Chuck Prophet: A Thousand Stolen Kisses

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It's better to have your heart broken than to never have loved at all. That's the part you have to stay in touch with if you want to sing these songs over and over again.

-Chuck Prophet

 

I Bow Down And Pray To Every Woman I See

Men frequently struggle to articulate their feelings and thoughts about women. Even the best songwriters often unconsciously veer into misogyny or thickheaded simplicity (see Dylan's oddly beloved and oft-covered "Just Like A Woman" for an examples of both). Prophet manages to spring over these pitfalls, writing woman odes that use the distaff among us as genuine muse for tunes of real depth.

Chuck Prophet
"It's a delicate thing," cautions Prophet. "There's a delicate thing to the blues where it can go either way, where you can go downwards or celebrate the glory of having the blues. It's a glorious thing to have the blues because it starts with love. It's better to have your heart broken than to never have loved at all. That's the part you have to stay in touch with if you want to sing these songs over and over again."

His songs openly acknowledge the sway women have over many of us boys in a very honest way. "Yeah, absolutely," enthuses Prophet. "On 'A Woman's Voice (Will Haunt You)' [from Soap and Water] I cut verses. I have an editor's sense to take out the parts that I didn't think were true, even though they sounded really good [laughs]."

While women remain central to Prophet's creative process, he's often pretty solitary when working up new material.

"I don't really run it by people. I'm superstitious," says Prophet. "When I'm in the process of writing a song I don't go out of my way to solicit anything. I'm just happy when it's fucking over. At a certain point that's enough. They take up space in your psyche. Some songs can be really difficult. It's almost like I don't feel like starting them but it feels good when they're finished."

Taking his time means that what ultimately emerges has a craftsmanship and sturdy endurance that stays around for decades. It's a trait missing from a lot of modern rock, which too often has the staying power of Pop Rocks. Shortsighted rockers could never come up with a chilling lyric like, "I always did the right thing, what did it get me?"

"[laughs] I love that line, too. I really do. That might be my favorite part of the record, that bridge [on 'Let's Do Something Wrong']," says Prophet, who excels at lines you can't walk away from once you've been exposed to them. "It's a fun character study of someone who always played by the rules and never left his small town. I think what makes the song really come together is the children singing, 'Let's do something wrong, let's do something stupid.' They sing it in such an earnest way because they don't understand the implied costs, the repercussions as an adult for all your actions. When they sing, 'Let's do something wrong, let's do something stupid,' they sing it with all their heart and soul, without any sense of regret."

For many older fans, Prophet will always be associated with Green On Red more than any of his ten solo records. While the band does the occasional reunion gig it does seem fraught with the kinds of regrets Prophet was discussing. "It's like spending a weekend with the kids from your first marriage [laughs]. It's a mixed thing," admits Prophet. "We did one show and we were all really surprised how fun it was. We'll do it from time to time."

For now, his focus is his own work, a quiet, ceaselessly excellent string of recordings and performances that speak for themselves. All the praise in the world can't measure up to the intrinsic pleasures awaiting one, in both the long and short term, inside Prophet's music.

"I feel like I'm just getting the hang of it, so I hope I'm getting better. It's hard [to get records into people's hands] but my biggest fear is that I would have to stop. Ultimately, that's the thing any artist fears more than anything," says Prophet. "Economically, none of this has ever made any sense for me but you just make the records and play the shows. That's really all there is to do."

Chuck Prophet tour dates available here.

JamBase | San Francisco
Go See Live Music!



 

Comments

MaseBase starstarstarstarstar Wed 11/14/2007 05:09PM
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MaseBase

Wow! No love for the Prophet on here yet? I fucking LOVE his music, he's got an unbelievable talent to create the right mood for these songs... When I first discovered Chuck Prophet, he didn't leave my stereo or iPod for many many months. The new album is fantastic, but newbies must check out "Age of Miracles".

Great article Dennis!

tommont starstarstarstarstar Wed 11/14/2007 06:47PM
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tommont

1st of all I love you Dennis and I love my Jambase! I was fortunate enough to have my wife win KFOG tix to see Chuck at the KFOG "playroom" in SF recently and it was such a gas...he said some stuff about feeling like it was a classroom and "...do you have any questions?" the guy is so freakin' funny! Prophet is 100% the whole package, he writes great songs, plays incredible guitar (monstertone!) and has a superb voice. Chuck is also an excellent producer, recent work includes Kathleen Haskard's wonderful "Don't Tell" (w/ some Chuck gtr on it too!) and Kelly Willis' terrific new record, "Translated From Love". I thoroughly enjoyed the article, learning some about Chuck's favs and influences. I also love being able to listen on myspace or rhapsody to the artist that I am reading about (hence the "i love my jambase"). Chuck is truly a one-of-a- kind guy...thank you Dennis for bringing his work to the attention of some folks that might not otherwise know about him. On "Let's Do Something Wrong" I really like the brief addition of the children's chorus. One might think "now that's stupid" but it really works! Go see Chuck Prophet and buy all of his records! A final aside: I loved seeing former "jamband" shredder James DePrato (Taos Hum, well not former, they still play on rare occasion) at the KFOG show w/ Chuck. You know you must have a hot hand when someone as talented a guitarist as Chuck asks you to play in his band. Chuck is a super nice guy and when I talked to him briefly after the show (...cool intimate setting, only 25 or so ppl in the small studio) when I went to get our copy of Soap signed and told him I knew James from b4 and was happy he picked him up Chuck said to me "...why didn't you tell me about him b4, you're my friend aren't you?"

gumbrinus1 starstarstarstarstar Thu 1/10/2008 07:47PM
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gumbrinus1

Cheers, Dennis. Thanks for giving Chuck the respect he deserves. I was listening to Soap & Water while reading this and was smoked to hear a passage in "A Woman's Voice" that was very reminiscent of the Gracia Band just as I got to the part where you make this fitting comparison. I've been listening to Prophet for several years now, and I'd yet to make the connection myself. Cheers!