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Jackie Greene | Anthology, San Diego | 8/29/08
To paraphrase his own words, playing at Anthology was the weirdest place Jackie has played to date.  Maybe it was the sold out crowd peacefully sitting down to a white table cloth dinner, ordering wine in their dress code appropriate attire.  Or maybe it was that, other than a particularly raucous table in the back, no one seemed to know who they were watching.  Either way, by the end, fan and newcomer alike were on their feet begging for more.

Greene has built up a solid musical repertoire a quite a young age.  At just 27, he has seven solo albums, another with The Skinny Singers (his three-man side project), he has appeared on Late Night with Connan O’brien on more than one occasion, and maybe most significantly he toured with Phil Lesh and Friends as a newly indoctrinated “Friend” during the 2007 summer.  His music defies easy categorization, steeped in blues, country, folk and rock.  The New York Times even went so far as to dub him “The Prince of Americana” after writer Jon Pareles saw Jackie perform day 4 of the Bonnaroo music festival two years ago. 

On Friday night for the “wine show” (the band’s characterization of the night), looking like a young Bob Dylan, Jackie put his musical diversity on display.  Mostly playing songs off his new album, “Giving up the Ghost” Jackie was seen on both rhythm and lead guitar, behind a grand piano, and rocking out on an organ.  Though his skills on these instruments are impressive elements of his immense talent, he may well be best known for his song writing.  His lyrics are both simple and complex, while daring to be both at the same time.  He let the audience in on this paradox with the simple “Another Love Gone Bad” and the purposely deep “Don’t Let the Devil Take Your Mind” – a song reminiscent of Steve Earl in his prime.  The night also saw his hits “Shaken” and “Like a Ball and Chain”, but perhaps the most celebrated song of the night wasn’t one that he had written.  Instead it was a song he perfected while on the road with Phil Lesh, “New Speedway Boogie”. 

Despite the expensive ambiance, Jackie Greene, who has almost perfected the wife beater look, brought rock to the tablecloth.  In front of an unlikely audience, he demonstrated that if you haven’t heard of him yet, then you are just plain missing out.  And though the young man who grew up in a little town just outside Sacramento may still be looking to hit stardom, those who have seen his performance, know it is just a matter of time.  And Friday night in San Diego was just another stepping stone to this inevitable future.

0 Comments :: Permalink :: Wed 9/3/2008 10:09 PM
Stone Temple Pilots | San Diego, CA | 7-27-08
On Sunday, July 27th the Stone Temple Pilots reunion tour brought the band back to their roots, San Diego, California. For nearly 2 hours fans were reminded that this was once, in Scott Weiland’s words, “the greatest fucking rock n’ roll band in the world”. Though this statement would be hard to debate in their prime, one thing is for certain, until STP can put a leash on their infamous frontman, they may never return to their former glory… there just may not be enough time.



With an epic marquee that posted the Black Rebel Motorcycle Club, Wolfmother, and featured STP, fans that braved the $50 general admission ticket were rewarded for their investment and perseverance. An estimated 5,000 people gathered on the green at Qualcomm Stadium @ Jack Murphy Field hoping to hear their favorite songs. Put a checkmark in that column. The set list included favorites like, “Plush”, “Wicked Garden”, “Interstate Love Song”, “Crackerman”, “Sex Type Thing” and not to be overlooked, the megaphone classic “Dead and Bloated”.



So we had the band we all wanted to see. We had the original lineup all together on stage for the first time in 7 years. We were in the city where the band originally built their fan base playing local strip clubs. We even had the songs we wanted to hear… so why were people seen leaving early? Weiland.



The erratic behavior has long been chronicled, as have the breakups of his former bands (Stone Temple Pilots, Velvet Revolver). When he is on, Scott Weiland is likely the best frontman in the modern rock age. His flamboyant presence and dynamic vocals have proven to captivate an audience for over two decades. However, when he is off, the band doesn’t seem to have the same energy that inspires fans to bleed their wallets for a night of legendary rock. San Diego experienced the later on Sunday night.



