Ron Jackson
Ron Jackson Acoustic Guitar Magazine Contributor/Writer Ron Jackson is a New York jazz 6 and 7 string guitar master, composer, arranger, producer, recording artist, and instructor. Ron has performed and recorded in over 20 countries as a bandleader and ensemble performer, and is well established on the international jazz scene. Ron's style of guitar playing and composing is a blend of jazz and other American styles such as soul, rhythm and blues, pop, as well as Caribbean and Latin, having been influenced by his Philippine roots. He brings it all together in his unique approach to playing jazz guitar.

Considered one of the most versatile guitarists in the world, he is adept in styles such as African, Rock, R+B, Brazilian, Pop, Country, Calypso, Reggae, Soul, Funk, and Classical, but his greatest passion has always been jazz. Ron has 5 jazz guitar albums to his credit as a leader: A Guitar Thing and Thinking of You on Muse Records, Song For Luis - a duo with Rufus Reid on Mastermix Records, Concrete Jungle - co-led with bassist Nicki Parrott on Airmen Records, and The Dream I Had on Roni Music.

Branching out stylistically, Ron has 2 new CD's on his Roni Music Label. Burning Gums and Flubby Dubby, Ron's new CD with his Hammond organ group was recorded live and perfectly showcases his soul-jazz originals and arrangements of popular tunes. The album features Kyle Koehler on Hammond and Otis Brown III on drums with special guests Don Braden on tenor saxophone and Bruce Williams on alto. Giving it that special touch, the album was produced by Ron's mentor, the late soul-jazz and acid jazz pioneer Melvin Sparks. Check out Ron's new all acoustic guitar recording "Akustik InventYours"

"For a solo instrumental jaunt through acoustic music from around the world, you'd be hard-pressed to find a better starting point than Akusitk InventYours"

Acoustic Guitar Magazine

Ron has recorded and performed with the who’s who of jazz, blues and World music, with greats such as, Taj Majal, Little Anthony and The Imperials, James Spaulding, The Boys Choir of Harlem, The Metro Mass Choir, Mor Thaims Drums of Fire, Irene Reid, Hal Singer, TK Blue, Sarah Dash, Gene Anthony Ray, Cecil Brooks III, TAO, Melvin Rhyne, Jimmy McGriff, 5 Guitars Play Mingus, Cissy Houston, Kevin Powell, Ralph Peterson, Russell Malone, Larry Coryell, Jack Wilkins, Don Braden, Craig Handy, Vanessa Rubin, David Krakauer's Klezmer Madness, Renee Manning, Earl Mcintyre, Clark Gayton, Benny Powell, Babatunde Olatunji, The Metro Mass Choir, Benny Golson, Randy Weston, Ron Carter, Valery Ponomarev, Oliver Lake, Leo Wright, Jaki Byard, Mulgrew Miller, Winard Harper, Akua Dixon, Kenny Drew Jr., Olatunji, Gwen Guthrie, Dee Dee Bridgewater, Raul Midon, Jimmy Cobb, Rufus Reid, Larry Coryell, Jeff 'Tain' Watts, Bernard Purdie, Dewey Redman, Howard Johnson, Benny Powell, Dr. Lonnie Smith, Gary Bartz, John Hicks, Ron Blake, Akira Tana, Pucho and the Latin Soul Brothers, Sitti Navarro the Queen of Philippine Bossa Nova, and Candido to name a few.

Also an experienced jazz educator and guitar instructor. He is currently a teaching artist at Midori and Friends, a private guitar instructor for Jazz at Lincoln Center. He has previously been on the faculty of the New Jersey Performing Arts Center, Wells Fargo Jazz For Teens Program, The Brooklyn Conservatory Professional Division, Music Outreach, St. Albans Congregational Church Music Program, and The New York Pops Create A Symphony Program. He has taught and lectured at And the Prins Claus Conservatoire, 'New Comes to Groningen' jazz program in Groningen, the Netherlands, Duke University, The National Summer Guitar Workshop Jazz Summit, The New School, New York University, at Jazzmobile, as well as in clinics in France, The United Kingdom, Australia and Portugal. He has recently held masterclasses, concerts and workshops at Jazz at Lincoln Center-Jazz in the Schools, The Thelonious Monk Institute of Jazz, Escuela Creativa Musica, Madrid Spain and Cal State University, Hayward.

