Yeasayer: Ambling Towards The Big Time

Whereas the last record was very hazy, very psychedelic, we wanted this one to be electronic, very computer- based - kind of sci-fi - more of a body record than a mind record, while still retaining some of the headier, trippy kind of vibe.

-Anand Wilder

Photo by: Jason Frank Rothenberg

Let's talk album covers and video motifs. On All Hour Cymbals, the man's face is completely obscured, as it is in the video for "Ambling Alp." On the Odd Blood cover the man's face is either in the process of waxing into a human form or waning/melting into a psychedelic mess. Does anyone in the band have an artistic background? How did this motif come about and how does it connect with the music?

Yeasayer from
Chris is pretty much artistic director, but this particular video was created by these artists called Radical Friend out in L.A., and they kind of collaborated with Chris about the conceptual ideas for the video and they executed the whole thing. It was kind of a combination of some old imagery that Yeasayer has been working with over the past few years. I kind of see it as the end of the song "Ambling Alp" and as a connection between the last album and this album. The video also serves as a link between the two. Hopefully the new singles will break some new ground and introduce us to some new audiences, while probably causing a few people to renounce their love of Yeasayer.

What song that you guys haven't played out on the road are you most excited to start working out for a live crowd?

I'm really excited about "Love Me Girl;" I think that will be really fun to play live. We've completely rearranged "Mondegreen," and done a complete 180 with "Grizelda." We haven't tackled "Strange Reunions" yet - that one will be tough - but "Love Me Girl" is really unlike anything we've ever done.

I understand that you guys were recording on a much higher budget for this album than on All Hour Cymbals. Did a higher budget provide more access to creating the album you've always wanted to create or did this contribute to the final product in any way?

We recorded the last album in a professional studio for five days, took it home and tinkered with it completely on our own for about four months while we were working day jobs, and then took it in for mixing and completed that process in five days. With this one, we had demos which were already in pretty good shape and we worked non- stop for four months without day jobs, with a lot more equipment and were able to just focus on making the album. Then we took it to a much more professional mixing studio and were able to spend far more time mixing each track. We were able to go back and do overdubs and beta mixes. After that it got mastered by a much higher-end mastering engineer. It was just the freedom to keep working at it excessively until we were happy with it. And then, as always, you say a couple weeks later, "Well, this could have sounded that way or that way," but there wasn't nearly as much of that as the last album.

What does Odd Blood mean?

Yeasayer by Guy Aroch
I don't know if it has a specific, singular meaning. Chris came up with the idea of Odd Blood. He explained it as a futuristic phrase, as a sort of derogatory slang towards someone, like saying, "He's an Odd Blood." I like to think of it as someone during the time of Singularity when we have little nano-robots cleaning our veins, someone who maybe has that removed like in Total Recall. Pull that homing device out of your nose and then you become an Odd Blood. I think it's kind of a sci-fi term. It also just looked really nice. I like the idea of "blood" being something organic and natural but it being Odd Blood, not natural blood but something strange.

With this being the biggest headlining tour you guys have done to this point, what can fans expect to see out on the road?

The shows will be a lot more high-paced and high-action with a lot more dance music, a lot more succinct kind of songs, and also a lot more long, drawn out dance jams. It's gonna also be a lot heavier, a lot darker than our last tours. I also think it will be a lot more exciting than it used to be. It should blow away our previous live shows.

I noticed you guys did a one-off recently at the Guggenheim Museum in New York City. How did that gig turn out?

It was a weird-sounding venue, but definitely a check off the list of significant New York monuments to play.

I want to ask about the video for "Ambling Alp" [see below] because it looked like such a fun video to make. It's a mind-warping display with all the quick cuts, the desert setting, the lone drummer, mirrors, naked people and melting faces.

I actually wasn't there for most of the shooting of it. All of the outdoor stuff was extras and other people. We shot in a studio that used to be Charlie Chaplin's studio and most recently belonged to Jim Henson. The video was produced by Daft Art, which is Daft Punk's production company. It was just a really well organized production and the people that were working on it were really fun and creative. It was a lot of work, getting covered in Dental Alginate and having to stand still while they peeled it off. You get a crick in your back because you couldn't move. I've never had an experience like that ever before. It's great just to go out to L.A. and shoot a music video. It's a pretty fun job.

It's good to see bands still creating interesting music videos as a visual accompaniment to the music. It really makes great songs come to life. Recently, I've noticed a trend with a lot of bands creating these "NSFW" kinds of videos with Sigur Ros' 2008 video for "Gobbledigook" and the recent Flaming Lips production for "Watching the Planets."

It seems to be the zeitgeist right now. No one gives a shit about making it on MTV and getting past the fences. The Internet has no censorship and also loves nudity.

ODD Blood is available for pre-orders now for both CD and vinyl formats. Order now and you will receive a high-quality download of the album right away. To order got to:

Yeasayer is also offering a free MP3 of "O.N.E," from Odd Blood at

And here's one from the previous album:

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[Published on: 1/26/10]

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