Lotus explores the intertwining worlds of live electronica and rock on their new album The Strength Of Weak Ties
 Lotus |
What happened to the performance in live dance music? We aren't talking about a couple of
guys twiddling knobs or accessing prerecorded sound files on their laptops – that's not very
live, is it? If you've been searching for a truly live dance act, then we'd like to introduce you
Philadelphia's Lotus. This five-piece band is already an underground sensation, and they've
sold out countless gigs across the country thanks largely in part to great word of mouth.
Lotus' forthcoming third release, The Strength Of Weak Ties, combines the rock edge of live
guitars and percussion with the synthetic bleeps and crushing beats of dance music — and it
works to a stunning effect. In a live setting, Lotus plays every note; nothing is ever
prerecorded. The improvisational nature of the live show leads to a spontaneity and
excitement that just can't be achieved by "pushing play." Lotus will embark on their largest
North American tour this spring.
Lotus — Steve Clemens, Jesse Miller, Luke Miller, Chuck Morris and Mike Rempel — formed in
1999. Through non-stop touring, Lotus' astonishing instrumental tracks quickly garnered a
huge and loyal fan base. Fans started following the act across the country and traded tapes
like they were baseball cards. This lead to Lotus' 2002 debut album, VIBES, recorded live in
concert during the Fall of 2001. The first pressing of VIBES sold out in February of 2003. Follow-up albums released on Harmonized Records — Germination (2003) and Nomad
(2004) — cemented Lotus' close-knit relationship with their fans and provided a tasty
appetizer of what was soon to come. The Strength Of Weak Ties blends elements of rock, electronica, jazz, funk, and world music from
India, Africa, and Latin America. The album digs deep into musical connections and explores
where the familiar meets foreign - glitch-hop programming meets rock 'n' roll drums,
overdriven guitars meet overdriven synthesizers, primitive drum machines meet funky back
beats, and post-rock meets electronica.
"Musically, we wanted this album to contrast raw and dirty sounds like guitar feedback,
roomy sounding drums, with obviously electronic sounds like drum machines, and analog
synths," says Luke Miller. "We worked to give it a loose yet tight feel; have the details of a
headphone trip, but still rock out."
"Lotus has always tip-toed the tight rope that is drawing on multiple genres — slip one way
and it's a haphazard melting pot; fall to the other and you've got a diluted derivative; but
hang on and you can find something new," Luke adds. "I think Strength of Weak Ties digs
deeper into musical connections than ever before. The result is simultaneously more
introspective and more of an unbridled rock out."
Live, Lotus' seamless mixes and interlocking rhythms sound like the work of a DJ, but with a
human touch. This results in a sophisticated yet accessible form of dance music with the
versatility to react instantaneously to the crowd and atmosphere of a room. Lotus' most
recent cross-country jaunt during this past Winter 2005 showcased just how well the band
has grown by word of mouth and Internet communities. They sold out venues such as the Fox
Theatre in Boulder, CO and Tribeca Rock Club in NYC; sold-out all of the shows on their Fall
2005 tour of Japan; supported the North American leg of the Ozric Tentacles tour, and closed
it out with an opening slot for Michael Franti & Spearhead. This summer, Lotus will hit the festival circuit and perform at some of best festivals in the
country — California's High Sierra Music Festival and Lawrence, Kansas' Wakarusa Festival, as
well as the Green Room Festival in Yokohoma, Japan.
To date, Lotus has been featured in Relix magazine, SF Examiner, Pittsburgh Post-Gazette,
Times Leader, Weekender, Fort Collins Weekly, Hittin' the Note magazine, JamBase.com,
Jambands.com, The Onion, as well as many other regional magazines, newspapers, websites
and specialty radio shows. Be sure to catch Lotus on the road when they visit a city near you!
LOTUS SPRING 2006 TOUR DATES
04.06 | Lancaster, PA | The Chameleon Club
04.07 | Atlantic City, NJ | Divinity Room at House of Blues
04.08 | Baltimore, MD | The 8x10 Club
04.11 | State College, PA | Crowbar w/ DJ Harry
04.12 | Syracuse, NY | Mezzonette w/ DJ Harry
04.13 | Burlington, VT | Higher Ground w/ DJ Harry
04.14 | Allston, MA | Harper's Ferry w/ DJ Harry
04.15 | New York, NY | Knitting Factory w/ DJ Harry
04.17 | Ann Arbor, MI | The Blind Pig w/ DJ Harry
04.18 | Grand Rapids, MI | The Intersection w/ DJ Harry
04.19 | Milwaukee, WI | The Miramar Theatre w/ DJ Harry
04.20 | Madison, WI | High Noon Saloon w/ DJ Harry
04.21 | Minneapolis | MN, The Cabooze w/ DJ Harry
04.22 | Chicago, IL | Schubas w/ DJ Harry
04.25 | Iowa City, IA | University of Iowa - Wheel Room w/ DJ Harry
04.26 | Cincinnati, OH | Poison Room w/ DJ Harry
04.27 | Pittsburgh, PA | Mr. Smalls Theatre w/ DJ Harry
04.28 | Philadelphia, PA | Theater of Living Arts w/ DJ Harry
04.29 | Falls Church, VA | The State Theatre w/ DJ Harry
05.01 | Richmond, VA | Alley Katz
05.02 | Charlottesville, VA | Starr Hill Music Hall
05.04 | Raleigh, NC | Lincoln Theatre
05.05 | Charlotte, NC | The Neighborhood Theatre
05.06 | Charleston, SC | The Pour House
05.13 | Plains, PA | River Street Jazz Cafe
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