John Ellis: New Album/Tour
By Team JamBase Jan 8, 2010 • 9:50 am PST

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The recording continues the former New Orleanian’s love affair with the Big Easy, drawing inspiration from the rich vein of music the city has given the world, while also taking cues, in Ellis’ own words, from “carnivals, state fairs, children laughing, clowns and dancing.”
The highlights of Puppet Mischief begin from its very first funky moments. The lead off track, “Okra & Tomatoes,” takes its title from a phrase that represents life’s perfect pairings. That’s followed by “Fauxfessor,” a tightly synced, off-kilter New Orleans romp full of surprising twists. The elegiac “Dewey Dah” displays each instrument’s individual colorings, particularly Perrine’s sousaphone, and reaffirms Ellis’ penchant for compositions that are never static, always morphing.
Among the album’s other standouts are the wild, teasing title track, featuring a stunning harmonica solo by Maret, and the back-to-back “Carousel” and “Dubinland Carnival.” The former, which Ellis calls a “wistful circus tune,” takes on a bluesy patina and incorporates several dramatic transitions, while its companion piece, which Ellis likens to the feel of a Fellini film, features an epic sax-trombone conversation and some of Marsalis’ most fired-up drumming of the set. “Chorale” speaks for itself – written originally with a string quartet in mind, it instead became a beautiful showcase for the four horns. “Héroes de Acción” is Ellis’ idea of soundtrack music for a Spanish cartoon crime-fighting hero while the album’s closing track, “This Too Shall Pass,” is the perfect sendoff; a calming, almost whimsical paean to the acceptance of flux as the one constant in life.
The release of Puppet Mischief follows up one of the busiest years in Ellis’ career, one that saw him accompanying a diverse array of musicians ranging from Sting to Mos Def to the Cuban drummer Ignacio Berroa, touring Europe with the John Patitucci Trio and, most significantly, the debut of The Ice Siren, Ellis’ hour-long through-composed narrative composition for string quartet, tuba, percussion, guitar, vibes, winds and two singers. The piece, a collaborative effort with playwright Andy Bragen, debuted at New York City’s Jazz Gallery in May 2009.
 John Ellis Tour Dates
  01/08/10 Fri 	Sullivan Hall 	New York, NY
 	  01/09/10 Sat 	NuBlu 	New York, NY
 	  01/20/10 Wed 	Snug Harbor 	New Orleans, LA
 	  01/27/10 Wed 	Snug Harbor 	New Orleans, LA
 	  03/01/10 Mon 	The 8X10 	Baltimore, MD
 	  03/02/10 Tue 	World Cafe Live 	Philadelphia, PA
 	 03/03/10 Wed 	The Beehive 	Boston, MA
 	  03/04/10 Thu 	Red Square 	Albany, NY
 	  03/05/10 Fri 	The Jazz Gallery 	New York, NY
 	 03/06/10 Sat 	The Jazz Gallery 	New York, NY
 	  04/28/10 Wed 	Jazz at the Bistro 	St. Louis, MO
 	  04/29/10 Thu 	Jazz at the Bistro 	St. Louis, MO
 	 04/30/10 Fri 	Jazz at the Bistro 	St. Louis, MO
 	  05/01/10 Sat 	Jazz at the Bistro 	St. Louis, MO                                            