Ron frequently plays in New York City area and has performed at such notable clubs and institutions as The Blue Note, Fat Tuesday, Smalls, Iridium, Joe's Pub, Birdland, Dizzy's, 55Bar, The Kitano, The Jazz Gallery, Fat Cat, Nublu, B.B.Kings, Lenox Lounge, Showmans, The Red Rooster, The Zinc Bar, NPR, Rutgers University Institute of Jazz Studies, New York Botanical Garden, Lincoln Center, Flushing Town Hall, The Apollo Theater, Guggenheim Museum, The Museum Of Modern Art, Symphony Space, Baruch PAC, Tribeca PAC, The Brooklyn Museum, Harlem Stage, New Jersey Performing Arts Center, The Newark Museum, The Shapeshifter Lab, Aaron Davis Hall, Brooklyn Academy of Music, The Brooklyn Conservatory, The Museum Of Natural History and Jazz at Lincoln Center. Ron's style of Jazz Guitar has had him appear at major festivals all over the USA like the New Orleans Heritage and Jazz Festival, The Bell Atlantic Jazz Festival, Atlanta Arts Festival, City Stages in Birmingham, Alabama, The North Carolina Jazz Festival, The Newark Jazz Festival, Kingston Jazz Festival, The Rochester International Jazz Festival, The International Art Of Jazz Festival on Long Island, The James Moody Jazz Festival, and The National Black Arts Festival in Atlanta. His unique sound has also brought him overseas to the The North Sea Jazz Festival in Holland, the Pori Jazz Festival in Finland, the Hamilton, Kiama and Montsalvat festivals in Australia, the Berlin Jazz Festival, the Grimsby and Edinburgh Festivals in the UK, Old Town Jazz Festival in Warsaw, Poland, the Istanbul Jazz Festival, Jazz Entre Amigos TV Show and San Juan Evangelista Festival in Spain, as well as the Cully and Freibourg Jazz festivals Switzerland. He has also toured and performed in St.Thomas, Belgium, Spain, Italy, France, Portugal, Austria, Australia, Canada, Lebanon, Monaco, Morocco, Tunisia, Algeria and Japan.

Endorsements

Tech 21 amps and pedals, Seymour Duncan pickups, Thomastik-Infeld Strings, Peterson Tuners, Paul Reed Smith Guitars, Eastman 7 String Guitars, Godin Guitars, Reunion Blues Cases, Fylde Steel String Acoustic Guitars, Kremona Guitars, LaBella Strings, Moody Leather Guitar Straps and Aria Classical Guitars

Member

Local 802 Musicians Union, The Screen Actors Guild, Grammy voting member of The National Academy of Recording Arts and Sciences (NARAS) and SESAC.

Press Quotes:

"For a solo instrumental jaunt through acoustic music from around the world, you'd be hard-pressed to find a better starting point than Akusitk InventYours"

Lindsey Parks, Acoustic Guitar Magazine

'His guitar work recalls, by turns, Pat Metheny's sleek modernity and Wes Montgomery's riffy elation'..a guitarist of mature yet inventive dexterity'..Jackson is a brilliant guitarist and composer.'

Nick DeRiso, ReviewYou.com

'Kuncheza Blues'...standout solos by Cecil Bridgewater, Redman (Dewey), and guitarist Ron Jackson.' JazzTimes on Randy Weston's Uhuru Africa Concert

'...he opens with 'Shadow of Your Smile' with a chord melody approach and we know we are in for a treat...he has a very mature approach and his tasteful harmonies set the stage...We hear great octave playing (thumb) and exciting double stops, long clean lines and bursts of syncopated riffs by Ron. George Benson, Wes and Barney Kessel sneak in, but we really hear Ron Jackson, a relative newcomer to the jazz guitar, who is going somewhere with a jump start.' Just Jazz Guitar

'...an exciting and individual minded player...he showed equally good taste in execution as he did in selection.' The Herald, Edinburgh, Scotland

'...virtuoso technique and mellow tone that Jackson coaxed from his instrument.' Sunday Times Perth, Australia

'With pianist Benny Green, bassist Lonnie Plaxico and drummer Cecil Brooks III, Jackson is in fast company -- a challenge he meets with dexterity, a fine tone and convincing expression.' JazzTimes

'Ron Jackson is my kind of guitar player. He represents his music with neatly picked runs and elegant phrasing. He projects the art of jazz guitar in the traditional manner by obvious nods to Wes and Charlie, but adopts a contemporary attitude with Metheny, Scofield and Klugh adding their influences.' Jazz Journal International

'Ron Jackson makes a strong debut...he's no boring genuflection of the past.' Jazziz

'Ron Jackson has studied the art of modern jazz guitar from Wes Montgomery to Sonny Sharrock...he approached ballads with a sensitivity that reminds me vividly of Grant Green's style.' Cadence Magazine

'Jackson displays blues suffused grit and lively single not daring-do. He's a comer who bears watching.' New Music Report

'Well known in the right circles, Ron Jackson is quietly one of the best jazz guitarists in music. Ask any big name musician who has taken part in the New York Jazz scene, and they will know exactly who Ron Jackson is.'

Wildy Haskell, ReviewYou.com

'Jackson proved himself to be an excellent leader on repertoire that was often demanding. He has a warm tone on guitar with an ability to play rapid fire lines.' The Western Australian

'Ron Jackson is a New York jazz guitarist who can do it all. '.his very fiery and imaginative solo, the chords, single-lines, and octaves are bouncing off the wall. 'The breakneckspeed and intensity of the soloing keep you on the edge of your seat.'

JH, Vintage Guitar Review

'Ron Jacksons music is absolutely beautiful! Definitely recommended!'

A-J Charron Guitarnoise.com