Freddie Hubbard | 04.04 | San Francisco

By: David MacFadden-Elliott

Freddie Hubbard :: 04.04.08 [late show] :: Yoshi's SF :: San Francisco, CA


Freddie Hubbard by Frank Schindelbeck
It was evident early on that something was wrong. After a weak, wobbly solo on opener "Jodo," Freddie Hubbard scoffed and pretended to disdainfully throw his flugelhorn into the audience, which he nearly did. While earlier records demonstrated a technique of pitch-bending that communicates a vulnerability in his music, Hubbard was nearer to peril on this occasion. He spent most of his time onstage talking: talking to the crowd, talking through his band members' solos. Sometimes he would dance to the work of his sidemen, but, in deep concentration, they appeared annoyed by his buffoonery. Sometimes Hubbard listened for a moment but his attention span was short and there was skulking to be done. Later in the show, his brief, requisite solo complete, he went so far as to fetch a greeting card that a fan had given him and peel it open center-stage during James Spaulding's alto sax solo.

These words don't flow easily. It's hard to watch a jazz legend saunter around a sparkling new club with beautiful acoustics as if it were some third-rate dive or his hundredth wedding reception gig. This guy has a catalog that stretches back to 1960 when he was recording on Blue Note Records. His string of albums for CTI in the early '70s is among the finest jazz-fusion ever put out. There's a lot to be proud of, but on this night, celebrating his 70th birthday (which fell on April 7), he seemed nothing but bitter, muttering that he hadn't done anything except surgery in five years.

It's a notorious and grisly story. In the early '90s, Hubbard literally busted his chops when an unhealed blister in his upper lip popped and became infected when he refused to cancel gigs. So, a little leeway in terms of technical stamina is granted but to deem this ship seaworthy was a mistake. He made a great show of what pain he was in, constantly chomping at the bit, licking his lips and expressing rage toward his instrument's valves with exaggerated frustration. Unhappy with the action on his flugelhorn, he briefly tested the valves on a trumpet that had been stashed inside the open top of George Cables' grand piano, but never played it.

Bobby Hutcherson
If you want a glimpse of legends that can still play with class and finesse, you can look to Hubbard's longtime cohorts. In addition to the aforementioned Spaulding and Cables, drummer Lenny White and vibraphonist Bobby Hutcherson came out to support Hubbard. Cables, White, and bassist Dwayne Burno performed "Ebony Moon" as a trio, and it was a pleasure to watch Cables and White silently communicate, as Cables called, with four fingers, for a four-beat lead-in after each turn-around of the 5/4 song; a pleasure despite the woman in the front row unapologetically calling a friend on her cell phone. Hutcherson, who received second billing to Hubbard, owned the show, a noble presence and a determined performer. After his vibraphone solos he would sit back and stare at the instrument, breathing deeply. He looked exhausted but nailed it every time. Among the younger cats on stage, Craig Handy damn near stole the show with his tenor sax.

After a lot of rambling gibberish that touched on a ménage a trois and San Franciscans forgetting about jazz, Hubbard ended the show. A woman requested "Up Jumped Spring," to which Hubbard scowled, "Nah, I can't play nothing. These guys gotta go to sleep," and promptly disappeared through the curtain at the back of the stage. White - who was nursing his right hand after an excellent solo that paid precise attention to hi-hat and kick drum on what turned out to be the show's climax - and the other band members followed one-by-one, exchanging dumbfounded glances. Spaulding hurried to the front of the stage to retrieve a flute he had only just brought from backstage but had yet to play, and with a confused glimmer and a nod he followed. Even Yoshi's announcer struggled, delaying for a minute or two before saying something to the effect of, "Uh, there ya go, Freddie Hubbard, ladies and gentlemen."

Hopefully Hubbard was just drunk, which would be a logical and rectifiable, though not excusable, reason for his chops and, more importantly, his lousy demeanor. Hubbard still knows the impact that his music can have, however, the best interpretation he mustered was not with his horn. Late in "Red Clay," after the song was brought full-circle with the legendary bassline (handled beautifully on stand-up by Burno), Hubbard strutted, hard, with the gangster-lean imbedded in that song, rocking onto his toes with the staggered rhythms. He felt his legend even if he didn't portray it.

JamBase | Frisco
Go See Live Music!

http://freddiehubbardmusic.com/

[Published on: 4/22/08]

Take full advantage of all JamBase has to offer by signing up for an account!


You'll receive

show alerts

when your favorite artists announce shows, be eligible to enter contests for

free tickets

, gain the ability to

share your personalized live music calendar

and much more. Join JamBase!



 
 

Comments

fydo1974 starstarstarstar Tue 4/22/2008 03:25PM
+2 Votes Thumbs down! Thumbs up!

fydo1974

Great article, but sorry to hear this was such a lame show. I haven't checked out the new Yoshi's SF yet, hopefully I'll have the opportunity to soon. "Red Clay" is still a fantastic album. Hip-hop fans note: The legendary bassline the author mentions was also used as the hook for A Tribe Called Quest's "Sucka N*gga" on Midnight Marauders.

elaufer Tue 4/22/2008 03:49PM
+1 Votes Thumbs down! Thumbs up!

Speaking of the Red Clay bass line, it was written and originally recorded by Ron Carter, who came into the studio with Tribe, to re-record it for that track.

Trevor Tue 4/22/2008 03:58PM
0 Votes Thumbs down! Thumbs up!

Trevor

Very well written review. David is absolutely right about Bobby Hutcherson, too; The man is a master of his craft.

The1AndOnlyDJCT starstarstarstarstar Tue 4/22/2008 04:02PM
0 Votes Thumbs down! Thumbs up!

It's a shame, I know people who have seen him play and said pretty much the same thing about the show.

ao1 starstarstarstarstar Tue 4/22/2008 05:47PM
+2 Votes Thumbs down! Thumbs up!

ao1

This makes me sad....mannnn....freddie....he is a legend...played with great feeling and created some beautiful music.....never have seen him live....actually didn't know he still played around..

Beeno starstarstarstarstar Wed 4/23/2008 06:39AM
+1 Votes Thumbs down! Thumbs up!

Sad to read these events, but props to Frisco on an excellent article. Very well written!

I'm gonna go listen to 'Red Clay' now...

rjd999 Wed 4/23/2008 04:51PM
0 Votes Thumbs down! Thumbs up!

that is really unfortunate. i was listening to a lot of older jazz yesterday, from the likes of blakey, hubbard, lee morgan, miles, trane, all on an extended mix i had put together. that really is too bad that the vibe was so off. and boo to that lady with the expensive seats up front yappin on the cell phone. "oooh, who are we seeing? front row? who? sure i'll go". lame lame lame. oh, and bobby hutcherson is the truth.

DaveT star Tue 5/6/2008 10:43AM
0 Votes Thumbs down! Thumbs up!

DaveT

Thanks for the honest portrayal...next time.

bluezchick Thu 5/8/2008 02:32PM
0 Votes Thumbs down! Thumbs up!

Freddie Hubbard had lip surgery in 1992 for a callous that had formed on his upper lip. After the surgery, he was not able to play the same as he used to. It's extremely sad... he is one of the best!

There's an article about his birthday show on the hollywoodreporter.com site that explains a little bit of what he's been going through and how it has affected him.