Camp Bisco | 07.15-07.17 | New York
By Team JamBase Jul 26, 2010 • 11:30 am PDT

Camp Bisco :: 07.15.10-07.17.10 :: Indian Lookout Country Club :: Mariaville, NY
Since moving to the Indian Lookout Country Club back in 2007, most aspects of Camp Bisco had remained stagnant. With its biggest lineup and highest attendance to date, Camp Bisco’s ninth incarnation was one of major change and progress. It’s no wonder really – The Disco Biscuits themselves have changed quite a bit over this past year, garnering, for better or for worse, a more mainstream appeal with release of Planet Anthem. And this change was most salient vis-à-vis their own festival, with more high-profile acts than ever before, including Wu-Tang Massacre, LCD Soundsystem and Ween, which attracted a turnout out of roughly 15,000. I dare say the flat-rimmed-hat- wearing Bisco ilk has become a minority.

The Disco Biscuits by Dave Vann
Not all the changes however pertained to music. At long last, Camp Bisco has developed a conscience. In addition to the Marc Brownstein founded Head Count and Strangers Helping Strangers, many organizers this year have gone green, introducing recycling and compost bins to the festival grounds, as well as enlisting the help of green volunteer teams and Zerohero, a Colorado-based company that focuses on reducing the negative impact festivals have on the environment, rendering the festival much cleaner and environmentally friendly throughout. Also, there were various new extra-musical activities such as The Philadelphia Experiment, an interactive art installation along with a pyrotechnic display of flame cannons, and Brainquility, a cerebral, sensory-tickling, trance-like experience, and a PS3 truck.
But for all that changed, there were many familiar elements from previous years found at CBIX. Once again, we experienced several severe thunderstorms, and once again those storms interfered with the schedule. For the fourth consecutive year, the sprawling fields of ILCC served as our playground, and its resident biker gang our security force, who managed to fruitfully keep the peace while still managing to let us enjoy ourselves. Though still with some kinks to work out (please for the love of god, more port-o-potties in the main concert area), this once tiny jam-centric festival has developed into a multifariously ripping good time. One can only imagine what the future holds for this ever evolving, ever growing festival.
Camp Bisco 9 Highlights
Electronic Music and Hip-Hop Reign Supreme
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CBIX also saw some of the biggest names in electronic music, running the gamut from all different styles. House maestro Diplo and dubstep phenom Rusko saw some of the most packed crowds the late-night dance tent saw all weekend, while Pretty Lights and Bassnectar both drew comparable audiences to our hosts in the main concert venue.
That Happened
![]() LCD Soundsystem |
Yet, whether displaying new material or delving into more canonical LCD material, Murphy always commanded the stage with an authoritative presence. His often David Byrne-like stage antics, from his dance moves to banging away on his cowbells, made it impossible to take your eyes off of him, even with a giant freakin’ disco ball suspended above his head. The set closed, appropriately enough, with “New York I Love You But Your Bringing Me Down.” The waltzing ballad, filled with hilariously lamenting critiques of the city, took a short detour into a comical a cappella version of Jay Z’s “Empire State of Mind.”
Live Manifestations
Theivery Corporation |
After Album Leaf, the hordes reformed around me like a flash flood for Thievery Corporation. The DC- based DJ/producer duo of Rob Garza and Eric Hilton not only have an ear for production, but apparently for arrangement, instrumentation and orchestration as well, allowing them to bring their downtempo, politically and socially charged music to new heights with the aid of a seven-and-a-bit live band. Several guest vocalists were called upon throughout their set, each adding their own unique voices to Thiev Corp’s eclectic, dubbed-out sound.
Big Gigantic was another group that brought their electronic productions to life with live instrumentations. Dominick Lalli‘s hip-hop influenced electro beats caught a funky twist with his own effect-smothered saxophone lines and the animated drumming of Jeremy Salkin.
Plight of the Jam Band
The New Deal |
The New Deal’s late night set Friday was one of the most energetic of the festival. With no new studio material released since ’03, they’re still, for the most part, playing the same stuff they have been for years. Fortunately, their live take on breakbeat house never gets old. Nearly a two-hour set, their lengthy jams took a long time to get where they were going, including abundant detours into Dan Shearer‘s beatboxing, but once there, they arrived with a vengeance.
Future Rock has grown up a lot in the past few years. Their once meandering sets have become much tighter and more focused and now maintain a much higher level of energy than ever before. Felix Moreno himself has become much better at switching off between his thumping bass and warbling synthesizer, too.
Expletive Deleted
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Our Gracious Hosts
CBIX was one of the Disco Biscuits’ strongest showings in years. Though we only got five instead of the promised six sets due to a relentless lightning storm Saturday night, the general sentiment was that of satisfaction on the Bisco front. What made this year particularly special was that Brownie created most of the setlists with the aid of the fans. Bisco took the stage for their first set Thursday evening with a lingering sun still in the sky. A rising drone kept us all anxious to find out what our hosts would open with before dropping into “House Dog Party Favor.” It wasn’t the most stellar “House Dog,” with a few minor flubs from Barber, but the excitement of starting their tenure at Camp with such a heavy hitter kept the version riveting. “Crickets” into an inverted-yet- mediocre “The Great Abyss” brought us into an exceptional “Crystal Ball” that included the oft-neglected middle section, easily the best part of the song. “The Tunnel,” a rare gem played for the first time in over a year, was the highlight of the set. The songs were rather ephemeral, but a strong song selection, prompted by fans, and phenomenal playing made it one of the strongest first sets in CB history.

