The Paul Abella Trio is here to get its groove on.
Their agenda is simple: to make jazz fun again. Taking
their cues from a long line of jazz giants who had
themselves a grand old time, they seek to build upon
the legacies of Nat King Cole, Mose Allison, Eddie
Harris, Les McCann, Mongo Santamaria and a thousand
other jazz giants by playing tunes that people know
and grooving on those tunes like there’s no tomorrow.
The Paul Abella Trio is made up of three of the more
unique musicians in the Chicago area. Paul is best
known as the music director at WDCB and as the review
writer for Chicago Jazz Magazine. But he’s also an
inventive percussionist who can juggle polyrhythms
while keeping things grooving all night long. Add to
that a knowledge of music that can only come with
working in record stores and at one of the hippest
radio stations anywhere, and you have a solid rhythmic
base with which to build a band upon.
Guitarist, singer, songwriter and all around great guy
Mitch Corso is another invaluable asset of the Paul
Abella Trio. Having studied with Fareed Haque at NIU's
prestigious jazz program, Mitch is a talented and
driven guitarist, capable of swinging hard and rocking
hard. Besides leading his own group, he*s also the
music director at Shepherd of the Prairie Lutheran
Church. As if all of this doesn't keep him busy
enough, he's also going for his master's degree in
music business at Columbia College.
Bob Ferraris has played in practically every situation
known to man, from symphonies and musicals to
avant-garde jazz. Boasting flawless technique and a
deep pocketed groove that comes from listening to
greats as diverse as Charles Mingus and Larry Graham,
Bob can best be described as Jaco Pastorius on an
upright bass.
The Paul Abella Trio got its start in late 2006.
Paul’s original idea was to emulate the later edition
of the Nat King Cole Trio with Jack Costanzo. In a
way, they have accomplished this with great elan, by
using Nat’s playbook, without using his songbook. By
utilizing percussion as opposed to a full drum set,
they’re not only unique, but they’re also quiet enough
for just about any situation that could ever arise.
That said, their sound is still full enough that they
can get good and funky when the mood strikes them.
Beyond the left of center instrumentation, The Paul
Abella Trio also concentrates on witty arrangements,
quirky medleys and songs that people love. What they
ended up with was a setlist that covered everything
from Louis Armstrong to Radiohead, played in a way
that has consistently left jaws dropping and fingers
popping.
Contrary to what the name might suggest, The Paul
Abella trio is a band in every sense of the word. You
can see it in the constant communication on stage. You
can hear it in the cohesive vision that blends gritty
grooves, african rhythms, jazz harmonies and great
melodies. You can feel it when the band hits a jam and
feet start tapping and fingers start snapping. Equal
parts jazz band, jam band and world-blues fusion, The
Paul Abella Trio is at once familiar and fresh. But
don’t take my word for it. You’d best come see for
yourself.