The Vermonters kicked off the show with just the fourth “Free” opener in the 19+ years since they debuted the song. Drummer Jon Fishman was having issues with his voice that surfaced during a “The Moma Dance” that was otherwise notable for the delicate clavinet flourishes keyboardist Page McConnell added. Ever since Phish returned at Hampton in 2009, “Halley’s Comet” has moved on from its days as a jam vehicle to its old role as a straight-forward rocker with a few rare exceptions. When guitarist Trey Anastasio landed on the chord that usually ends “Halley’s” these days, he instead continued onwards with his solo. While the Dick’s “Halley’s” wasn’t of the exploratory variety, the guitarist did wail away for an ever-so-slightly extended solo. Hey, we’ll take what we can get in terms of extending “Halley’s” these days. A run of heavy-rotation staples -“Stealing Time From The Faulty Plan,” “555,” “Rift” and “Sample In A Jar” -followed. It was then back to Fuego for a “Devotion To A Dream” that had a little extra, tension-and-release umph to it. The rather uneventful first set continued on with a “Yarmouth Road” > “Sparkle” and “Wingsuit” combo. A standard “David Bowie” and one of more botched versions of “Cavern” in the history of botched “Cavern”s (Anastasio had a particularly tough time with the lyrics) brought the opening stanza to a close.
Phish opened the second frame with a “Down With Disease” containing two distinct jam segments. Anastasio mixed creative rhythm work with powerful leads during a rock-heavy first section. The quartet transitioned into a major key for the ethereal second section. Trey hinted at the long-lost instrumental “What’s The Use?” towards the end of the exploratory “Disease” and soon started the song in earnest, which marked its return to the stage after a span of 77 shows (last played August 25, 2012). The majestic “Down With Disease” -> “What’s The Use?” pairing was followed by the one-two punch of blazing psychedelia that was “Carini” -> “Light.” While not the longest “Carini” on record, Phish explored plenty of ground in the adventurous jam. Anastasio weaved rapid-fire melodic riffs in the build to a huge climax before the band made the turn for “Light.” We’ve seen the guitarist show off his rhythm skills many times this summer, but both “Carini” and “Light” saw Trey continually reel off inventive and meaty strings of notes utilizing many different tones. He was the clear leader of each jam as he agressively asserted his musical ideas into the conversation. Page, Mike and Fish were happy to follow along and each added impressive contributions of their own in support roles. Fans involved themselves in the action towards the end of the abstract “Light” by yelling “Woo” during pauses in the jam. The relentless second set continued with a celebratory “Fuego” that segued into a typically beautiful rendition of “Slave To The Traffic Light.” Next up was “Meatstick,” which segued into the year’s first cover of Jimi Hendrix’s “Bold As Love” to end the set.
Phish had one more trick up their sleeves for the encore. Starting in 2013 the quartet began to play “Silent In The Morning” without its familiar “The Horse” introduction. Each of the last 10 “Silent”s were “Horse”-less, but that string came to an end when “The Horse” started the encore. The band took a break for a moment after “The Horse” and Trey, who hadn’t used his guitar in the song, took the opportunity to welcome “The Horse” back and thank the crowd before starting up the obligatory “Silent In The Morning.” Anastasio came back to the mic following “Silent” to tell the story of an old original named “In A Hole.” Trey explained that Phish wrote and learned “In A Hole,” which they played eight times in late 1989, just for the joke of singing the line “I’m an A-Hole.” He likened that situation to their chat backstage that it would be funny to encore with “Horse” and not “Silent.” Fish offered to perform the tune and Page did toy with it, while Trey sang a few lyrics, but the band decided against it. Just the sixth “Fluffhead” encore in Phish history, though the last one took place earlier this month in Alpharetta, put an exclamation point on the evening. Phish brings this year’s Dick’s Run to a close tomorrow night.
- Venue Capacity / Attendance / Type: 26,000 / 26,000 / Outdoor Soccer Stadium
- Previous Shows at Venue: 10 Shows -09/02/2011, 09/03/2011, 09/04/2011, 08/31/2012, 09/01/2012, 09/02/2012, 08/30/2013, 08/31/2013, 09/01/2013 and 08/29/2013
- Number Of Songs / Length – First Set: 13 / 8:15 p.m. -9:40 p.m. (85 Minutes)
- Number Of Songs / Length – Second Set & Encore: 11 / 10:11 p.m. -11:53 (102 Minutes)
- Total Number of Songs / Covers / Originals: 24 / 1 / 23
- Biggest Bustout: What’s The Use? -77 Shows (LTP – 08/25/2012)
- 2014 Debuts: What’s The Use?, Bold As Love, The Horse
- Average Song Vintage: 1997
- Debuts: N/A
- Weather: 76°F and Cloudy/Light Drizzle at show time
- Average Song Gap: 11.21
- The Spread: Junta -2, Picture Of Nectar -1, Rift -4, Hoist -2, Billy Breathes -1, Story Of The Ghost -1, Joy -2, Fuego -4, Misc. -6, Covers -1
- Longest LivePhish Track / Shortest LivePhish Track: Down With Disease 15:54 / The Horse 1:20
- Audio: Live Phish
Phish From The Road Photos…
A series of six co-headlining shows featuring Gov’t Mule and The Avett Brothers along with opener The Magpie Salute have been confirmed.
Listen to Widespread Panic dust off a Beatles cover for the first time in over 12 years as part of their first of three shows at The Theater At MGM National Harbor.
Eric Krasno, Bill Nershi, Nicki Bluhm and more will perform at this year’s Music & Art Immersion in Barcelona, Spain.
Grateful Dead tribute act Dark Star Orchestra has a busy summer touring season in store.
The lineup for this July’s Northwest String Summit has been expanded with additional acts and special collaborations.
Music legend David Byrne has added 10 dates to the tail end of his American Utopia Tour, visited the ‘Daily Show’ and shared a video of his single made by students in Detroit.