About Kronos Quartet
For 40 years, the Kronos QuartetDavid Harrington, John Sherba (violins), Hank Dutt (viola), and Sunny Yang (cello)has pursued a singular artistic vision, combining a spirit of fearless exploration with a commitment to continually re-imagining the string quartet experience. In the process, Kronos has become one of the most celebrated and influential groups of our time, performing thousands of concerts worldwide, releasing more than 50 recordings of extraordinary breadth and creativity, collaborating with many of the world’s most intriguing and accomplished composers and performers, and commissioning more than 800 works and arrangements for string quartet. In 2011, Kronos became the only recipients of both the Polar Music Prize and the Avery Fisher Prize, two of the most prestigious awards given to musicians. The groups numerous awards also include a Grammy for Best Chamber Music Performance (2004) and “Musicians of the Year” (2003) from Musical America.
Kronos’ adventurous approach dates back to the ensemble’s origins. In 1973, David Harrington was inspired to form Kronos after hearing George Crumb’s Black Angels, a highly unorthodox, Vietnam War-inspired work featuring bowed water glasses, spoken word passages, and electronic effects. Kronos then began building a compellingly diverse repertoire for string quartet, performing and recording works by 20th-century masters (Bartók, Webern, Schnittke), contemporary composers (John Adams, Osvaldo Golijov, Aleksandra Vrebalov), jazz legends (Ornette Coleman, Charles Mingus, Thelonious Monk), rock artists (guitar legend Jimi Hendrix, Brazilian electronica artist Amon Tobin, and Icelandic indie-rock group Sigur Rós), and artists who truly defy genre (performance artist Laurie Anderson, composer/sound sculptor/inventor Trimpin, interdisciplinary composer/performer Meredith Monk).
Integral to Kronos’ work is a series of long-running, in-depth collaborations with many of the world’s foremost composers. One of the quartet’s most frequent composer-collaborators is Father of Minimalism Terry Riley, whose work with Kronos includes the early Sunrise of the Planetary Dream Collector; Cadenza on the Night Plain and Salome Dances for Peace; 2002’s Sun Rings, a multimedia, NASA-commissioned ode to the earth and its people, featuring celestial sounds and images from space; and Another Secret eQuation for youth chorus and string quartet, premiered at a concert celebrating Riley’s 75th birthday. Kronos commissioned and recorded the three string quartets of Polish composer Henryk Mikolaj Górecki, with whom the group worked for more than 25 years. The quartet has also collaborated extensively with composers such as Philip Glass, recording a CD of his string quartets in 1995 and premiering a new work in 2013, among other projects; Azerbaijan’s Franghiz Ali-Zadeh, whose works are featured on the full-length 2005 release Mugam Sayagi: Music of Franghiz Ali-Zadeh; Steve Reich, from Kronos performance of the Grammy-winning composition Different Trains (1989) to the September 11themed WTC 9/11 (2011); and many more.
In addition to composers, Kronos counts numerous artists from around the world among its collaborators, including the Chinese pipa virtuoso Wu Man; Azeri master vocalist Alim Qasimov, legendary Bollywood “playback singer” Asha Bhosle, featured on Kronos’ Grammy-nominated CD, Youve Stolen My Heart: Songs from R.D. Burman’s Bollywood; Inuit throat singer Tanya Tagaq; Mexican rockers Café Tacuba; sound artist and instrument builder Walter Kitundu; and the Romanian gypsy band Taraf de Haïdouks. Kronos has performed live with the likes of icons Allen Ginsberg, Zakir Hussain, Modern Jazz Quartet, Noam Chomsky, Rokia Traoré, Tom Waits, David Barsamian, Howard Zinn, Betty Carter, and David Bowie, and has appeared on recordings by such diverse talents as Nine Inch Nails, Amon Tobin, Dan Zanes, DJ Spooky, Dave Matthews, Nelly Furtado, Joan Armatrading and Don Walser. In dance, the famed choreographers Merce Cunningham, Paul Taylor, Twyla Tharp, and Eiko & Koma have created pieces with Kronos music.
Kronos work has also featured prominently in a number of films, including, most recently, the Academy Awardnominated AIDS documentary How to Survive a Plague (2012) and Dirty Wars (2012), a documentary exposé of covert warfare for which Kronos David Harrington served as Music Supervisor. Kronos also performed scores by Philip Glass for the films Mishima and Dracula (a restored edition of the 1931 Tod BrowningBela Lugosi classic) and by Clint Mansell for the Darren Aronofsky films The Fountain and Requiem for a Dream. Additional films featuring Kronos music include 21 Grams, Heat, and True Stories.
The Quartet spends five months of each year on tour, appearing in concert halls, clubs, and festivals around the world including BAM Next Wave Festival, Carnegie Hall, the Barbican in London, WOMAD, UCLA’s Royce Hall, Amsterdam’s Concertgebouw, Shanghai Concert Hall, and the Sydney Opera House. Kronos is equally prolific and wide-ranging on recordings. The ensemble’s expansive discography on Nonesuch Records includes collections like Pieces of Africa (1992), a showcase of African-born composers, which simultaneously topped Billboard’s Classical and World Music lists; 1998’s ten-disc anthology, Kronos Quartet: 25 Years; Nuevo (2002), a Grammy- and Latin Grammynominated celebration of Mexican culture; and the 2004 Grammy-winner, Alban Berg’s Lyric Suite. Among the groups latest releases are Rainbow (Smithsonian Folkways, 2010), in collaboration with musicians from Afghanistan and Azerbaijan; Uniko (Ondine, 2011) with Finnish accordion/sampler duo Kimmo Pohjonen and Samuli Kosminen, and Music of Vladimir Martynov (Nonesuch, 2011). Music publishers Boosey & Hawkes and Kronos have released sheet music for three signature Kronos-commissioned works in Kronos Collection, Volume 1 (2006), a performing edition edited by Kronos; Volume 2 will be released in 2013.
In addition to its role as a performing and recording ensemble, the quartet is committed to mentoring emerging performers and composers and has led workshops, master classes, and other education programs via the San Francisco Conservatory of Music, the California State Summer School for the Arts, Carnegie Halls Weill Institute, The Barbican in London, and other institutions in the U.S. and overseas. Kronos is undertaking extended educational residencies in 201314 at UC Berkeleys Cal Performances, the Clarice Smith Performing Arts Center at the University of Maryland, the Special Music School at the Kaufman Music Center in New York City, and the Malta Arts Festival.
With a staff of eleven based in San Francisco, the non-profit Kronos Performing Arts Association (KPAA) manages all aspects of Kronos work, including the commissioning of new works, concert tours, concert presentations in the San Francisco Bay Area, education programs, and more. One of KPAAs most exciting initiatives is the Kronos: Under 30 Project, a unique commissioning and residency program for composers under age 30 that has now added five new works to the Kronos repertoire. By cultivating creative relationships with emerging and established artists from around the world, Kronos and KPAA reap the benefit of decades of wisdom while maintaining a fresh approach to music-making.
Dave Matthews and Tim Reynolds welcomed Amos Lee and I’m With Her in Mexico.
Umphrey’s McGee wrapped up their three-night run at the ExploreAsheville.com Arena in Asheville, North Carolina where they welcomed Billy Strings and Empire Strikes Brass Horns.
Oysterhead closed out their two-night opening run at the 1st Bank Center in Broomfield, Colorado with a Primus tune, a Phish song and a Cream cover.
Check out the Oysterhead setlist, plus a review, audio and video from their show last night in Denver.
Brandi Carlile concluded a three-night stand at the new Fillmore Minneapolis with a Valentine’s Day performance of her EP, ‘XOBC.’