Aesop Rock | 08.17.08 | Brooklyn

Words by: Greg Gargiulo | Images from myspace.com/aesoprockwins

Aesop Rock :: 08.17.08 :: McCarran Park Pool :: Brooklyn, NY

Aesop Rock & El-P by Todd Westphal
Summer Sundays are typically reserved for lazy relaxation and recuperation from damage done in the preceding nights, a final day to let loose and enjoy the last moments of sunlight and free time before the mad rush of the impending work week arrives. Though a tad more energetic than some may tend to normally spend their Sundays, there are few better ways to soak up the last taste of freedom than with the iconic embodiment of the anti-establishment, Aesop Rock. Supported by the scratching skills of DJ Big Wiz and back-up vocals from Rob Sonic, Aesop and his seemingly infinite linguistic arsenal gave a few thousand sun-baking followers a proper ending to one week and inspiration to begin another on a good note.

"Y'all enjoying your Sunday afternoons?" Aesop inquired about midway through his 90-minute set. "Cuz I'm having the time of my life. Wouldn't rather be anywhere else. I used to dream of this shit when I was younger." And for a wordsmith whose lyrics can be frustrating, challenging and rewarding, all at the same time, his blunt expressions can resonate just as well. Pumping out the majority of his latest release, 2007's None Shall Pass, a healthy helping of prominent singles and a share of the stage for his associates, Aesop gave fans more return than the money they paid to enter the empty pool turned eccentric venue.

"Catacomb Kids," a new cut addressing the youth of today mixed with apparently personal anecdotal touches, rang with a popping old-school beat and one of the many attempts by attendees to sing-along. Given the über-complexity of Aesop's content and speed, matching his words verbatim is an impossible endeavor for lay people of the rap world, but that didn't stop the masses - including myself - from shouting out refrains and word clusters to the best of our abilities. "Coffee" was no exception, with its catchy denunciation of the clockwork caffeine fiend populace echoing off the walls, extended hands bouncing up and down all the while. Further playing on the theme of occupational hazards, "Labor," Aesop's mission statement and defining wordplay work, followed: "I work on what I love/ I work to service all my burdens/ and I'll work until this here little flat line closes the curtains."

"Labor" led to the throwback sensation of "Big Bang" off Aes' first official release with Mush Records, Float. The ultra-quick chorus of "Big Bang" approaches superhuman on the recording, and could likely lead to doubt that a human is able to actually rap at that speed in person. For those fortunate to see it live, it became clear through his dead-on accuracy that the only major auditory difference between hearing Aesop's lyrics from the stage and through headphones is the addition of his flesh and bones presence.

Aesop Rock by Jenny Applebaum
Moving about the stage in a fashion that resembled a combination of Gumby and Frankenstein, constantly bobbing his head and shoulders with his microphone angled skyward, you could tell Aesop was enthralled by being up there and didn't hold back one iota from actually putting on a show. Almost equally induced by their rhythm was his partner for the afternoon, Rob Sonic, who bounced around emphatically and provided clutch assistance to each offering.

Giving up a portion of the limelight to his peers, both Sonic and fellow Def Jux star El-P were able to lead the crowd through a taste of their own catalogues. Sonic took front and center for "Smoke If You Got 'Um," an aggressive, in your face track off his Sabotage Gigante release, while El-P power-surged his rough 'n' tumble "Run The Numbers," spurring a unified chant of "Find those detonators!" Even DJ Big Wiz had some stage time reserved solely for him, as both Aes and Sonic rested a few short minutes on a speaker, clapping and bumping while Wiz spoke fire through his turntables.

Swashbuckling sonata "The Harbor Is Yours" and "Citronella" were packed with enough words to make up a short story or novella, and the daunting "None Shall Pass" rounded out most of the notable features from the new album. A faster paced "No Regrets" - the lovable memoir of little Lucy and her dedicated, reclusive, pursuit of her dreams - had fans bopping wildly for the encore due to its popular status. But, the no-brainer that easily takes the cake when it comes to well-known Aesop songs was indubitably "Daylight." Though it would've been perfectly acceptable for him to withhold from playing the song entirely because of the reputation it has garnered, instead he paired the track with its ominous counterpart, "Night Light." After inconclusive results from attempts to get the crowd to vote on which they'd rather hear, he launched first into "Night Light," but with verses purposely jumbled between night and day. The same was done with "Daylight," causing a strange hybrid of the two antipodes that never landed on one side of the fence or the other, perhaps illuminating an existence in some middle ground, between or beyond the two.

