From the first glimpses of Robert Balotsky’s work as Buku, it was clear that the Pittsburgh native and graduate of Music Technology was onto something. With an effortless grasp on sound design and music theory, the young producer combines deceptively simple and emotive melodies, laden with resounding bass drops and intricate drum patterns. With a love of drums rooting from childhood, his work reflects the obsession emitting percussive elements only a trained ear could produce. Behind a kit since age 8, he followed the progression of handling duties for multiple bands throughout his adolescence. Once introduced to digital production, Buku took his techniques to stranger dimensions he’s been pushing the boundaries ever since. His early work has placed him at the forefront of a new wave of rising talent amongst East Coast producers. Garnering interest and plays from Starkey, Lunice, Paper Diamond, Shiftee, Clicks & Whistles, Kastle (to name a few) the up-and-comer has been paving a promising road over the last year. With his debut release, ‘Slippy’ under the Slit Jockey imprint and a remix of Starkey’s ‘Command’ on Civil Music, Buku is poised to make much larger waves in the coming months: haters beware.
Phish continued their repeat-less trend as part of a show featuring bust outs and tasty jams in Charleston on Saturday. Check out the setlist, a recap and The Skinny.
Bob Weir sat in with an all-star cast for the Rex Benefit’s ‘American Beauty’ event.
Tedeschi Trucks Band treated the Orpheum Theatre in Boston to an acoustic set full of blues classics.
Greensky Bluegrass welcomed guitarist Tom Hamilton of opening band Ghost Light to kick off their two-night run at the Mission Ballroom in Denver.
Phish kicked off a three-night stand at the North Charleston Coliseum that closes the band’s Fall Tour 2019 on Friday night in North Charleston, South Carolina.