It has been a great past few months for The Proclaimers . They have recorded a
sensational new album during March/April in London. June saw The Proclaimers kicking
off ten months of touring with a sell out 6 date mini tour, paying first visits
to Dunoon, Campbeltown, Aviemore, St Andrews, Galashiels and Glasgow's newest
venue, ABC. In between a stonking gig at Glastonbury earned them 5 star NME and
Q reviews. The Proclaimers were then a major highlight of Edinburgh Live8 concert
at Murrayfield Stadium as they had the privilege of opening the evening to a typically
rapturous reception. Major festival appearances continue over the summer including
Guilfest, Galway Arts, Cambridge, Feile an Phobail, Belladrum and V2005 festivals.
The Proclaimers recorded their sixth studio album Restless Soul (released
in UK/Ireland on Persevere Records 8 th August) in London with producers Mark
Wallis and David Ruffy. Mark Wallis is regarded by his peers as having the best
pair of ears behind any studio console and is one of the most experienced and
versatile producers around, having recorded classic cuts for The La's, The Smiths,
U2, Talking Heads, Travis, Go-Betweens and Rooster amongst others. David Ruffy
has teamed up with Mark on productions for the last two years. Recently his
beats CD's have been used by likes of Dr Dre. His previous musical exploits
saw him drum/MD with The Ruts, Atzec Camera, Sinead O'Connor, Prefab Sprout
and Kirsty McColl.
Craig and Charlie Reid said, "We really enjoyed the experience, Mark and
David were great to work with. Their technique for making the instruments sound
big by recording them at a low volume was new to us and helped us develop as
musicians in the studio. The atmosphere was very relaxed and we believe they
got the best out of us and the other guys in the band".
The songs on Restless Soul offer lyrics of uncommon honesty and depth and speak
eloquently to listeners everywhere. According to Charlie, "When you become
specific, you become universal. You write about your own life and make your
own observations. People who worry too much about appealing to everybody miss
the point. If you write sincerely, and identify with the feelings of other people,
you'll catch the ears of people who want to go beyond our accents or our points
of view, whether they're inside or outside of Scotland."
About the Restless Soul title, Craig adds that it reflects how the Reid brothers
see themselves. "I think the song 'Restless Soul' is about myself and other
people who can't chill out and just sit back and relax and not worry about the
next thing. "The album continues what we have done in the past - traditional
song structures and varied subject matter - but the production is slicker,"
continues Craig before pausing. "I never thought I would have used those
words to describe a Proclaimers' album. More time was taken over the arrangements
and it's a bit more controlled than previous albums."
Mark Wallis and David Ruffy commented "What a great musical journey recording
the Restless Soul album was, we would keep 'raising the bar' musically speaking
and every time we did the band would respond by taking it even higher. What
a blast!"
The Proclaimers live band who feature on the album are, Stevie Christie on
Keyboards, accordion, Zac Ware on guitars, pedal steel, Ross McFarlane on drums
and Garry John Kane on bass.
The Proclaimers will be touring USA & Canada in September/October, returning
for UK & Ireland tour in November & December. Early 2006 will see The
Proclaimers return to Australia, New Zealand, Asia and the Middle East.
It's 18 years since The Proclaimers made their legendary TV debut on The Tube,
performing the classic song Letter From America . Back then, the charts were
dominated by the likes of Rick Astley and Sinita and the response to Craig and
Charlie Reid, two impassioned brothers singing their hearts out in their own
accents about serious political issues was extraordinary. The Proclaimers were
unlike anything we had seen before and Channel 4's switchboards jammed with
curious callers. It was the beginning of a phenomenon.
Within a month they were signed to Chrysalis Records and recording their debut
album nine days later This Is The Story was finished. Another six weeks and
it was in the shops. By December Letter From America was Number 3 in the UK
singles chart and the album went Gold. A year of constant touring to sell-out
crowds and an album of electrifying acoustic energy had paid off. A song about
Scotland, its emigration, politics, industrial closures and the Highland clearances
had reached the top of the pop charts.
The teenage twins musical passion began after a childhood spent in Edinburgh,
Cornwall and Auchtermuchty in Fife. At home it was Merle Haggar, Jerry Lee Lewis,
Hank Williams and Ray Charles. At school they formed punk bands. Out of this
collision of styles and attitudes came The Proclaimers in 1983. Over the next
three years the duo built up a fervent following in the pubs of Edinburgh and
Inverness.
People identified with these two characters. Straight (jeans, jumpers, glasses)
but individual (traditionalism meets radicalism), songs that opened your ears
and hit your heart. Kevin Rowland of Dexy's Midnight Runners gave inspiration,
advice and demo time. The Housemartins, then topping the UK charts, heard a
demo and offered the unsigned band the support slot on their UK tour live on
Radio 1.
