Ani DiFranco | 09.22 | Chicago
By Team JamBase Oct 31, 2007 • 12:00 am PDT

Ani DiFranco :: 09.22.07 :: Auditorium Theatre :: Chicago, IL
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Having toured essentially solo for several years, DiFranco brought a band for this tour, each member revered in his or her own right, all of whom had helped out on DiFranco’s recent retrospective set, Canon. The group started out with a beefed-up, churning arrangement of “Napoleon,” drummer Allison Miller propulsive and precise from the get-go. Bassist Todd Sickafoose has been the backbone of DiFranco’s live shows for years, and his presence was a thick glue holding this eclectic quartet together, intuitive and in step with a frisky DiFranco. The group flowed effortlessly, following the balls-out opener with the subtle, intricate “78% H2O,” DiFranco’s guitar picking showing no signs of her bout with tendonitis, although the newer tunes do shy away from the brutal, percussive guitar style she perfected on 2002’s Educated Guess. Percussionist Mike Dillon played as if he’d been a part of DiFranco’s entourage for years, breaking out with a mad xylophone solo during “Manhole,” then providing an esoteric electronic backdrop for the spacey exploration of “Coming Up,” which featured fantastic, eerie forays from all four musicians.
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As DiFranco’s political musings have become more anguished, her more personal new songs are more relaxed, however, she still pulled out plenty of old heart-wrenchers. “Dilate” has lost a bit of its bite (the studio version is hard to top for sheer vocal dynamics) but it was still a showstopper, the band sculpting a stark, minimal backdrop for this bitter testimonial. “You Had Time” is a heartbreaker that would be sweet if it weren’t so passively condescending. Miller’s spare harmony vocals were a perfect complement to DiFranco’s reluctant resignation. She pulled out a solo “Fire Door,” a song that’s become almost an institution. Once a bitter rant, DiFranco really seems to have fun with it nowadays, as does the crowd.
“Both Hands,” another song from DiFranco’s debut album 17 years ago, was reworked for Canon, and tonight’s funky version was enjoyable but sacrificed all the intimacy that made the original so touching. However, the band was just getting back into the swing. “Recoil” was amazing, the band proving equally adept at creating a stunning, collective surge of energy as they were stretching out in a jazzy, collective free-funk improv swirl. “In The Way” featured a fantastic, fleet-fingered staccato jam, and the classic “Shameless” tore the house down to end the set with Dillon’s percussion rack shaking and the whole band in perfect sync at full throttle, keeping pace with DiFranco’s blazing acoustic guitar. Opener Melissa Ferrick joined them for the encores, a couple of classics in “Little Plastic Castle” and “Overlap,” leaving the crowd in awe of this latest chapter in the ever-evolving career of a visionary artist.
JamBase | Illinois
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