The Disco Biscuits
A killer “7-11” into “Little Betty Boop” started off Friday’s second set with a bang, but unfortunately it slowly degenerated from there. Sub-par versions of “Tricycle” and “Orch Theme” led us into “Bombs,” a meandering new song. “Bombs,” along with set closer “Naeba,” utterly sucked all the energy out of the set, once again illustrating the meager caliber of most of their newer material. However, Saturday’s daytime set quickly redeemed Friday night’s letdown. Aside from set opener “On Time,” which completed Thursday’s version, this set was a throwback to the mid to late 90s – heavy on the jazz and good ol’ crunchy jams – and there was little untz wrapped up in the concatenated sequence of “Aceetobee > Mr. Don > Pat & Dex” and the standalone “Wet” that followed to close the set.
Apocalyptic spider webs of lightning flashed in the sky as Brothers Past was reluctantly carted off the stage Saturday evening, cutting their set short. The storm rampaged for hours, holding the subsequent Biscuits set, second of three scheduled that day, at bay. The tempest did not die down enough until it was already nearly an hour past the scheduled start time, causing Girl Talk‘s highly anticipated set to be moved to the late night Dance Tent and Bisco to abandon one of their own. But the solitary set they did play, clocking in at nearly two and half hours, more than made up for the loss. “It wouldn’t be Camp Bisco if it wasn’t Camp Bisco,” ,” joked Brownie. “I know that some of you out there know what I mean. I think this is the least rain we’ve ever had at Camp Bisco.”
A standalone “Portal to an Empty Head” aided by RAQ’s Chris Micheti (who saved Bisco’s ass this past tour, filling in for the injured Barber) finally broke the sound of thunder and rain. Regarded by many as the best of Bisco’s new songs, and apparently, the second most requested song of the weekend, “Portal” contained one of the finest jams of the weekend before they embarked on a nonstop, two-plus-hour odyssey.
Mostly instrumental, the Disco Biscuits’ ultimate set of the weekend saw the quartet at their tightest and most spellbinding. Brownie’s bass gave away the coming segue from a funky “Knight Rider Theme” jam into a glorious “Basis For A Day.” It was not long before “Basis” morphed into an inverted “Above the Waves.” They would eventually return to do a “Basis” ending out of “Munchkin Invasion” to close their tenure at Camp Bisco 9 on a euphoric peak.
To view the massive Photo Gallery from Camp Bisco, use the viewer below or continue reading for day by day shots.
JamBase | New York
Go See Live Music!
Morning Teleportation
DubSkin
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Continue reading for more photos from Camp Bisco Friday!
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Continue reading for more photos from Camp Bisco Saturday!
Spiritual Rez
Spiritual Rez

The Disco Biscuits

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