The Proclaimers followed the massive success of their debut album with Sunshine
On Leith in August 1988. The Reid brothers' raw delivery was complemented by
the country/rock scope of a full band. Pete Wingfield , the man behind Dexy's
was brought in to produce. As ever with The Proclaimers their politics and passions
were palpable, but never brow-beating. If their songs spoke of troubled soul-searching,
they still bore a dignity at heart. If their songs were euphoric, it was a communal
joy. These were selfless songs.
Over the next ten months they performed 145 times in 18 countries . Sunshine
On Leith became a million seller, a hit throughout Europe and America, platinum
in the UK, Canada and New Zealand and triple platinum in Australia, where I'm
Gonna Be (500 Miles) stayed at number for six weeks. The single was a worldwide
success. A lifetime's ambition was fulfilled as Craig and Charlie make their
first visit to North America, touring for three months as I'm Gonna Be went
top ten in the College Modern Rock Charts. The album and single refused to lie
down well after the world tour had ended. Four years later, both would be back...
1990 saw a Europe wide top 10 hit with the classic song King Of The Road .
But back in Edinburgh, the Reids' break was disrupted by a crisis at Hibernian
Football Club. Diehard fans, they were to spearhead the Hands Off Hibs campaign
against the threatened take-over by local rivals Heart of Midlothian. After
a long fight the campaign was won and The Proclaimers were free to return to
the business of writing songs.
It was as they prepared to record their third album, Hit The Highway , that
The Proclaimers success in the USA was to explode. Out of the blue, via the
sterling efforts of actress Mary Stuart Masterson , I'm Gonna Be (500 Miles)
became the theme song to the film Benny & Joon . In the summer of 1993,
the song went from silver screen to small screen to airwaves to record shops.
Over 28 weeks in the Billboard Hot 100, I'm Gonna Be (500 Miles) climbed to
number 3 nationally, sitting at number 1 in over half the States and selling
a million copies. The climax of a three-week, coast-to-coast promotional tour
was an appearance before 22,000 New Yorkers in Madison Square Gardens, along
with TV performances on all the most popular shows, including Letterman and
The Today Show. America had fallen for two down-to-earth punters from Fife.
The parts of the world that missed out first time followed suit.
A gold album was to follow in the USA as sales of Sunshine on Leith passed
the 2 million copy mark worldwide. And there was new material on the way.
By the time of their American success, most of Hit The Highway was complete.
Personal upheaval - marriages, divorce, children - played its part in the lengthy
gestation of the third album. But more than that, it was pride in their work
that caused the gap between albums.
Hit The Highway was recorded in six weeks in the late autumn of 93. Producer
Wingfield's Hammond playing added resonant soul. A three-piece brass section
gave R'n'B punch. The band brought a solid rock drive. And above it all is the
voices and the words of The Proclaimers, with their unique take on the spiritual,
on romance, on family and friends. Hit The Highway is their naked truth. On
its release in 1994 the first single, Let's Get Married, went Top 20 in the
UK. The Proclaimers toured constantly, with Craig and Charlie ecstatic to be
back on the road. 116 live shows followed including a coast to coast tour of
the USA and Canada.
When they came off tour in early 95 after 18 non-stop months, Craig and Charlie
kept a low profile. They made a one-off live appearance in 1996, performing
from the centre circle at Murrayfield Stadium prior to a Scotland v Australia
rugby encounter. They also recorded Chuck Berry's No Particular Place To Go
and Buddy Holly's Maybe Baby in 1997, for long time admirer John Byrne and the
film adaptation of his play, The Slab Boys.
Hollywood continued to knock on The Proclaimers door. They contributed a version
of The Temptations Get Ready to the soundtrack of the hugely successful Dumb
and Dumber , Over and Done With to cult movie Bottle Rocket and their version
of The Everly's Bye Bye Love to the movie of the same name. Their music has
also appeared on numerous advertisements worldwide, to promote everything from
IBM's 'Hot Products' to South Korean mobile phones, Canadian beer to Swedish
meatballs.
The Reids put music on hold when their father became critically ill. He passed
away in August '97 and Craig and Charlie returned to writing. The tunes built
up though the lyrics took time. Family life had been busy, Craig now with four
children, Charlie with three. Finally in early 2000, the brothers were happy
that they had a collection of songs fit for an album and they headed to Minneapolis
to begin recording. With EMI's closure of Chrysalis as a stand-alone label and
failing to see eye to eye with the new proprietors, The Proclaimers very happily
parted company with the new regime. After heading to Minneapolis in August 2000
to record their fourth album, Craig and Charlie, along with manager Kenny MacDonald,
subsequently seized the opportunity to form their own label, 'Persevere' Records
.