Look, I don’t know what happened. I don’t know if Scott strained his voice rocking out the Greek Theatre on Friday night. I don’t know if he was coming down with a cold. And I’m certainly not saying that there was any inappropriate behavior. All I am saying is that it was obvious that his voice was hurting right off the bat.



The good news was the rest of the band wrote the music to those songs. Guitarist Dean DeLeo, bassist Robert DeLeo and drummer Erik Kretz were in full effect. The better news was that Weiland pulled it together by the end, and for those of us that showed the perseverance to rock, we were rewarded with something special. I obviously feel that Weiland wasn’t all he could be, but time was on our side. Starting with “Dead and Bloated” the band seemed to hit their stride. Weiland’s voice had loosened up and the rock was flowing. By the end of the show we all wanted more. The place had erupted with energy.



It’s entirely unlikely that this go round is going to be any different for the band. And it’s likely only a matter of time before news leaks to the press about some sordid affair. My advice to you: go see STP while you can. They have the music and they have the talent … and when they are on, it is truly one of the greatest rock n’ roll shows out there.



--Will Bavinger

Will Bavinger can be reached at Foamfoot6301@hotmail.com


1 Comment :: Permalink :: Wed 7/30/2008 10:30 PM
Drive-By Truckers | Belly Up -Solana Beach, CA | June 20, 2008

Drive-By Truckers | Belly Up -Solana Beach, CA | June 20, 2008

In a city gone seemingly dry, we traveled by train to the art district of Solana Beach, California to see The Drive By Truckers return to San Diego. Taking advantage of the last bastion of unrestricted public alcohol abuse left in the city, fans rode the commuter train armed with six packs and ripped jeans juxtaposed with San Diego's working class stiffs on their way home from their 9 to 5’s. For fans of The Drive By Truckers, slugging down roadies in preparation for a show is about as fundamental as remembering to bring your ticket. With songs like Self Destructive Zones and Dead Drunk & Naked, it would be hard to argue that the Truckers' song writing hasn't in some way pandered to the well lubricated belly.

Based out of Athens, Georgia, the Truckers boast a 6 piece lineup consisting of Patterson Hood (vocals, guitar), Mike Cooley (vocals, guitar), Jon Neff (guitar), Shonna Tucker (bass), Brad Morgan (Drums) and newly added Spooner Oldham (keyboards). When they took the stage on Friday night in front of a peyote backdrop, their Les Pauls, long beards and bottle of Jack Daniels clearly displayed their Southern roots… and the near sell out crowd of 600 ate it up, raising 24 ounce cans of PBR in salute and offering up their rebel yell as musical accompaniment.

Patterson and Cooley led the band through a stirring night of raw music. Both have distinctly contrasting styles that bring together the life blood of the Truckers. Patterson's intensity and winey voice complement Cooley's laid back persona and southern drawl. Together they are the ultimate package. A one-two punch of alternating vocals, and two thirds of a three guitar lineup, that kept the spirit of the South alive all night.

Primarily playing tracks off their new album, Brighter Than Creation's Dark, the Truckers also found time for some old classics like Let There Be Rock, Where The Devil Don't Stay and Steve McQueen. True to fashion they also colored the night with pulls from their bottle of Jack Daniels that has proven to be a staple of their live performances, shots of Jägermeister sent up from the bar, and stories of growing up in the rural South (when Patterson was 18 he had to travel two hours just to see a show, and it was the band Kansas, and he fucking hates Kansas. But it was a rock and roll show and it was something to do).

So for all of you working class types, who commute home in your ties and button down shirts, get off the train and go see this band next time they are around because they are rock and roll. They are showing us that our 9 to 5s aren't necessary. They are showing us that Wall Street, clean cut hair and a pressed suit isn't the only option. They are saying if you have a dream you follow it. You go out there and find that fucking dog. Patterson and Cooley found it, and we got to enjoy the ride.

