moe.down 9 | 08.29 – 08.31 | New York
By Team JamBase Sep 5, 2008 • 4:02 pm PDT

moe.down 9 :: 08.29.08 – 08.31.08 :: Snow Ridge Ski Area :: Turin, NY
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Since its inception in 2000, moe.down has been held at the lovely and inviting Snow Ridge Ski Area, just east of Lake Ontario and situated in the heart of the scenic Adirondack Mountains. The festival has never promised huge carnival rides or enchanted forests, but the lifts have always been open to bikers and hikers, and camping remains at the bottom of the mountain in the grassy, open parking lots and under the shaded lift lines for the few that arrive early enough to claim the prime spots.
Year after year, anchored by jam band mainstay moe., this festival continues to book renowned acts as well as newcomers to the scene. And year after year, like a mighty black bear returning to favored hunting grounds, we moe.rons arrive with kind smiles for one another, letting loose a resounding yowl, pleased to renew many old acquaintances yet welcoming to new ones, too.
As a festival veteran who’s traveled from coast to coast, I’ve personally known the communal spirit such an event holds, but there is something stronger at work here. It’s the draw of the majestic location, the inspiring and moving improvisational live music, the graciousness of the bands happy to be included (many of whom share the stage with moe.) and even just the free spirited vibe hanging about the mountain. While many such attributes are common at any number of festivals, there is an unspoken bond amongst everyone at moe.down. No doubt about it, over Labor Day weekend, we are all Fam-moe-ly.
moe.
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On Saturday, the band performed its first set early in the afternoon. moe. revisited their Upstate New York roots with a funky take on “Bring It Back Home” that featured three-part harmonies between guitarists Al Schnier and Chuck Garvey and bassist Rob Derhak. But, the afternoon fun really started with “Bear Song,” as volunteers busted out inflatable black bears in white t-shirts with the festival’s beer sponsor emblazoned on them in front of the stage. You could see the merriment on the band member’s faces as they played looking out at approximately 15 to 30 bears bouncing and floating above the heads of the crowd in the afternoon sun. Another highlight occurred when the band was joined by a group of kids dressed in superhero costumes as they performed “Captain America.” The kids included several of the band members’ offspring, such as an animated Zach Derhak playing air bass and Schnier’s son Ben singing a chorus – moe.down has always been a family oriented festival.
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moe. closed Saturday with a late night set which, as it always does, lit the mountain on fire. There really is no better way to begin a final set of the day than with a song about a pig named “Buster” that dreamed it could fly. The crowd went hog wild with the glow sticks mid-song, and the night sky was alive with color. LaFond rejoined the band on a bluesy, sizzling “Voodoo Chile.” In a move that has become a regular occurrence at moe.down, the band handed off its instruments to Fishbone, who had played earlier in the day. The switch was pulled off without missing a beat and while a fun experiment, one got the sense that Fishbone overstayed their welcome with a jam that lasted over 35 minutes. moe. closed with the rollicking sing-a-long “Spine Of A Dog.”
moe.’s final two sets of moe.down 9 on Sunday – and final sets for the near future, save for an appearance at Farm Aid in September – were unforgettable. The band’s first set at 8 p.m. began with a high-spirited “Tail Spin,” which mellowed seamlessly into live staple “Timmy Tucker,” bringing the glow sticks and beach balls out. It was this that ignited the crowd into a rambunctious frenzy, with fans twirling, spinning and bouncing off one another like the beach balls above our heads. Schnier and Garvey took turns with soaring solos, while multi-instrumentalist Jim Loughlin plunked away on the MalletKAT and drummer Vinnie Amico and Derhak held the low end together.
