Communication with nature is not a new theme for OOIOO. Visually, album art designs and
band photos bare hidden repetitions of “o-o-i-o-o” and videos have visually featured woods of
the forest above any member of the band. Much of the band’s past music has incorporated tribal
rhythms and wild sounds, but an even more prominent focus on nature is clearly stated on the
new album, TAIGA, right from the title, which means “big river” in Japanese and “forest” in
Russian.
September 2006
Thrill Jockey Records
OOIOO’s earliest music was minimal and digital, just as their binary
name may suggest. But as the band’s lineup evolved over four previous
albums, so did its sound. New-wave poppy grooves gave way to chaotic
plateaus and psychedelic freakouts on albums like KILA KILA KILA
and Gold & Green. OOIOO’s current manifestation has derived a
rhythm-based soundscape, spacious, spiritual and elevatory, intended
as communication with the Earth and motivated by nature.
TAIGA’s shows OOIOO displaying a wide array of instrumental
sounds and textures. Focused on accentuating the rhythm, the
band adds layers as seamlessly as they take them away. Rhythmic
patterns ebb and flow naturally like the tide; all the while a fragile
melody interweaves them in waves. To a similar effect, Yoshimi and
her band-mates’ vocals range from tribal and meditative chants
to bird calls and free-folk screaming. TAIGA sounds like the deep
forest from the bank of a big river, the sounds of animals and trees,
life and death. This is a call to nature as only Yoshimi could muster.
The recording features longtime OOIOO guitarist Kayan, whose
graceful, long and sinewy frame betrays her forceful and angular
playing. She is joined by Aya on bass, who also played on KILA
KILA KILA. Both Kayan and Aya also sing the chorus and chant
with Yoshimi. TAIGA is the debut on AI on drums. Special guests
include Yo2ro Tatekawa on drums, Thiam Misato on percussion and
Tonchi on steel pans.
TAIGA was produced by Yoshimi P-we, founder, leader, and songwriter of OOIOO.
She began her music career in 1986 playing drums in UFO or Die with Eye and
joining him in revolutionary noise-pop experimentalists Boredoms. Formed as a
fictitious band for a 1996 magazine article, OOIOO quickly gained attention when they
opened for Sonic Youth in 1997. Their live force is powerful and positively energetic.
As few bands can do, they step on stage and instantly demand your attention, quickly
capture your heart and inevitably make you move.
TAIGA demands your attention with the call to music that is “UMA”. By “ATS” they have won your heart
with their delicate vocals dancing around pointed guitar. The driving rhythms of “UMO” and “IOA” get
the toes tapping and the hands dancing. TAIGA is about the now and the future, where
