Brothers Past Shows
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See Members of Brothers Past
- July 2019
- Jul182019
- Jul202019
- Jul242019
- Jul252019
- Jul262019
- Jul272019
- Jul272019
- Jul282019
- August 2019 top
- Aug12019
- Thornville, OH
- 3 days • Aug 1 - 3, 2019
Joe Russo’s Almost Dead at The Werk Out
The WerksTwiddleThe Claypool Lennon DeliriumExact performance date not yet confirmed.
- Aug22019
- Johnstown, PA
- 2 days • Aug 2 - 3, 2019
Ghost Light at Flood City Music Festival
Gin BlossomsCowboy MouthGhost LightExact performance date not yet confirmed.
- Aug32019
- Aug162019
- Aug172019
- Aug222019
- Aug292019
- September 2019 top
- Sep122019
- Sep132019
- Sep142019
- Sep212019
- East Aurora, NY
- 2 days • Sep 21 - 22, 2019
Ghost Light at Borderland
Gov’t MuleGreensky BluegrassShakey GravesExact performance date not yet confirmed.
- Sep262019
- Sep272019
- Sep282019
- November 2019 top
- Nov92019
- Nov222019
- San Diego, CA
- 3 days • Nov 22 - 24, 2019
Ghost Light at Wonderfront Festival
Ben Harper and the Innocent CriminalsMGMTSlightly StoopidExact performance date not yet confirmed.
- January 2020 top
- Jan72020
- Miami, FL
- 5 days • Jan 7 - 11, 2020
Ghost Light at Jam Cruise 18
The Claypool Lennon Deliriummoe.GalacticExact performance date not yet confirmed.
- Jan72020
- Miami, FL
- 5 days • Jan 7 - 11, 2020
Tom Hamilton at Jam Cruise 18
The Claypool Lennon Deliriummoe.GalacticExact performance date not yet confirmed.
- Jan72020
- Miami, FL
- 5 days • Jan 7 - 11, 2020
Electron at Jam Cruise 18
The Claypool Lennon Deliriummoe.GalacticExact performance date not yet confirmed.
Latest Brothers Past Setlist
Brothers Past at Atlantic Club
- Lunar Cycle
- Dressed Up Worn Down
- Let's Start A Gang
- Who's Gonna Love Me Now?
- Too Late to Call
- Who's Gonna Love Me Now?
- Dead Clowns
Encore
- I Might Be Wrong
- One Rabbit Race
About Brothers Past
Some bands are recognized for their outstanding live show, others for their prowess in the studio. Philadelphia’s Brothers Past garners accolades on both fronts, emerging at the forefront of electro-rock with a willingness to blend various styles seamlessly into an original sound. Yet, whether live or in the studio, the art of songcraft is the prevailing element in their music.
Morgan Wells of Urb Magazine describes the band’s latest work as “… a glimpse into the future of pop music… Brothers Past offers a smooth and believable blend of electronica, rock and pop just original enough to place [This Feeling’s Called Goodbye] at the top of a growing pile of genre-bending releases.” Steven Rosen in HARP echoed the praise: “There’s a future in this kind of music.” Hailed by critics and fans alike for it’s catchy rock anthems, captivating arrangements and inspired lyrics, the album received numerous “Top Ten” mentions and was nominated by the Jammy Awards for “Album of the Year.” The release has established Brothers Past as innovative songwriters with a progressive vision towards future.
Brothers Past will showcased their latest ideas, along with their best material, with occasional shows in 2009. As a seasoned national act, the band has received attention for delivering a thunderous live show, with a wide repertoire of songs and sounds. Tapped to perform the main stage at the Bonnaroo Music Festival in 2006, Brothers Past emerged as one of the surprise favorite acts. “The square-jawed, bastard child of Pink Floyd with a gigantic stage show,” dubbed The New York Press.
Past studio work includes the September 2004 EP, statEPolice, which Chicago’s Innerview called “Delicious.” A Wonderful Day, the band’s December 2002 full-length CD, was deemed “Excellent, eccentric, engrossing” by The Philadelphia Inquirer. The Philadelphia Daily News wrote, “The buzz has been very good on rock originals Brothers Past, and yes, it’s deserving. This group jumps out as something special on its futuristic concept album.” In 2001 the band conceived Elements, a daring and experimental recording weaving live, computer, and studio tracks to create an altogether new sonic tapestry. Richard Gehr of the Village Voice exclaimed, “Elements has style. It’s one of the first great post-Phish trance-fusion albums and sounds like Pink Floyd jamming with Sasha and Digweed in Brian Eno’s bedroom.”
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