SCI | 08.09 – 08.12 | Red Rocks
SCI :: 08.09.07 – 08.12.07 :: Red Rocks Amphitheatre :: Morrison, CO
Since SCI was born in the mountains of Colorado and flourished in Boulder, it was fitting that the final run of shows took place in the shadows of Creation Rock at Red Rocks Amphitheatre. Red Rocks holds a certain energy and SCI has always been able to tap into it with amazing success. At moments this past weekend the “Barefoot Boys” sounded as good as they have in years. It was as if the fog that had descended into the band’s collective consciousness over the past couple years had finally lifted.
“We’re here to have as much fun as humanly possible,” said Michael Kang when he and the rest of the band took the stage on Thursday night. Red Rocks was only about two-thirds full, but the locals and out-of-towners in attendance were ready to dance. When the boys kicked off the festivities it was clear that they were playing well and the dancing began. However, the tempo of the show was a bit uneven. They slowed things way down for tracks like “Emma’s Dream” and “45th of November” but they really drove home the covers. Kang showcased his electric mandolin prowess by nailing the solos in Pink Floyd’s “Comfortably Numb,” which opened the second set, and the Allman Brothers‘ “Jessica,” which closed it out.
While speculation abounded as to what special guests would flood the stage throughout the weekend, the band decided to keep it mostly a family affair by inviting only Danny Sears (trumpet) and Chris Cuzme (sax) from the Pangea Horns out on Friday night and a special member of the extended SCI family on Sunday. Sears and Cuzme did an exceptional job cranking up the energy on “Howlin’ At The Moon,” “Black and White” and Stevie Wonder‘s “I Wish” during Friday’s first set.
In one of the few melancholy moments of the weekend, the band broke out the recently neglected “Bigger Isn’t Better.” The song, written way back in the early days of the band, now seems that it may have been a harbinger of things to come. While the track is about the growth of the bands beloved little mountain towns it has taken on new meaning for SCI fans these days. Nershi has cited the band’s growth and popularity as one of the reasons for his departure, as he longs to return to the simple days of making music with his friends and not having to support the army of crew and other employees it takes to keep the SCI juggernaut rolling down the road.
Just what it is that keeps me here is hard to say
The answer’s not real clear
I guess it casts a spell that’s hard to break
Like December’s ice on a mountain lake
I tried to get out but I don’t have the heart
To leave all my friends and make a new start
‘Cause bigger isn’t better and money isn’t happiness.
Following a short break, the horn section was invited back for the encore, which allowed drummer Michael Travis to fly his freak flag high. The band kicked into a groove and he emerged from the shadows, moonwalking into the spotlight dressed as Michael Jackson. Percussionist Jason Hann had taken over on the drum kit and the crowd erupted when Travis’ falsetto rang out with “Lovely is the feelin’ now/Fever, temperatures risin’ now;” the first lines of Jackson’s “Don’t Stop ‘Till You Get Enough.” He tore it up at center stage for the duration of the song before heading back to join Hann as the band segued right into “Search” to close out a very solid evening of music.
As the band opened the show with “Little Hands,” kite-like butterflies appeared in the air around the soundboard and began making their way through the tightly packed crowd. This was only the beginning of the eye and ear candy The Cheese would serve up.
The moment everyone was waiting for came early in the second set when crowd favorite “Rivertrance” reared its beautiful head. As the band dropped into the epic jam, the stage lit up with the familiar green glow of lasers and a massive glow stick war ensued that didn’t let up for most of the set. As lasers danced on the massive rock outcroppings that tower above the amphitheatre, the band fed off the crowd frenzy, dishing out one huge crescendo after another.
Even Mother Nature cooperated during this massive set by whipping up a huge lightning storm just southeast of Red Rocks. The sky lit up for nearly an hour but most prominently during “Hotel Window” when audible gasps could be heard from the crowd as the night sky was torn apart by giant bolts of electricity. If they had phoned in the request it couldn’t have been more perfectly timed. All the elements fit together like puzzle pieces to create a concert experience that is sure to live on in the memories of all that attended for years to come.