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moe.’s final set of 2008 was certainly one to remember. “Happy Hour Hero” featured Shannon Lynch of the band Lynch on saxophone, an interesting addition to the song. Some of the fun at a moe. performance is found in the between-song jams, where one gets lost wondering what’s next, till suddenly a cheer goes up like a whiff of pot smoke as the familiar strains of “Recreational Chemistry” take hold. Long a moe. concert staple, this epic 25-minute jam featured the dueling guitars of Garvey and Schnier. It was a highlight of the entire weekend, as was “Plane Crash,” which featured some caterwauling guitars and a mid song drum jam. The set closed with a tightly coiled “Wind It Up” with Garvey’s vocal especially gritty after the long weekend.
Other Highlights
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The act that brought many to the main stage early on Friday was The Sparrow Quartet featuring Bela Fleck and led by Abigail Washburn of the all-female string band Uncle Earl, who played moe.down 8. The Quartet also includes Casey Driessen and Ben Sollee, and together they’re hard to get a handle on. On the one hand, the band played traditional bluegrass; while on the other Washburn sang some tunes in Chinese. It was a mix that worked surprisingly well, as a receptive crowd gathered and appreciated what was going on, though many were not familiar with the music. Washburn sang with a dulcet twang that fit well with the string instruments.
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Besides moe., many fans were very happy to have Yonder Mountain String Band welcomed back to the fest, and the band certainly did not disappoint. Taking the stage at dusk just prior to moe.’s early evening set on Saturday, the Colorado jamgrass band drew the largest crowd of the weekend other than moe. “No Expectations” began with Jeff Austin’s mellow strumming on mandolin and graceful singing. It built slowly to some high and mighty fast picking from all four members and then quickly mellowed again as it ended. “If Loving You Is Killing Me” is a traditional bluegrass number, played and plucked fast, featuring Dave Johnston on banjo. Adam Aijala‘s vocals are the most pristine of the band, as proven on “Night Out,” which also featured strong picking by Austin and Johnston. YMSB brought a little bit of the Rocky Mountains with them to The Adirondacks on the 11-minute, dark and stormy jam “Snow On The Pines.” Rooted deep in the bluegrass tradition, this quartet brings a vibrant energy to the scene.
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Chicago based Cornmeal opened the main stage on Sunday with a hearty dose of its stompgrass. Like YMSB, their roots are in traditional bluegrass yet their music is infused with a vibrant, youthful energy with rock elements. Kris Nowak takes the lead on vocals and acoustic guitar, while Allie Kral’s amazing fiddle playing adds a unique and eclectic element to the band’s sound. They tore it up on the nearly 16-minute opener, “River Gap,” as fans strolled down to the front of the main stage. Without a cloud in the sky, the audience kicked up dust to “Johnny Put Down Your Gun” and the traditional “Working On A Building.” Kral matched Nowak on vocals on the stark “The Road,” where her fiddle conveyed a haunting ache. The fast-tempo of closer “Hillbilly Ride” got feet shuffling and dirt flying again.
The sound of The Bridge is a difficult one to pin down to any one genre. With elements of classic rock, bluegrass, jazz and even hip-hop, there quite an amalgamation of styles. Up front on guitar and vocals, Chris Jacobs sang with the soul and tone of Lowell George, while Patrick Rainey funked things up on the sax on songs such as “Shake Em Down” and the bluesy “Poison Wine.” Kenny Liner played the electric mandolin, but took to the mic several times to add beat box, such as on “Drop The Beat,” where sax joined with thick bass for a dance song that was hard to resist. New York native and pianist Marc Brown held his own musically on Dr. John’s “Qualified,” and Liner and Rainey got funky on “Brother Don’t.”
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moe.down 9 makes it five straight for this critic and along with many fellow moe.rons, I am sure to be back for year ten. moe. and its management team did something exceptionally well when they began promoting this festival in 2000, and they’ve never tried to capitalize on their success. Rather, they’ve kept on keeping on, and have succeeded at developing a fine, well put together festival that continues to grow in small increments while maintaining its status quo as the place to be over Labor Day weekend for fam-moe-lies and fans alike.
Continue reading for more images from moe.down…
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