Operation: Adaptation | 04.24 – 04.25 | WI
By Team JamBase May 22, 2009 • 4:19 pm PDT

Operation: Adaptation :: 04.24 – 04.25 :: The Concord House :: Sullivan, WI
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The festival’s inaugural year was kissed by Mother Nature (a gesture of gratitude?); despite forecasts of rain, Sullivan, WI had sun and 70’s all weekend. For 2009, campers were hopeful for another miracle, but this is Wisconsin. Beginning with outlandish 80-plus-degrees on Friday, things were off to a great start, perfect for this year’s newly-added Campground Solar Stage; unfortunately, I couldn’t make it in time to check out any of the outdoor performances. Op:Ad’s main attractions play on two stages inside the Concord House, a reception hall/lodge just off I-94 in Sullivan. You can forget about traffic jams, cramped camping spaces, shady drug dealer posses, gaudy corporate advertising, overbearing security, and even the possibility of any of the main acts getting rained out; it’s just the fans, here to have fun, the spirit of Bonnaroo without any of the aggravation. And three dollar bottles of Newcastle just can’t be beat.
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Bryan Cherry is one of Milwaukee’s premier soul belters, and he appeared tonight on the Bike Stage with the Situation (alter ego of Bryan Cherry Band guitarist Sean Williamson, although this was a full band…), after a slight technical delay. The man certainly owns the stage, bringing a nice breath of electricity compared to last year’s virtually all-acoustic output from the Bike Stage. Cherry is much more controlled on record, admittedly, but the energy is more palpable when you can watch him gettin’ down. I could’ve used a bit more of that energy from Williamson, but overall this was a crack R&B outfit with the obvious hunger for bigger things.
It was really nice to see a much more energetic crowd on the spin bikes this year; the people pedaling them are literally powering the spectacle onstage. Dan Aukofer, one of the masterminds behind Power By The People (the organization responsible for the whole bike setup), said that this year’s diorama is completely new and much more energy-efficient than the one unveiled at last year’s shindig, but he’s constantly working on ways to improve his system. “A lot of artists pay lip service to the whole ‘green energy’ idea, but this is an example of actually doing it,” he says. While trendy “carbon credits” and planting trees don’t actually cut down on fossil fuels being used, Aukofer’s bikes harness the limitless horsepower of human ambition, completely free of the power grid. He feels that his system is just a tweak away from being able to efficiently power a much larger event, and he expects to have several more opportunities in the near future to perfect the idea. Based on my observations, if you could bottle the environmental passion contained in this one man, he could power a whole day of Lollapalooza all by himself. The sustainable future of our world will be facilitated by ideas from people like Dan.
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Next, for the second year in a row, Stealin’ Strings played a bluegrassy set. Last year, I thought it was because the Bike Stage couldn’t handle the full onslaught of SS’s electric set, but this year I know better. I anticipate Pert’ Near Sandstone‘s set tomorrow will make this hour of generic jamgrass superfluous, so knowing what these guys are capable of, I wonder why they choose not to show themselves at this fest. It was okay, but not even as good as ’08, and while a lot of fans probably view it as a special treat, I know that the Strings could blow away most of the bands here if they really let loose, so I felt slighted again.
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It doesn’t go to Cosmic Railroad either. This band is the reliable Dead/Allman mash-up of the Midwest. I can say that there were some very competent, even enjoyable, jams, but they didn’t make the band any less painfully similar to a hundred others. The lush sound of the room and the sheer density of the three-guitar swath produced some nostalgic thrills from a time before I’d already heard dozens of jams just like every one heard here. None of the guitarists achieved any sort of distinction, although Pete Rallo came closest as he led the most notable jam during “All He Had.” This is the pickle countless bands find themselves in, but the crowd was surely appreciative, leading me to believe that if I could shut off my brain, close my eyes, and drink the generic cola, I’m sure it would begin to taste just like Pepsi. Nothing wrong with that.
