SCI | 08.09 – 08.12 | Red Rocks

Words by: Tim Dwenger

SCI :: 08.09.07 – 08.12.07 :: Red Rocks Amphitheatre :: Morrison, CO

SCI :: Red Rocks :: 08.12 :: By Jay Scherer
Over the years String Cheese Incident has been about much more than just the music. The feelings of friendship and family that have swirled around the scene have been as much a part of the experience of being at an Incident as the music. The band has worked hard to cultivate these feelings and when the announcement was made last November that Billy Nershi would be leaving String Cheese the feeling that this could be the end of more than just the music was inescapable.

Since SCI was born in the mountains of Colorado and flourished in Boulder, it was fitting that the final run of shows took place in the shadows of Creation Rock at Red Rocks Amphitheatre. Red Rocks holds a certain energy and SCI has always been able to tap into it with amazing success. At moments this past weekend the “Barefoot Boys” sounded as good as they have in years. It was as if the fog that had descended into the band’s collective consciousness over the past couple years had finally lifted.

SCI :: Red Rocks :: 08.09 :: By Jay Scherer
From the first notes of “Birdland” on Thursday evening through the final exclamation point “Texas” put on their career Sunday, the significance of this run was palpable yet not all consuming. Of course, there were moments of melancholy but overall the feelings of sheer joy and excitement that are synonymous with String Cheese dominated the weekend.

“We’re here to have as much fun as humanly possible,” said Michael Kang when he and the rest of the band took the stage on Thursday night. Red Rocks was only about two-thirds full, but the locals and out-of-towners in attendance were ready to dance. When the boys kicked off the festivities it was clear that they were playing well and the dancing began. However, the tempo of the show was a bit uneven. They slowed things way down for tracks like “Emma’s Dream” and “45th of November” but they really drove home the covers. Kang showcased his electric mandolin prowess by nailing the solos in Pink Floyd’s “Comfortably Numb,” which opened the second set, and the Allman Brothers‘ “Jessica,” which closed it out.

SCI :: Red Rocks :: 08.10 :: By John Icabone
The only true disappointment Thursday came when the show wrapped and they hadn’t broken out a Jerry Garcia tune in honor of the 12th anniversary of his passing. They nodded to the late Grateful Dead guitarist, saying, “Here’s one that Jerry liked to sing,” before encoring with “The Way You Do The Things You Do,” but it just wasn’t the same as a Jerry tune. With songs like “Shakedown Street” and “Eyes of the World” in their arsenal, I was truly surprised that the boys didn’t do the old man proud with one of his real chestnuts.

While speculation abounded as to what special guests would flood the stage throughout the weekend, the band decided to keep it mostly a family affair by inviting only Danny Sears (trumpet) and Chris Cuzme (sax) from the Pangea Horns out on Friday night and a special member of the extended SCI family on Sunday. Sears and Cuzme did an exceptional job cranking up the energy on “Howlin’ At The Moon,” “Black and White” and Stevie Wonder‘s “I Wish” during Friday’s first set.

Bill Nershi – SCI :: 08.10 :: By John Icabone
During set break, the crowd around us was abuzz with the rumor that David Byrne would be making an appearance. While the rumor turned out to be nothing more than a fantasy, SCI did give us the first of two Talking Heads covers for the weekend when they ran through “What A Day That Was” early in the set.

In one of the few melancholy moments of the weekend, the band broke out the recently neglected “Bigger Isn’t Better.” The song, written way back in the early days of the band, now seems that it may have been a harbinger of things to come. While the track is about the growth of the bands beloved little mountain towns it has taken on new meaning for SCI fans these days. Nershi has cited the band’s growth and popularity as one of the reasons for his departure, as he longs to return to the simple days of making music with his friends and not having to support the army of crew and other employees it takes to keep the SCI juggernaut rolling down the road.

Just what it is that keeps me here is hard to say
The answer’s not real clear
I guess it casts a spell that’s hard to break
Like December’s ice on a mountain lake
I tried to get out but I don’t have the heart
To leave all my friends and make a new start
‘Cause bigger isn’t better and money isn’t happiness.

Michael Travis – SCI :: 08.10 :: By John Icabone
After “Bigger Isn’t Better,” the band picked things back up and the party was on again. “Mouna Bowa,” “Pretty Polly,” “Joyful Sound,” “Just Like Tom Thumb’s Blues” and, finally, a huge “Rollover” finished one of the strongest run of songs of the weekend.

Following a short break, the horn section was invited back for the encore, which allowed drummer Michael Travis to fly his freak flag high. The band kicked into a groove and he emerged from the shadows, moonwalking into the spotlight dressed as Michael Jackson. Percussionist Jason Hann had taken over on the drum kit and the crowd erupted when Travis’ falsetto rang out with “Lovely is the feelin’ now/Fever, temperatures risin’ now;” the first lines of Jackson’s “Don’t Stop ‘Till You Get Enough.” He tore it up at center stage for the duration of the song before heading back to join Hann as the band segued right into “Search” to close out a very solid evening of music.

