Search
Home
Artists
Shows
Articles
Community
Contests
Forums
Festivals
JamBaseTV
Login
My Artists
My Calendar
My Friends
My Groups
My Photos
My Journal
My Widgets
My Messages
My Account
My Bio
My JamBase
Login
Join Now! >>
Invalid Login
Login
Forget password?
Remember Me
Dan Bern
Official Website
::
Listen on Rhapsody
::
Add To My Favorites
Dan Bern
Alert me by e-mail when my tracked artists add new shows in my local area!
Dan Bern
Alert me by e-mail when my tracked artists add new shows in my local area!
At A Glance
Shows
Articles
Fans
Forum
Bio
Links
Goods
Official Website
|
Listen on Rhapsody
Breathe
In the closing track, Dan Bern sings of standing in "Another Man's Clothes." In the opening "Trudy," it sounds as if those clothes are any of Bob Dylan's that Bern can salvage. With its reedy vocals, wheezy harmonica, and midtempo melody evoking the "My Back Pages"/"Chimes of Freedom" era, that cut sounds more like Dylan than any of the generations of "new Dylans" who have preceded Bern.
Available at:
Amazon
New American Language
"If you judge me tonight, judge me by the songs I write," Dan Bern sings in "Black Tornado," thus serving notice that he's sick of the comparisons to various iconic songsters. Bern has never suffered from a lack of ambition, tackling pop culture and personal foibles alike with fervor and an utter disregard for taboo. Bern takes on similar subjects here, but backed by a five-piece folk-rock combo and warmly produced by Chuck Plotkin (the Dylan and Springsteen vet who presided over Bern's 1993 debut), he strips away the sophomoric gags and cloying cleverness that have plagued his past. Only the title track falls for the easy, ironic cop-out (key lyric: "OK, I guess, whatever"). Cuts like "Turning Over" ("I can't find me one new leaf worth turning over") and "Albuquerque Lullaby" ("Don't let your heart get broken by this world") come off heartfelt and unforced. And while much of New American Language finds Bern mellowing into a newfound maturity, he's still happy to poke holes in hype and hypocrisy. "Toledo" offers wry tribute to "The Church of the Holy McDonald's," while the freewheeling "Alaska Highway" sucker-punches everyone from Eminem to God. --Anders Smith Lindall
Available at:
Amazon
Dan Bern
Dan Bern's obsession with Bob Dylan (and, to an extent, Elvis Costello) is easy to stomach because he takes himself so humorously. "If you must put me in a box, make sure it's a big box, with lots of windows," he sings, before declaring himself the Messiah, on the talking-blues opener "Jerusalem." He also wonders what would have happened if Marilyn Monroe had married Henry Miller, not Arthur Miller, on the catchy "Marilyn Monroe." The singer/songwriter's debut occasionally drags, especially on long songs like "Wasteland" and "Rome," but this disc hints at a career worth following. --Steve Knopper
Track Listing: 1. Jerusalem 2. Go To Sleep 3. Wasteland 4. Marilyn 5. King Of The World 6. Too Late To Die Young 7. Rome 8. I'm Not The Guy 9. Never Fall In Love 10. Estelle 11. Queen
Available at:
Amazon
Smartie Mine
Dan Bern's double-CD indie foray into clearing out his songwriting drawer yields a number of gems. His inimitable knack for critiquing (not to say rudely peering at) 20th-century antiheroism makes for some of Smartie Mine's most memorable moments, as well as one true masterstroke: "Krautmeyer," which finishes off the Charles Manson ("shitty album") hipster myth in bitterly hilarious fashion. Other, more sober highlights include "Airplane Blues," a long subterranean meditation on Lightnin' Hopkins, celebrity, and one fan's relationship with art; "Little Russian Girl," on an encounter with a sad coffee-shop clerk; and a flurry of noise called "Two-Month Affair." More than just a holding action, Smartie Mine makes a fine excuse for itself. --Rickey Wright
Available at:
Amazon
Dog Boy Van
Its the quality, not the quanity that counts!, October 14, 1999 Reviewer: orendis from the same state as Dan A single CD can only contain so much greatness, thats why only six tracks. "oklahoma" and "live another day" are effectively poingnant. "Kurt" is mortality satire. "Jeruselm" wanders in and out of a love song. "Talkin,Alien abduction blues" is sci-fi satire. "Hannibal" Im still working on this one, but I suppose its about narrow minded biggots. I always play the whole CD, and sometimes once isnt enough. what can I say, Dan's the Man
Available at:
Amazon
Fifty Eggs
At this point in his career, Dan Bern has the "New Dylan" tag stuck like glue--especially because the acoustic guitar-slinger keeps recording songs like "Oh Sister," even if it's not the Dylan song of the same name. Of course, he's also hanging out with producer/pal Ani DiFranco, and he'll probably be dubbed the "New Ani" as well, and Bern, with his reedy voice, edgy wordplay, and fierce-yet-flip attitude really does sound like the bastard child of both. Pop culture references fall like rain from Bern's lips, as do PC clichés and righteous props (especially in the high-praising "Chick Singer") but all that clutter works well in his verbose, intriguing stuff. Check out "Cure for AIDS" and "Tiger Woods." --Michael Ruby
Available at:
Amazon
Welcome to High Sierra
It's not possible to capture the magic that happens in this intimate, picturesque setting on a CD, but we've tried to give you at least a taste of some of the music you might find at High Sierra...and for those of you who've been with us before, we trust that you'll return again and again and hope that this CD helps rekindle your sweetest memories of High Sierra.
Available at:
Homegrown
Submit a Correction
Send to a Friend
Track this Artist
Add a Show
Add a Comment
Artist Help