Closing shop as the sun dipped further into the horizon, notifying the onset of the approaching night and subsequent cycle that anxiously waits to greet the workforce every Monday morning, participants of the afternoon's activities destined for next-day labor could reenter the madness with a tinge more optimism. Or hope. Or, possibly, dread. When it comes to dissecting the abstract verbiage of Aesop Rock, crystal clear answers never surface as effortlessly as sunrises. His lyrics can be consumed differently for each listener, but contain the insight of a philosopher, scholar and MC all rolled into one.

Check out JamBase's exclusive feature/interview with Aesop Rock here.

JamBase | New York
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http://www.myspace.com/aesoprockwins

[Published on: 8/25/08]

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Comments

Hotchkiss starstarstarstarstar Mon 8/25/2008 10:17PM
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Hotchkiss

great review! i might have to check out one of his southern cali shows.

gmoo Tue 8/26/2008 05:58AM
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gmoo

Def Jux is where it's at.

45king Tue 8/26/2008 08:04AM
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^^^^^ A what a who HUH?

Anitya Tue 8/26/2008 08:05AM
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Anitya

Can't say enough about Aesop. Was givn a copy of Music for Earthworms in 99' and been hooked ever since. However I do think his earlier stuff is much better than Bazooka Tooth and None Shall Pass.

"How many hip-hop heads does it take to screw in a light bulb? Three. One to screw in the little bulb and two to argue about how the first one was so much better." just a little hip-hop nerd humor for ya.

ThatFullSound starstarstarstarstar Tue 8/26/2008 08:32AM
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This is a great review. Aesop is an original for sure, but there should be some mention of Rob Sonic. Rob almost ruined the show at Livingroom in Providence last year. His fat ass was always in the way, and basically he is just really annoying. I would save my money, go to another show, but def. download the tracks.

ThatFullSound starstarstarstarstar Tue 8/26/2008 08:36AM
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Actually, I just read this again. This is a really great review. Thanks.

rjd999 Tue 8/26/2008 09:42AM
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I was sitting on my fire escape and I saaaawww... Sturdy bridges, decorated with dirty pigeons, a vagabond beggin for three pennies and a princess. A junkie tourniquet surgeon urging the needle in, a batty senior citizen flashing that awful teethless grin...

‹^› ‹(•¿•)› ‹^› {¬¿¬} starstarstarstarstar Tue 8/26/2008 09:46AM
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‹^› ‹(•¿•)› ‹^›      {¬¿¬}

K 23 orchestra hip hop ippies!!!

STEG187 starstarstarstarstar Tue 8/26/2008 11:14AM
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STEG187

This was a phenomenal review. I remember when I reviewed an Ase Rizzy/El-P set from the Adirondack fest a few years back, El-P emailed me to talk shit. Prolly the hi-lite of my career..

STEG187 Tue 8/26/2008 11:15AM
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STEG187

gotta love Mark the 45 King!!

Conjugal Burning starstarstarstarstar Tue 8/26/2008 03:37PM
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Conjugal Burning

Aesop kills it!! As did this review, and although bluntsndisco sounds like he may be a bit racist with his wording, I recall being shocked myself back in high school when I found out he was white. Not that that matters in the least bit, its just humorous blunts was able to derive that tiny slab of nostalgia out of my dome

pornofunk starstarstarstarstar Tue 8/26/2008 04:18PM
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pornofunk

iz agreez wit blizuntntNbiscuits dawg, iz bee hella innteligint iiieeet, ayo fuk whitey, bizkitz 4-lif UNTZ UNTZ UNTZ UNTZ UNTZ UNTZ

Pecos starstarstarstarstar Tue 8/26/2008 05:37PM
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Pecos

Word, Def Jux baby!

Carini83 Tue 8/26/2008 06:47PM
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Carini83

hey pornofunk sorry to be a dick but just shut the fuck up about bluntsnbisco all he wants is attention and thats all your giving him

pornofunk starstarstarstarstar Tue 8/26/2008 06:51PM
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pornofunk

^oh most def, im so sorry, wont happen again, promise

gardog Wed 8/27/2008 07:25PM
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STEG187 - adirondack was one of the better festivals in the northeast.

Anitya Wed 8/27/2008 08:20PM
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Anitya

"This for that cat at my shows that's always got prophetic opinions

but cant remember where his drink is".......thats you bluntsnbisco