorable jams and more.
To celebrate Grateful Dead keyboardist Vince Welnick’s birthday, watch him lead the band on The Who’s “Baba O’Riley” and The Beatles’ “Tomorrow Never Knows” from MSG in 1993.
In honor of Faces’ recent reunion, this week’s Full Show Friday features 44 glorious minutes of pro-shot video from the band’s 1973 show at Edmonton Sundown in London.