Ever since their humble beginnings at Tufts University, Guster have always
sought to outdo themselves. They sell out New York's fabled Radio City Music
Hall one year and perform with the Boston Pops at Symphony Hall the next. They
sell out a 33-date college tour, and this past spring founded the eco-friendly
Campus Consciousness Tour, with buses powered by biodiesel and performances
powered by wind power. It's in this overachieving band's nature to one-up itself.
So don't expect it to be any different with the release of Guster's new album,
Ganging Up on the Sun. The Boston-bred band's fifth studio release may
be a melody-minded, breezy, free-spirited, literate pop record like its predecessors-2003's
Keep it Together, 1999's Lost and Gone Forever, 1996's Goldfly,
and 1994's Parachute-but this time around, Guster are "more fearless
than ever before," says singer-guitarist Ryan Miller. They've pushed themselves
both stylistically and emotionally, resulting in their most confident and superlative
work to date.
"This album has our loudest song ("The Beginning of the End"),
our quietest ("Empire State"), and our longest ("Ruby Falls").
"One song has one of our most sincere lyrics ("Hang On") and
definitely some of our most cynical." While Miller doesn't cop to any specific
lyrical themes ("I write a melody and words pop up around it"), he
does note that most of the words were written against the backdrop of "a
president taking a country to war based on some very dubious rationale."
You can hear a thread of dissent in songs like "Captain," "Lightning
Rod," "Manifest Destiny," and "The New Underground."
"But I never want to be preachy," Miller says. "I'm not telling
you whose face to throw a pie in. I'm just trying to exorcise some frustration,
some anger, and maybe a provide a channel for someone else's frustration and
Ganging Up on the Sun's sunny, driving-with-the-top-down melodies, vintage
harmonies, and warm guitar jangle do recall artists you'd associate with the
'60s and '70s-bands who also wrote during a time of war and societal mistrust
of government-such as CSNY, Mamas and the Papas, Fleetwood Mac, the Band, the
Rolling Stones, and Tom Petty. Are Guster wearing their influences a bit more
on their sleeve this time around?
"The word 'classic' was used a lot throughout recording as a goal for the
sound of this album," singer-guitarist Adam Gardner says, "and it
definitely has a more classic rock feel to it." Adds Rosenworcel: "I
think when we switched from the 'just guitars and percussion' shtick to using
whatever was in front of us, we ended up sounding more like bands we were listening
The shtick he's referring to is Guster's early years as a trio when, onstage,
front men Miller and Gardner stuck to acoustic guitars and Rosenworcel played
bongos with his bare hands. They've come a long way since then, and even added
a member. Ganging Up on the Sun is Guster's first album as a four-piece:
Joe Pisapia, a Nashville-based multi-instrumentalist who played on Keep it
Together and performs with them live, joined full-time when they began recording
the new album.
"Joe is by far the best musician in the band," says Miller. "He
can play every instrument and has taken our level of musicianship up about seven
notches. Brian, Adam, and I spent ten years together in rooms, buses, and vans-it
means so much to have this new energy as part of our equation. It still feels
very much like Guster, just a more confident, muscular, refined Guster."
Not only did Pisapia add texture and oomph to the tracks by playing banjo,
dulcimer, trumpet, and lap steel guitar, he also served as producer for half
of the songs, which were recorded at Nashville's Sound Emporium and completed
at Pisapia's home studio, Ivy League, from January to April 2005. The second
batch were recorded later in the year at the secluded mountaintop studio Allaire
in Shokan, New York, with Ron Aniello, who also worked on Keep it Together.
"I think in the back of my mind I knew we were writing our best material
yet," says Rosenworcel. One of the highlights is the lead-off single "One
Man Wrecking Machine," which is about a guy who hates his life and wants
to go back to "the good ole days" and hang out with his buddies, get
high, and make out with the hottest girl in school, as Miller puts it. "I've
had that fantasy my entire adult life," he says, "Like, what if I
had the confidence of a 30-year-old man as a high school sophomore?"
Another highlight on Ganging Up on the Sun is the seven-minute "Ruby
Falls," a celestial epic that features an uncharacteristic muted trumpet
in the outro ("I listen to that solo and think 'that's on my record'?"
says Rosenworcel). "Personally, I can't wait to play 'Ruby Falls' live,"
says Miller. "Not just because I love the song, but because I think there's
a power to it that may even be bigger than what we captured in the studio. Or
I could be wrong and we'll sound like the Carpenters."
"I just love that our band feels unpredictable right now," Rosenworcel
says happily. "I love that no one knows what to expect from us."