Phil & Friends | 09.21-28 | Sweetwater
By Team JamBase Oct 13, 2008 • 1:42 pm PDT

Phil Lesh & Friends :: 09.21.08 – 09.25.08 & 09.28.08 :: Sweetwater Station :: Larkspur, CA

Night One: 09.22.08
Jam > Alabama Getaway, Mexican Girl, Let It Ride, West L.A. Fadeaway, Rock & Roll Blues, It Must Have Been The Roses, The Music Never Stopped, Built To Last, Althea > Cassidy, Cold Rain & Snow, Donor Rap/Band Intros, Brokedown Palace
Night One began with Phil proclaiming, “Check your expectations at the door,” as they would be working things out more than usual. Right off the bat, everyone noticed that Molo was missing and behind the drums sat an unfamiliar face that turned out to be Phil Lesh’s friend Jonathan Levine. Despite the fact that Molo wasn’t holding down the fort, Levine actually held things together quite well. The Sweetwater Station had the feeling of a mountain lodge, with its vaulted ceiling, exposed wood beams and relaxed staff. If you were within ten people from the stage, it was PACKED, but go eleven people back, and there was plenty of room. Hard to say what the highlight of this set was. You can pick for yourself, because damned if I’ll be able to pick my fave from Night One.
Night Two: 09.23.08
Greatest Story Ever Told, Ramble On Rose, Big Boss Man > I’m So Gone, Crazy Fingers > Easy Plateau, Don’t Let Me Down > Wharf Rat > Dark Star > So Many Roads, Franklin’s Tower, Donor Rap/Band Intros, U.S. Blues

Night Three: 09.24.08
Sugar Magnolia > Samson & Delilah, Next Time You See Me, Mr. Charlie, Uncle John’s Band, Peaceful Valley, Stormy Monday Tease, Eyes of The World > Jam > Standing On The Moon, Sugaree, Throwing Stones > Not Fade Away, Donor Rap/Band Intros, Turn On Your Lovelight
Night Three kept the pace of the chill, groovy Marin County vibe. It should be noted that it wasn’t an intense scene outside. There were a handful of ticket-less people on any of the nights, which really isn’t too bad. The ticketing system in place was practically bulletproof, as it seemed that none ended up in the hands of scalpers. It was on this night that chatter of a fifth rehearsal being added was coming through the airwaves. Barry Sless was also present for all these rehearsals, intermittently sprinkling the sets with his soulful and steady pedal steel. Larry Campbell shined on the fiddle during “Peaceful Valley,” another Ryan Adams nod. Crowd pleaser “Eyes of the World” melted into a sweet jam, which led to one of the more “rehearsal-friendly” songs of the sessions, “Standing on the Moon.” Early in the song, it was easy to see that this one needed some more time, which was the whole point of the event. The band more than made up for the earlier part of the song with a stoic jam that was chilling.
Night Four: 09.25.08
Set One: Shakedown Street, Brown-Eyed Women, China Cat Sunflower > I Know You Rider, Jam > The Other One > Truckin’
Set Two: Gone Wandering, Unbroken Chain > Jam > The Eleven, Down In The Valley Woe, Jam > Born Cross Eyed, Spots Of Time, Donor Rap/Band Intros, Fire On The Mountain

Night Five: 09.28.08
Good Lovin’, Dancin’ In The Streets, Row Jimmy, How Sweet It Is, Ball and Chain, Jack Straw, No More Do I > Magnolia Mountain, Lady With a Fan/Terrapin Station > Bertha, Donor Rap/Band Intro, Goin’ Down The Road Feeling Bad > And We Bid You Goodnight
Fifth night kept the set short and VERY sweet, with the most varied songwriting selection of the run, appropriately ending the Sweetwater Sessions with the traditional “And We Bid You Goodnight.”
After retrieving my expectations, which were obediently checked at the door upon Phil’s request on Night One, I can easily say that this was some of the finest Phil & Friends music that I have witnessed. This lineup is as sturdy and forthright as any band touring in America right now. Do not miss them if they are in your area!
Phil & Friends kick-off their 14-night run at New York’s Nokia Theatre Times Square on October 31. Complete tour dates available here.
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