EOTO | 10.04.08 | Chicago
By Team JamBase Oct 20, 2008 • 5:55 pm PDT

EOTO :: 10.04.08 :: Portage Theater :: Chicago, IL
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“Whenever I was at his place, we just wanted to set up and play music after String Cheese practice,” says Hann, who served as auxiliary percussionist for The String Cheese Incident from 2006 until the band’s dissolution in 2007. Travis, SCI’s drummer, would play bass and guitar during the sessions, while Hann handled the drum work.
What started out as loose jamming quickly evolved into something more. They began looping some of the instrumental work, which allowed them to add extra layers to the texture of their sound. “As we started getting into some other loops and different types of programs, then it became a thing where we were like, ‘Wow, what we’re doing lends itself really well to dance music, which we both like.’ So, we kept aiming for that direction,” Hann says. “And then eventually, one of the times we listened back to things that we were recording and we were like, ‘Wow, that sounds really good, let’s do it front of an audience.'”
And so it began. EOTO was formed and the duo hit the road, touring relentlessly across the country. They have spent the entire summer playing shows and festivals nationwide, and their stop this night has brought the boys to Chi-Town. This show, however, will be a little different – Hann and Travis will be joined by Michael Kang (electric mandolin, fiddle) and Kyle Hollingsworth (keyboards), both of whom are also former members of String Cheese.
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Seeker is already playing when I make my way into the auditorium. Standing off to the side of the stage, I look out over the crowd that is groovin’ to the music of local boys Matt Sullivan (guitar), John Tashjian (keyboards), and Joe McKinney (drums). The band has a uniquely progressive rock sound, incorporating elements of both psychedelia and jazz into their instrumental work. As they settle into an extended jam I begin to hear the cracking of glowsticks as the Chicago critters begin to emerge. I look out over the sea of bobbing heads and dilated pupils. The crowd has achieved liftoff.
During Seeker’s set I also notice a man painting on a canvas on the other side of the stage. I learn later that the artist’s name is Oliver Vernon, and that he will remain until the end of the show, working diligently on the live piece. Vernon is a Brooklyn native who was invited to do the painting by Entheon Village, one of the two organizations tonight’s show is raising funds for.
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The other organization benefiting from tonight’s fundraiser is Our Future Now, of which Michael Kang is a founding member. Our Future Now is similar to Entheon in that it promotes ecological awareness through a combination of art, science and the community. The organization works with artists and musicians to bring focus to the need for renewable energy sources and emphasizes the importance of environmental responsibility. Good work, Mr. Kang.
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It’s a madhouse inside when EOTO takes the stage. There are flashy toys, hula hoops, people dancing in the aisles and critters in costumes groovin’ through the crowd. The vibes are good here, and almost everyone I see has a smile on their face – though some look bug-eyed and confused. The freaks are out in force, and tonight is their night.
I take a swig of whiskey before making my way towards the front. I struggle to get up close so I can get some good footage, but the thick mess of people prevents me from getting closer than about 30 feet from the stage. Hann and Travis are working their magic now, weaving together an intricate web of beats and melodies that lulls the shoulder-to-shoulder crowd into a trance. They build it up slowly, drawing on years of experience with one of the greatest jam bands ever, and expertly craft their improvised jam.
Their sound is not typical of your run-of-the-mill electronic-based bands. What I like about EOTO’s music is that it is constantly shifting. It starts with a single idea, a seed that quickly grows and develops into myriad of flavors for the ear. Their sound is eclectic, avant-garde and continuously evolving while maintaining its dance party backdrop as a platform for improvisation. The music is multilayered, incorporating both subtle as well as more pronounced elements in its rich texture of sounds. The solid beats keep you grounded while the psychedelic noises, which range from the mystical to the weird and creepy, toy with your head and keep you on your toes – all while avoiding the sinister trap of repetition.
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With Kang and Hollingsworth the party gets taken to the next level. They sound almost like an electronic dance party version of Medeski, Martin, Scofield and Wood, mixed with a bit of STS9 and fueled by the undeniably heavy influence of String Cheese. I am hoping for a multitude of SCI covers – which doesn’t happen (understandably) – but we are treated to the instrumentals “Galactic” and “Valley of the Jig.”
The talent of these four gentlemen is undeniable. They work amazingly well together; their musicianship is of the highest caliber and the interplay between them is tight. They are very much a unit and seem to possess the almost psychic link that exists between bandmates who have played together for a long time. Their collective mindset allows them to switch directions instantaneously, which is key when performing improvised music.
Of course there’s a part of me that wishes Bill Nershi and Keith Moseley were up onstage as well, and like most String Cheese fans I maintain the hope of one day seeing all the boys playing together again, but I am more than happy with what I’m seeing and hearing this night. And I appreciate the fact that Hann, Travis, Kang, Hollingsworth, Nershi and Moseley are all pursuing their own musical interests, yet still find the time to sit in as guests with each other’s projects. It’s good to see that the former members of SCI are exploring other avenues of music and experimenting with different sounds; then perhaps someday – maybe, just maybe – they will bring it all back together and take us higher than ever before.
EOTO w/ Kang and Hollingsworth – 10/04/08
JamBase | The Future
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