The second set of three on Sunday evening featured the biggest surprise the boys had up their sleeves, but they bobbed and bounced through nearly 45 minutes of music before revealing it. After listening to SCI pick their way through the blistering “Indian Creek” it was a special treat to see Keller Williams come hopping out of the shadows as SCI played the intro to “Best Feeling,” a Williams song that’s been a staple in the SCI rotation for years. Keller handled lead vocals and 12-string guitar duties. To the delight of the crowd, the band segued from “Best Feeling” into another Williams original, “Fuel For the Road,” before sending him back into the shadows.
What followed was perhaps the most melancholy moment of the weekend, and one that sent chills through the crowd as Kang stepped to the mic and simply said, “I think all we can say is ‘Thank You’.” The reaction to these words was deafening, and the band stood there soaking it up for an eternity before collecting themselves and launching into a spirited “Good Times Around the Bend.” I couldn’t think of a more perfect way for this band to end their tenure on the scene. “The Rollercoaster must roll to the bottom before it climbs to the top again,” stood out as a very hopeful thought for all the fans who believed they were witnessing the last moments of the last Incident.
As they walked off the stage for what we all thought was the last time, the decibel level rose as we begged for “just one more.” After several minutes, movement was detected backstage and The String Cheese Incident lived up to their reputation of delivering the unexpected by returning to the stage and launching into “Texas,” one of their most fun loving and beloved tunes.
Throughout this very special weekend it was great to see all that had attracted us to the band live on right through their last performances. New friends were made in lines, in the lots and on the benches as we freely gave of our beer and other necessities, danced all over each other’s tarps and took pictures with our costumed comrades. The music raged nearly as intensely as it ever has, and the smiles that flashed between band members gave us all hope that this wouldn’t be the last time The String Cheese Incident would bring our tightly knit family together.
8/9/2007 | Red Rocks Amphitheatre | Morrison, CO (Thu)
Set 1: Birdland, Just One Story, Love is Like a Train, Emma’s Dream > Suntan, Eye Know Why, Solution > Black Clouds
Set 2: Comfortably Numb, Miss Brown’s Teahouse > Chameleon > Miss Brown’s Teahouse, Water, Round the Wheel, Jessica, Can’t Stop Now
Encore: The Way You Do The Things You Do, Smile
8/10/2007 | Red Rocks Amphitheatre | Morrison, CO (Fri)
Set 1: On the Road, Cedar Laurels, The Remington Ride, Got What He Wanted, Howlin’ at the Moon1, Windy Mountain > MLT > I Wish1 > Black and White1
Set 2: Land’s End > Glory Chords > What a Day That Was > Bigger Isn’t Better > Mouna Bowa, Pretty Polly > Joyful Sound > Just Like Tom Thumb’s Blues, Rollover
Encore: Don’t Stop Till You Get Enough1 > Search
Guests: 1 with Danny Sears on trumpet and Chris Cuzme on sax from the Tonal Evangalists
Notes: Don’t Stop ‘Till You Get Enough with Travis on vocals and Jason on drums
8/11/2007 | Red Rocks Amphitheatre | Morrison, CO (Sat)
Set 1: Little Hands, Dudley’s Kitchen, Sometimes a River, Close Your Eyes > Bam! > Close Your Eyes, Betray the Dark, Outside and Inside > I Know You Rider
Set 2: Desert Dawn > Rivertrance > Bend Down Low > Dirk > Drums, It Is What It Is, Hotel Window > This Must Be The Place (Naive Melody) > Big Shoes > Desert Dawn
Encore: The Bridge, How Mountain Girls Can Love
8/12/2007 | Red Rocks Amphitheatre | Morrison, CO (Sun)
Set 1: Lester Had a Coconut1, Long Journey Home1, I’ve Just Seen a Face1, Walls of Time1, Panama Red1, Hobo Song1, Stingray1
Set 2: One Step Closer > Rhum n’ Zouc, Sirens, Come as You Are, Indian Creek, Best Feeling2 > Fuel for the Road2, Way Back Home
Set 3: Restless Wind, Piece of Mine, Looking Glass > Drifting, Rain, Rhythm of the Road > Bumpin’ Reel > Shine
Encore: Fearless, Whiskey Before Breakfast, Good Time Round the Bend
Encore 2: Texas
Guests: 2 with Keller Williams
Notes: 1 acoustic
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