The Tragically Hip Shows
Sorry, we’ve got no upcoming shows for The Tragically Hip.
Pro Tip: Click “Add to My Bands” above and we’ll notify you when The Tragically Hip announces shows in your area.
Latest The Tragically Hip Articles
The latest installment of the ’20 For 20′ series in celebration of JamBase’s 20th anniversary looks at 20 standout farewell concerts from the past two decades.
The Tragically Hip frontman Gord Downie sadly passed away this week, revisit some his final live performances.
Canadian icon Gord Downie of The Tragically Hip has died at age 53.
There’s multiple options to watch and listen to what’s sure to be one of the most emotional concerts in the history of rock, the final Tragically Hip concert.
Just hours after revealing Gord Downie has been diagnosed with terminal brain cancer, The Tragically Hip detail Summer Tour.
There’s sad news from Canada this morning as The Tragically Hip revealed Gord Downie has been diagnosed with terminal cancer.
About The Tragically Hip
Formed in 1983 in Kingston, Ontario, the Tragically Hip comprised childhood friends Gordon Downie (vocals), Bobby Baker (guitar), Paul Langlois (guitar), Gord Sinclair (bass), and Johnny Fay (drums). The bandmembers took their name from a Michael Nesmith video entitled Elephant Parts, and focused on making a name for themselves on the local scene during the mid-’80s. While performing Toronto’s Horseshoe Tavern, MCA Records president Bruce Dickinson was impressed by the Hip’s infectious live presence and offered them a deal. A self-titled eponymous EP appeared in 1987, but it took the band two years to get critical attention. Their proper studio debut effort, 1989’s Up to Here boasted the swagger of “Blow at High Dough” and Downie’s powerful songcraft was blossoming.
College charts were instantly attracted and fellow Canadians were appreciative of the Tragically Hip’s insatiable appeal. Road Apples, issued in 1991, was moderately successful; however, the band’s third album, Fully Completely (1993), allowed for international crossover. Singles such as “Courage” and “Wheat Kings” became mainstays in pockets of Michigan and New York; the Hip were slowly being noticed and American fans began cherishing them as much as their Canadian loyalists. They continued to rise steadily with 1995’s somber storm, Day for Night, and their star power was burgeoning. Sold-out tours across Canada and Midwest America, and a spot on Saturday Night Live, catapulted the vibrancy of “Grace, Too” onto modern rock charts. the Tragically Hip were becoming an anthemic band among the split indie and rock crowds, practically on the verge of being an arena attraction.
Trouble at the Henhouse, their first album for Atlantic, was blistering with a passion similar to Day for Night’s, but was released too soon after that previous effort. It wasn’t radio-friendly enough for America, either, but the band wasn’t concerned. the Hip trudged on, selling out countless dates in North America. Downie, who was also a poetic madman, composed a frenzied stage presence and the band’s tight rhythm was infectious. The mix of roots rock and light country tinges was something tangible during the mid-’90s grunge reign. While touring in support of Trouble at the Henhouse, the Hip recorded their first-ever live album, Live Between Us (1997). This particular album captured an astonishing night at Detroit’s Cobo Arena in 1996, and was uncut and unfearing. The band was at the top of its game, never selling out to corporate ideals. They were a stadium sensation without ever having a major hit in America. The rest of the ’90s were a time of rest, but also a period when the band returned to the basics of true rock & roll grit.
Phantom Power (1998), their sixth studio album and eighth overall, marked their most cohesive work to date. It was also their debut for Sire Records. The album was recorded in the band’s hometown of Kingston and the songs themselves were cathartic and seductive. “Fireworks” and “Poets” were again mainstays on college radio. A showcase at Woodstock ’99 proved glorious for Canadians the next summer. Music @ Work followed in summer 2000, with subsequent U.S. tours with Guster. The next year, Gordon Downie put his pen to paper for a book of poetry, and a solo album entitled Coke Machine Glow. Downie returned to the studio in 2001 to join his bandmates for another Hip record. Producer Hugh Padgham (Split Enz, XTC, Phil Collins) was also on board to tweak the Tragically Hip’s ninth record, In Violet Light, issued in June 2002.
In Between Evolution, the band’s most introspective work yet, followed in summer 2004. The following year saw the release of Hipeponymous, a limited-edition box set that included the two-disc greatest-hits compilation Yer Favorites and the live DVD That Night in Toronto: Pierre & Francois Lamoureux, as well as a bonus DVD of all of the group’s videos. Fellow Canadian and famed producer Bob Rock (Metallica, Bon Jovi, Mötley Crüe) signed on for the Hip’s 11th studio LP, World Container. Intimate club shows in Toronto, Calgary, Vancouver, and Montreal were also scheduled in celebration of its release in fall 2006. We Are the Same arrived in 2009. After a nearly three-year break, the Tragically Hip re-emerged with Now for Plan A in the fall of 2012.
The latest installment of ‘The JamBase Podcast’ features Kelsey Waldon talking “Musical Mentors” and Ben Morrison sitting for a “Quit My Day Job” segment after “The Rundown” of recent news stories.
The Wood Brothers shared “Cry Over Nothing,” a track featured on their forthcoming studio album ‘Kingdom In My Mind.’
‘GarciaLive Volume 12’ features a Jerry Garcia and Merl Saunders performance from January 23, 1973 at the Boarding House in San Francisco.
Amanda Shires confirmed an extensive tour to start 2020 that includes support from L.A. Edwards.
The first installment of ‘After Midnight,’ a five-episode episode original narrative podcast celebrating the 20th anniversary of Phish’s Big Cypress Millennium Eve festival in Florida’s Everglades has arrived.