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Switzerland's enfant terrible, DJ/producer WILDLIFE! first came to public attention for his unanimously praised musical productions on Terry Lynn’s debut-album “Kingstonlogic 2.0”. The blogosphere ignited while global press such as The New York Times, Fader, The Guardian, The Independent, VICE, XLR8R, URB, Rolling Stone, etc. tried to coin a name for what they saw as a new 'emerging genre'. They tried 'digital- dancehall', 'ghettotech' even 'jamaican-electro-punk' ...but he simply describes it as "sort of like... putting a Jamaican cat...
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