LET US write the histories of pop music (the plural has a certain importance). A history at once oral/aural but not linear or progressive. A history that snakes and twists and turns back on itself, a history of ruptures and wrong-turnings. But let us not start with The Beatles.
Let us not speak their name.
There is a traditional historiography of popular music which in some way or another always seems to come back to the Beatles; and Lonnie Donegan who begat The Beatles, and Elvis who begat Lonnie Donegan John Lee Hooker who begat Elvis...