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Up next was LaCrosse’s Shoeless Revolution, featuring singing drummer Reed Grimm, who turned out to be one of the better singers and drummers of the weekend. The set got hotter and hotter as it progressed, the tight three-piece horn section cooking up some decent ska flavor, splicing it with spicy N’awlins groove that morphed into some serious keyboard-versus-guitar action, rising to a fever pitch, then crashing to a sudden end. This is a band that knows how to end a song at its climax, never letting a jam peter out. SR brings an almost Chicago-like synergy between horns and rock, never laying the funk on too thick, just some great arrangements and superb ensemble playing. The show-stopper was “Repeat,” just an excellent song, and there was even a sax/trumpet duel from amidst the crowd for the finale that left a brief Beefheart aftertaste. It was a marvelous set, the high point of the weekend for me.
I’m not going to say a lot about the Super Duper Jam, that growing festival cliché that sometimes works and definitely didn’t here. Featuring members of Stealin’ Strings, Fat Maw Rooney and others, the utter lack of ambition as the group moseyed through predictable mellow covers was a good excuse to grab a bite to eat. The inclusion of Danny Miller on harmonica, who’d been scheduled to play the rained-out Solar Stage, provided a couple of good moments, but overall it was a breather in preparation for Steez. This Mad City band has built up an impressive following in four years, and one immediately-apparent reason was bassist Chris Sell, who didn’t necessarily dominate the band but he was a potent presence, bringing true melody and character to his rhythmic mission. The interplay between guitarist Steve Neary and saxophonist Andrzej Benkowski was the crux of the band’s inspired blend of funk, rock and spooky exploration. The key to multi-phasic jams is the element of surprise coupled with spontaneous composition, and this group possesses the intuition and the communication skills to make the shit work, no doubt about it.
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It did feel a bit odd going from this to Willy Porter‘s P.A.B. trio; weirder still when we saw the Star Trek episode projected on a small screen behind Porter, Adler, and Biff Blumfumgagne; truly bizarre when they actually started playing. I hadn’t seen Biff since his days in Willy’s superb band back in the mid-90’s, when he was a dynamo on the fiddle and a focal point of the show. If you’ve followed Porter’s career at all, you know he’s going to throw some curveballs… but I never saw this coming. For one thing, Biff spent most of the night on electric guitar, and to be honest, wasn’t really much of a presence, except for brief, otherworldly spasms of sound. They ran through spacey, disjointed versions of Porter tunes and long, amorphous jams, punctuated by Adler’s cheesy interludes, which were a distraction here unlike the night before, but at least he provided some energy. The proceedings didn’t come off as very well-rehearsed, and while the set was mildly interesting just for being so different, I still can’t really figure out what these three were going for, but I don’t think they achieved it. The effect was of a feature-length Porter/Adler inside joke that Biff just wasn’t in on. I don’t see much future in it.
Pert’ Near Sandstone was the surprise (to me) hit of Op:Ad ’08; they packed more energy into their brief afternoon set than almost any other act of the weekend. The group has grown in stature since then, but this year’s set was too spread out to pack nearly the punch. Constant broken strings didn’t help matters, either; there were lengthy pauses between practically every song, making it tough to get any real momentum going. That said, there was plenty of great bluegrass here; highlights included the brilliant “Just One Day,” an impromptu “Super Mario Bros.” medley (in honor of the painted backdrop on the stage), and set-closer “Stay All Night.” Excellent musicianship as always, just poor pacing.
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When all was said and done, I realized I’d discovered enough considerable new talent to make me not miss last year’s highlights at all, and the overall improvement from returning artists made this year even better. The only real complaint I had was the food: last year’s Totally Baked Pizza featured way better quality and much more reasonable prices, while this year’s catering was more like overpriced carnival fare. The good news was that even with the state of the economy and the lack of bigger names, attendance was up from roughly 650 to 1,000, and all things considered, it’s easy to see why. If you’re looking to have an incredibly cheap (early-bird tickets were only thirty bucks, folks), hassle-free weekend in a smoke-free, comfortable lodge, staffed by friendly people, and you want to further the cause of truly sustainable energy, this is your destination.
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