SCI :: Red Rocks :: 08.10 :: By Tony Stack
While Thursday and Friday were very strong performances, there was a sense on Saturday that the band was building up to something, that even though they’d reached a “10” they were going to turn it to the proverbial “11.” John Dwork of Peak Experience Productions had been spotted running around all weekend but it wasn’t until Saturday that his contributions started appearing.

As the band opened the show with “Little Hands,” kite-like butterflies appeared in the air around the soundboard and began making their way through the tightly packed crowd. This was only the beginning of the eye and ear candy The Cheese would serve up.

Kyle Hollingsworth – SCI :: 08.11 :: By John Icabone
The band really hit their stride about midway through the first set when keyboardist Kyle Hollingsworth took control and led them through a very funky “BAM!” sandwiched between a “Close Your Eyes” that allowed his raspy voice and magic fingers to push the energy up a notch. The crowd sensed something special coming after the one-two punch of “Outside Inside” and “I Know You Rider” closed out the set. We collected ourselves and prepared for what we all suspected would be a memorable experience.

The moment everyone was waiting for came early in the second set when crowd favorite “Rivertrance” reared its beautiful head. As the band dropped into the epic jam, the stage lit up with the familiar green glow of lasers and a massive glow stick war ensued that didn’t let up for most of the set. As lasers danced on the massive rock outcroppings that tower above the amphitheatre, the band fed off the crowd frenzy, dishing out one huge crescendo after another.

SCI :: Red Rocks :: 08.11 :: By John Icabone
The sea of grinning faces that had swarmed The Rocks in anticipation of one more evening like this bobbed and boogied for the duration of a set that featured glowing jellyfish dancing onstage, trapeze artists, hula-hoopers and stilt walkers courtesy of Peak Experience.

Even Mother Nature cooperated during this massive set by whipping up a huge lightning storm just southeast of Red Rocks. The sky lit up for nearly an hour but most prominently during “Hotel Window” when audible gasps could be heard from the crowd as the night sky was torn apart by giant bolts of electricity. If they had phoned in the request it couldn’t have been more perfectly timed. All the elements fit together like puzzle pieces to create a concert experience that is sure to live on in the memories of all that attended for years to come.

SCI (acoustic) :: Red Rocks :: 08.12 :: By T. Voggesser
Though the energy on Sunday night simply couldn’t match the intensity and pandemonium of Saturday’s second set, the boys still played their hearts out. Emerging early for a 30 minute acoustic bluegrass set, they played some of the songs that had first drawn them together years ago including “Panama Red,” “Hobo Song” and “Stingray.”

The second set of three on Sunday evening featured the biggest surprise the boys had up their sleeves, but they bobbed and bounced through nearly 45 minutes of music before revealing it. After listening to SCI pick their way through the blistering “Indian Creek” it was a special treat to see Keller Williams come hopping out of the shadows as SCI played the intro to “Best Feeling,” a Williams song that’s been a staple in the SCI rotation for years. Keller handled lead vocals and 12-string guitar duties. To the delight of the crowd, the band segued from “Best Feeling” into another Williams original, “Fuel For the Road,” before sending him back into the shadows.

Williams with SCI :: 08.12 :: By John Icabone
There are Cheese fans that have been calling for Keller Williams to fill in for Nershi since the announcement was made that he’d be leaving the band. Williams has quite a history with SCI and Breathe is one of the best String Cheese studio albums. Keller grew up under their wing, opening countless shows in the ’90s, and today is an established headliner in the scene. In a way, SCI may have been passing the torch on to Keller, but I’m sure that during set break it was more than just a fleeting thought in many minds that a Keller Williams Incident, with or without Nershi, would be a treat in the years to come.

SCI :: Red Rocks :: 08.12 :: By Jay Scherer
“You ready for one more set of Cheese?” bellowed bassist Keith Mosely at the start of the third set. Nershi led the band into “Restless Wind,” which served as a time for reflection. Lyrics like “I look back on the past/time gone by so fast” and “I turn back towards my home but I don’t feel alone” sent ripples through the crowd and pulled some out of their euphoria, realizing that this was all ending sooner than they had hoped. The band didn’t falter during the set, reveling in the music as they ran through relatively new tunes like Hollingsworth’s “Rain” and “Piece of Mine” and older tunes like Nershi’s “Drifting” and “Rhythm of the Road.” As Kang sang, “All we need is a little love to get through this time,” at the beginning of the set closing “Shine,” the band again seemed to be nodding to the impending end that loomed so close.

SCI :: Red Rocks :: 08.12 :: By Jay Scherer
After they waved goodnight, I’m sure they could feel the love backstage as the crowd begged for more. When they finally emerged for the encore they handed Travis the reigns for a rare, beautiful cover of Pink Floyd’s “Fearless,” which segued into traditional Bluegrass number “Whiskey Before Breakfast.”

