Latest Brett Dennen Articles
Singer-songwriter Jason Mraz will be joined by Brett Dennen on the upcoming Good Vibes Tour.
The Avetts are moving on up to bigger venues for a coast-to-coast Spring Tour.
The country-rockers have announced details of their new destination event including the initial lineup.
Michael Franti & Spearhead brought their Soulshine Tour to Edgefield last weekend. Donovan Farley shares his thoughts along with Caitlin Webb’s photos.
Michael Franti & Spearhead will visit over 30 cities with a number of special guests for this summer’s Soulshine Tour.
Mike Gordon, Brett Dennen and X’s John Doe will be among those performing Paul Simon songs at Carnegie Hall.
More Brett Dennen Articles
Latest Brett Dennen Setlist
Brett Dennen at Turner Hall Ballroom
- Darlin' Do Not Fear
- She's Mine
- Here's Looking at You, Kid
- Be Somebody
- Must Be Losing My Mind
- When We Were Young
- Comeback Kid (That's My Dog)
- There Is So Much More
- People I Love
- Dancing at a Funeral
- Ain't No Reason
- Wild Child
- Sydney (I'll Come Running)
- Already Gone
About Brett Dennen
As common and simple as it is, “por favor” is such an evocative expression. From Spanish, it translates to “please,” a word that suggests a need for something, a desire to make a change. “Por favor” was something I kept saying every day in the studio, and I got the other musicians saying it,” says Brett Dennen. “We were goofing around, and Dave Cobb, my producer, said it should be the title of my new record. I laughed it off at first, but then I really thought about it.”
“When you say please, you’re asking something to come into your life,” Dennen adds. “It might mean that you’re weak and need something to make you strong. But you’re admitting to some sort of weakness or some form of humility.”
That notion is at the heart of Por Favor, Dennen’s intimate and revealing new album that Elektra Records will release on May 20. Produced by Cobb, fresh from his Grammy-winning work with Chris Stapleton and Jason Isbell, the record strips Dennen to his core as a songwriter with nothing to hide.
“All these songs came from a time of sadness for lots of different reasons. They came at a point when I wasn’t feeling confident about myself,” he says. “When I’m not feeling confident, I’m not a nice person to be around. I don’t take care of my health, my relationships, my stuff, and it all cycles into a miserable place. And I have a really hard time admitting that I’m in that place.”
A follow-up to 2013’s Smoke and Mirrors, his sixth studio album dives deep into loneliness, loss, and love and all its side effects. It’s the sound of an artist working through his insecurities in song, and thereby letting go of them. But it’s by no means a sad affair, nor is it the “rainy day record” Dennen initially thought he was making.
Often framed by uplifting choruses and bright acoustic arrangements, these songs brim with optimism, the palpable sense that the tide is turning. “And I want to love you for the way you are/ Not the way I am/ So let’s go now/ Back to the bonfire where we began,” he sings over a chugging groove on “Bonfire.”
On “Where We Left Off,” the album’s emotional powder keg, Dennen lays himself bare over the slack strum of guitar and one of his most unvarnished vocals ever recorded. The opening lines go straight for the jugular: “Everyone knows I’m a happy man/ But I haven’t been right.”
“Vulnerable was another word that kept coming up when I was making this record,” Dennen admits. “Is there something I’m scared to say? Can I dig a little deeper, reveal a little bit more? How far can I go? That was my direction, and once I got that in place, I started shooting down things that weren’t in that zone.”
“I kept telling myself that all I have to do is be authentic and make the songs about the lyrics and how they interact with my guitar,” he continues. “I don’t have to worry about whether they’ll be on the radio or if they’re different from my previous stuff.”
Holed up at Cobb’s Nashville studio, with musicians the producer assembled, Dennen and Cobb worked fast and kept the songs rough around the edges. Dennen appreciated Cobb’s insistence on capturing them in just a few takes. “We recorded it the way people made records in the ’60s – really fast, all on analog gear, very few rehearsals,” he says. “We didn’t do anything more than five times. We didn’t second guess ourselves – we just went with it. It’s not sloppy, but it’s in that right place between loose and tight and feel-good but not labored.”
Cobb adds, “I worked with Brett because of his beautiful balance of wit and melody. He’s very timeless in his writing and you really can hear his personality in every note he sings. The record was made totally live and we recorded all the vocals live with the band. It really was produced as stopped down as possible – we tried to make every note matter.”
More than a decade after his self-titled debut catapulted him to stardom, Dennen was once again attracted to how he made his earliest recordings. “My whole approach was that I wanted to write and sing the songs from the same place that I wrote the first record, which was a place of trying to discover who I am,” he says.
That marked a detour from his most recent releases. With those he felt like he was exercising his craftsmanship – “being a songwriter for the sake of being a songwriter,” as he puts it. “I really wanted this new album to come across as a whole piece,” Dennen says. “I consider it to be a batch of songs that all live together and complement each other.”
Which brings us back to the album title. Please.
“What was I asking for with this album” Dennen says. “I wanted to be a good person and feel good about myself again, but in a way that I knew it was OK to be sad. That’s part of life, the ups and downs. But with these songs, I want to make people feel good about themselves and about life through the good and bad.”
Umphrey’s McGee presented an “All Night Wrong” set of covers voted on by fans on Friday at Holidaze in Puerto Morelos, Mexico. The set featured guest appearances from Aron Magner of the Disco Biscuits and UM band and crew members’ children.
Phish guitarist Trey Anastasio kicked off a run in Boulder with a show featuring the first versions of “Snowflakes In The Sand” and “Glide II” since the 1990s.
Episode 27 of The JamBase Podcast starts with “The Rundown” containing a guest appearance from Phish lyricist Tom Marshall and concludes with Pink Talking Fish discussing “The Art Of The Setlist.”
Phil Lesh & Friends, Trey Anastasio Band and The String Cheese Incident are among the acts featured on The Peach Music Festival’s 2019 lineup.
The initial 2019 lineup for the High Sierra Music Festival includes Greensky Bluegrass, Jim James and many more.