They drafted in a wealth of international talent for their most ambitious recordings
to date, headed by Chris Kimsey , legendary producer of a plethora of classic
albums including seven from the Rolling Stones. Musicians included Chuck Leavell
(of The Allman Brothers fame and keyboard player with The Stones for the last
20 years); drummer Pete Thomas (Elvis's Attractions) and Hutch Hutchinson (Bonnie
Raitt's band, and many more.) Persevere was engineered by Tom Tucker Snr, Prince's
house engineer at Paisley Park for the past 15 years.
Fans' patience was rewarded in May 2001 with the release of the album Persevere
, a highly acclaimed collection of beautiful and exhilarating songs, which won
them a new audience. After an inexcusable (in their words!) absence of seven
years, The Proclaimers reformed a world class band and took to the road for
over 100 gigs in the UK and North America. They proved that they are still among
the most dynamic and energetic live acts in the world, stirring passions on
both sides of the Atlantic. Highlights of an exceptional year included a rousing
set at Scotland's major music festival T In The Park , an arena tour of the
USA with the Barenaked Ladies, I'm On My Way featured in the smash movie Shrek
and a headline performance for 100,000 revellers before the backdrop of Edinburgh
Castle as the highlight of the city's legendary Hogmanay celebrations. They
kicked off 2002 with a month of dates in Australia and New Zealand, and their
first ever dates in the United Arab Emirates.
2002 saw The Proclaimers return to Australia & New Zealand for a month
long tour and their first ever gigs in the United Arab Emirates.
May saw the release of The Best of The Proclaimers 1987-2002 in conjunction
with EMI. The 20 tracks were chosen by Craig and Charlie and includes three
new songs they recorded earlier this year, produced by Edwyn Collins , 'Lady
Luck', 'Ghost of Love' and a cover of legendary Scots rocker, Frankie Miller's
'The Doodle Song'. The album has since soared past Gold status in UK and Ireland.
Being huge soccer fans, May was very special for Craig and Charlie as they
proudly performed 'I'm Gonna Be (500 Miles) on the pitch, five minutes before
kick off at the UEFA Champions League Final at Glasgow's Hampden Park. As well
as the 55,000 Real Madrid and Bayer Leverkusen fans who sang along in rousing
fashion at the stadium, there was an estimated worldwide TV audience of over
1 billion viewers.
May also saw the The Proclaimers continuing to tour around Scotland, England
and Ireland followed by another North American tour. The touring finally concluded
in California late July, the previous 15 months having seen them clock up 168
shows around the world.
October saw the release of EMI/Persevere Records 15 track DVD of promotional
videos filmed between 1987-2002 . The month also saw The Proclaimers record
a version of The Vogues 'Five O'clock World' for inclusion on Warner Bros /ABC
TV's 'The Drew Carey Show'.
After coming off the road in August 2002, Craig and Charlie focused on writing
new songs, and by early 2003 were delighted to have written an album's worth
of songs that passed their own strict quality control test. Having enjoyed working
with Edwyn Collins and his retro valve studio so much last year, The Proclaimers
headed back there in April/May to record their fifth studio album.
June saw The Proclaimers and band back on road with a Scottish Five Isles Tour
to Bute, Skye, Lewis, Orkney and Shetland. July saw a triumphant main stage
appearance pre Flaming Lips and REM at T In The Park where organisers DF Concerts
claim that the 40,000+ crowd who descended upon the stage for The Proclaimers
appearance, equaled that of any major headliner in the festivals 10 year existence.
The month also saw The Proclaimers perform to immense acclaim at Galway Arts
Festival, The Stockton International Riverside Festival , Trowbridge Music Festival
and Womad Rivermead 2003.
A plethora of fantastic reviews welcomed the UK and Ireland release of the
new album 'Born Innocent' on September 15 th .
With dates selling out fast, The Proclaimers toured UK and Ireland in October.
Then in November, having been invited by the Rugby World Cup 2003 organisers
to headline outdoor shows at Sydney's darling Harbour after the second semi-final
and at Perth's Arena Joondalup at the Final closing party, further Australian
tour dates were added.
December and The Proclaimers head back home for more sell out shows in Scotland
and then go down an absolute storm to over 2000 The Coral fans at Liverpool's
Royal Court. Performing an hour long set as surprise special guests at The Corals
home town end of year show.
The Born Innocent album appears in a number of year end Album of the Year choices
including MOJO and LA Times.
The old year ended and the new one began in memorable style, headlining Glasgow's
Hogmanay celebrations in front of 25,000 people at the city's George Square,
amidst 70mph gales and torrential rain. As outdoor events across the land were
cancelled, miraculously the rain in Glasgow stopped for 80 minutes as The Proclaimers
took to the stage and soaked Glaswegians celebrated gleefully.
2004 saw The Proclaimers tour USA & Canada in March and April and then
Craig and Charlie spent the rest of the year concentrating on writing songs
for th next album that would become 2005's Restless Soul .
www.proclaimers.co.uk
July 2005