What followed was perhaps the most melancholy moment of the weekend, and one that sent chills through the crowd as Kang stepped to the mic and simply said, “I think all we can say is ‘Thank You’.” The reaction to these words was deafening, and the band stood there soaking it up for an eternity before collecting themselves and launching into a spirited “Good Times Around the Bend.” I couldn’t think of a more perfect way for this band to end their tenure on the scene. “The Rollercoaster must roll to the bottom before it climbs to the top again,” stood out as a very hopeful thought for all the fans who believed they were witnessing the last moments of the last Incident.

SCI :: Red Rocks :: 08.12 :: By T. Voggesser
As Nershi’s final riff faded away, the band gathered at the front of the stage for a ceremonial bow. The reality of the moment began to sink in for many, though no one headed for the exits. Hugs were shared and the cheering was overpowering as the audience showered their praise on this band that has given so much to their fans over the years.

As they walked off the stage for what we all thought was the last time, the decibel level rose as we begged for “just one more.” After several minutes, movement was detected backstage and The String Cheese Incident lived up to their reputation of delivering the unexpected by returning to the stage and launching into “Texas,” one of their most fun loving and beloved tunes.

SCI :: Red Rocks :: 08.12 :: By Jay Scherer
“Texas” is a song that personifies this band in a way that few others in their repertoire do. Its humorous storytelling lyrics, bluegrass influence and monster psychedelic jam touch on many facets of SCI. It has been quite a journey that these men have been on together and this song was a fitting end to this phase of their career.

Throughout this very special weekend it was great to see all that had attracted us to the band live on right through their last performances. New friends were made in lines, in the lots and on the benches as we freely gave of our beer and other necessities, danced all over each other’s tarps and took pictures with our costumed comrades. The music raged nearly as intensely as it ever has, and the smiles that flashed between band members gave us all hope that this wouldn’t be the last time The String Cheese Incident would bring our tightly knit family together.

SCI :: Red Rocks :: 08.12 :: By Jay Scherer


8/9/2007 | Red Rocks Amphitheatre | Morrison, CO (Thu)
Set 1: Birdland, Just One Story, Love is Like a Train, Emma’s Dream > Suntan, Eye Know Why, Solution > Black Clouds
Set 2: Comfortably Numb, Miss Brown’s Teahouse > Chameleon > Miss Brown’s Teahouse, Water, Round the Wheel, Jessica, Can’t Stop Now
Encore: The Way You Do The Things You Do, Smile

8/10/2007 | Red Rocks Amphitheatre | Morrison, CO (Fri)
Set 1: On the Road, Cedar Laurels, The Remington Ride, Got What He Wanted, Howlin’ at the Moon1, Windy Mountain > MLT > I Wish1 > Black and White1
Set 2: Land’s End > Glory Chords > What a Day That Was > Bigger Isn’t Better > Mouna Bowa, Pretty Polly > Joyful Sound > Just Like Tom Thumb’s Blues, Rollover
Encore: Don’t Stop Till You Get Enough1 > Search
Guests: 1 with Danny Sears on trumpet and Chris Cuzme on sax from the Tonal Evangalists
Notes: Don’t Stop ‘Till You Get Enough with Travis on vocals and Jason on drums

8/11/2007 | Red Rocks Amphitheatre | Morrison, CO (Sat)
Set 1: Little Hands, Dudley’s Kitchen, Sometimes a River, Close Your Eyes > Bam! > Close Your Eyes, Betray the Dark, Outside and Inside > I Know You Rider
Set 2: Desert Dawn > Rivertrance > Bend Down Low > Dirk > Drums, It Is What It Is, Hotel Window > This Must Be The Place (Naive Melody) > Big Shoes > Desert Dawn
Encore: The Bridge, How Mountain Girls Can Love

8/12/2007 | Red Rocks Amphitheatre | Morrison, CO (Sun)
Set 1: Lester Had a Coconut1, Long Journey Home1, I’ve Just Seen a Face1, Walls of Time1, Panama Red1, Hobo Song1, Stingray1
Set 2: One Step Closer > Rhum n’ Zouc, Sirens, Come as You Are, Indian Creek, Best Feeling2 > Fuel for the Road2, Way Back Home
Set 3: Restless Wind, Piece of Mine, Looking Glass > Drifting, Rain, Rhythm of the Road > Bumpin’ Reel > Shine
Encore: Fearless, Whiskey Before Breakfast, Good Time Round the Bend
Encore 2: Texas
Guests: 2 with Keller Williams
Notes: 1 acoustic

For more coverage of SCI’s final run check these links:
07.12 & 07.14 | NYC
07.21 & 07.22 | Berkeley, CA
07.27-07.29 | Horning’s Hideout

JamBase | Colorado
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