--Will Bavinger
Will Bavinger can be reached at Foamfoot6301@hotmail.com


Setlist* from Friday, June 20:

That Man I Shot / Self Destructive Zones / The Tough Sell / Where The Devil Don't Stay / Life in the Factory / Puttin' People on the Moon / The Company I Keep / Dead Drunk & Naked/ Three Dimes Down / I'm Eighteen / You & Your Crystal Meth / Righteous Path / I'm Sorry Huston / Guitar Man Upstairs / Marry Me / Checkout Time in Vegas / Let There Be Rock / Encore: Ghost to Most / 18 Wheels of Love / Lookout Mountain / Steve McQueen

*set list borrowed from ninebullets.org

1 Comment :: Permalink :: Wed 6/25/2008 9:51 PM
Eddie Vedder 4/16/2008 Spreckles Theater San Diego

So it was like this:

 

On April 16th we arrived at Spreckles Theatre in downtown San Diego and wormed our way through the masses into the crowded auditorium.  The sell out crowd of over 1600 consisted of fans of all musical tastes.  I talked to an old couple bent on telling me stories of seeing Pink Floyd live in the 70’s, sat in front of a group of 20 something’s excited for next week’s Coachella festival and next to a young couple on a very expensive date; all of us together in attendance to see the Legend of Eddie Vedder.  And in the final night of his first solo tour ever, Vedder gave us a journey into the wild.   

 

For nearly two and a half hours, Vedder belted out baritone vocals that reminded the sell out crowd that he is the famous front man from that Seattle based band.  And his guitar playing at times even showed some range for a guy known for his vocals, playing acoustic and electric guitars, as well as the mandolin.  However, overall his song writing seemed to lack depth.  Yes he did play the obvious solo hits “Society”, “Rise” and “Hard Sun”, which were pretty cool even if you have heard them a thousand times on the radio.  But other original songs didn’t really grab your balls; they just laid flat existing rather than impressing.  He must have known these limitations because he made up for it with some awesome covers and succeeded to keep the crowd well entertained throughout the night.

 

In what has maybe become his new favorite instrument, Vedder grabbed the mandolin and ripped a stirring rendition of Pearl Jam’s hit, “Porch”.  He also torched an ode to Pete Townsend, playing a hit from the former Who great’s solo work, “Let My Love Open the Door”.  Splitting the crowd into guys and girls, he gave us the opportunity to back him on the refrain over and over again.  As fun as this was, perhaps the most entertaining portion of this night didn’t require Vedder to play an instrument at all.  He just had to dance around stage like a goofball with two men dressed in hipster dufus attire to Barry White’s seductive “Can’t Get Enough (of your loving)”. 

 

The fanfare didn’t parallel most Pearl Jam shows, where Eddie has been known to climb up into the rafters, but it did provide for a memorable evening.  The San Diego native’s mom was in the audience to celebrate her birthday.  Eddie’s present to her (and to us) was a cover of Bob Dylan’s version of the song, “Forever Young”.  His mom was even provided a tiny star struck moment not often found in San Diego, as the kid from the movie “Into the Wild” sat on stage for a couple of songs, while Eddie ripped him for being a Hollywood fat cat. 

 

As if composing an opera, Eddie’s song selection took us on a musical journey.  After a relatively slow start, he was able to accomplish what he set out to do – and it may have been the last song of the night that really tied it all together.  The stage filled with smoke, a reel to reel tape displayed a sunset backdrop on the curtain behind the stage, and our man put on a black and white striped jacket that would have made Beatlejuice proud.  The stage turned into an ocean of mist and while standing in the surf, Vedder broke out the opening to his hit, “Hard Sun”.  The crowd erupted with an energy that he fed off of for the duration.  In the closing chord of the concert he leaped into the air and again showed an affinity for Pete Townsend…the midair, windmill, splits.  With that the show was over.   “Ed-die, Ed-die, Ed-die” and he took his bows. 

 

--Will Bavinger

Will Bavinger can be reached at foamfoot6301@hotmail.com

0 Comments :: Permalink :: Fri 4/18/2008 3:04 PM