The Black Crowes | 12.01 & 12.02 | S.F
By Team JamBase Dec 4, 2009 • 4:52 pm PST

The Black Crowes :: 12.01.09 :: The Fillmore :: San Francisco, CA
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The Crowes bring out this wild, immediate exuberance in folks, and the group is rarely more relaxed and engaged than when they swing it at The Fillmore, which has become a real clubhouse for them in the past few years. 2009 marks their third long stand at the venue, following a five-night run in August 2005 and six nights in December last year. One really feels the timelessness of The Black Crowes’ music inside The Fillmore, where they would have fit in fine on a bill with Big Brother and the Holding Company and Rahsaan Roland Kirk in 1968 but slot in just fine with today’s headliners like My Morning Jacket, Son Volt and The Tragically Hip.
However, unlike many others to hit this stage in recent years, the Crowes hum with all the ancient tributaries that have fed the best bands to ever play The Fillmore, tapping into the ground water of the blues, soul, country and rock to create a noise that vibrates on a heavier, deeper frequency than most. In its very nature, Black Crowes Music is all about the richness of commingled good ideas wrapped up in songwriting and playing that could simply be no one else. Put that together with The Fillmore’s own strange frequencies and you’ve got something swell.
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From this point forward the show had the flow of a really great album, where the power numbers were balanced with moments of real beauty, which the Crowes have shown increasing facility at generating in the past year or so. And just when things teetered on verge of being too subdued they swept into something livelier, as if sensing the room’s mood and responding in real time. Thus, the tear-in-your-beer double whammy of “Fork In The River” joined to Dylan’s “Girl From The North Country” lead into the growling discontent of “P.25 London” and the hop-out-of-the-pews propulsion of “Go Tell The Congregation.” This pattern repeated nicely throughout, and as the show went on their collective confidence grew, allowing them to pull off the incongruous but perfectly executed transition from an ethereal, heart tickling cover of Fred Neil’s “The Dolphins” into a lengthy, unpredictable “Black Moon Jam” and the heavy-as-a-star “Black Moon Creeping” it culminated in. It was bold choices like this that spoke loudly of the band’s wide range and comfort with one another in traversing such seemingly impassable divides.
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The encore might not have been what whiskey chick had hoped for, turning down the volume and really sinking into a wistful, lovely piano sprinkled “There’s Gold In Them Hills,” followed by shuffling, cozy covers of Dylan’s “Quinn The Eskimo (The Mighty Quinn” – with Rich Robinson on lead vocals – and traditional by way of Ry Cooder “Boomer’s Story” that brought the really cool ride to a swaying stop.
The Black Crowes :: 12.01.09 :: The Fillmore :: San Francisco, CA
Make Glad, (Only) Halfway To Everywhere, Greasy Grass River, Could I’ve Been So Blind > Jam, Fork In The River > Girl From The North Country, P.25 London, Go Tell The Congregation, Take Off From The Future > Jam > Thorn In My Pride, The Dolphins > Black Moon Jam > Black Moon Creeping, Thick N’ Thin, Hard To Handle, Wounded Bird
E: There’s Gold In Them Hills, Quinn The Eskimo (The Mighty Quinn), Boomer’s Story
Continue reading for the review of Wednesday night’s show…
The Black Crowes :: 12.02.09 :: The Fillmore :: San Francisco, CA
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It almost seems too cliché to compare a night like this to church, but a baptismal energy washed over Wednesday’s proceedings, a visceral reminder of what music delivered with great skill and great heart can be. Sure, it is just a “rock show,” as ever-stunning frontman Chris Robinson remarked, but when the blood of the thing begins to flow both ways, audience and performers sharing the same circulation, it can be considerably more.
An early in the set “Twice As Hard” was belted out with real conviction, the lingering youthful bile in Chris’ voice matched by the band’s collective ferocity, but it was the new songs and deep catalogue tracks that shone most brightly on Wednesday. The playful ragtime accents on “Shady Grove” were a kick, as was the Lowell George vibe peeking through on “Under A Mountain” and “Another Roadside Tragedy.” Main set closer “Been A Long Time (Waiting On Love)” was a kick ass reminder that the Crowes are still writing and playing at the top of their game in 2009. However, of the originals in the main set, the seldom played “Wyoming And Me” may have rung most poignantly, it’s chorus a radio hit that never was since tender balladry isn’t welcome on the airwaves much anymore:
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You’re desperate but you’re strong
You’re lonely but never alone
You’re empty, like Wyoming and me
By turns, the Crowes were trippy and tender, knockout tough and watery smooth. Each tune neatly found its way to the next because all felt part of some larger cloth. The real care they put into sequencing, catalogue mining, and cover selection is apparent. And like Tuesday, just as the ache of a slow burn like “Girl From A Pawnship” really sunk in, they’d veer into the warmth and sauciness of “She Gave Good Sunflower.” They know what they’re doing, pros in so many regards, and if one sets aside too much wishing for this or that tune and opens up to what they’re crafting piece by piece onstage they may see the wisdom of the band’s choices more clearly. That I can still be surprised (and usually delighted) by their setlists after 105 shows says a great deal about the possibilities of their broad catalog, which keeps adding new Chris and Rich Robinson tunes all the time as well as inspired cover picks like Traffic’s “You Can All Join In” and Delaney & Bonnie’s “Poor Elijah – Tribute To Johnson.”
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From cosmic cries to weary love songs to crushing rockers (“Sometimes Salvation,” the quintessential Crowes song, was particularly heavy duty), The Black Crowes ran the gamut on Wednesday. One stumbled out feeling full and happy, confident that the weekend will continue what is shaping up to be perhaps the Crowes finest Fillmore run yet.
The Black Crowes :: 12.02.09 :: The Fillmore :: San Francisco, CA
Movin’ On Down The Line, Under A Mountain, Shady Grove, Twice As Hard, Poor Elijah – Tribute To Johnson (Medley), Wyoming And Me, Wee Who See The Deep > The Raga > Another Roadside Tragedy, You Can All Join In, Girl From A Pawnshop, She Gave Good Sunflower, Sometimes Salvation, Jealous Again, Been A Long Time (Waiting On Love)
E: Don’t Know Why, Oh! Sweet Nuthin’, Willin’
Continue reading for more of Susan Weiand’s pics from Wednesday…
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