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I don't really allow fear much input in my decisions. I think there are still a lot of misconceptions about Africa stemming from colonial mentalities. I lived in Africa for a year, and it was one of the most incredibly heart-opening times of my life. I find the concept of having and thus needing to protect what you have very draining. The African people were the most generous, open people I have ever met, and because they had so little, they were free to have so much love and presence. They had themselves, rather than a small part of themselves weighted under mountains of possessions and responsibilities.
-Lara Maykovich |
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Lara Maykovich (Aphrodesia) by Tracy Notaro
"I'm excited about completing the circle of the Afrobeat legacy," continues Sartore. "It started in West Africa and has taken root in the U.S. and in Europe over the past ten years pretty strongly. Now, we're honored to take it back there and to show the people how it has influenced our music. I'm also excited about confronting and breaking down some race and cultural issues. We don't even need to talk about this stuff. The language of music spells it out clearly. There is no 'us' and 'them.'"
 Aphrodesia |
In no small way, Aphrodesia travels to Ghana as musical ambassadors – showing Africans that all Americans aren't the mindless, imperialist blobs that television and presidential politics make us out to be.
"Music is the one thing in the world besides food that literally every human being on the planet has a relationship with. Even if you've taken a vow of silence and live in a cave, I guarantee you're hearing music in your head," enthuses Gale. "So yes, I see us as ambassadors because every culture has music, and people have more of a familiarity and a bond with music and musicians than they do with politicians or tourists or soldiers. I think America has a very complicated image and history in West Africa. Many people want to move here to have a better life economically. Yet, I'm sure we're also seen as materialistic by many people, and I'm sure our politics and our wars and our history of racial inequality are not popular with many people over there. So who knows - if people over there meet these white Americans who have taken the time to learn their music and to travel to their country, maybe it will put a more human face on all of us. Or not."
 Aphrodesia |
Maykovich is a bit brighter in her assessment, "I am really proud to be finally returning to Ghana. I feel it is the full circle of a 12-year cycle from when I first started performing African music, to going there and learning an incredible catalogue of music and dance, from creating a most interesting collage from my own resources and finally collaborating with Aphrodesia to make an even more unique music that certainly has some roots in Ghanaian music. I will be happy to give back something to a culture that I received so much from, and I'm also very interested to see the Ghanaians' humor and excitement in receiving this reflection from us."
She continues, "Africa holds a cauldron of ancient forms of magic and ritual that make it a supernatural place where the interaction with spirits and forces of nature are almost commonplace. In that way, African spirituality is so close to the earth that it feels as if you just might brush by a ghost in the marketplace. It is a very wild place. In African music, it is the fundamental rhythms, the most basic building blocks of music, that remind the listener that he or she is really a part of the musical experience. The music holds so much vitality and energy that listening, dancing, and participating really become a transformational experience. African music comes straight from the heart to the heart and thus creates a community experience for everyone."
To find out more about Aphrodesia's tour of Ghana and to help with donations and other support, visit www.aphrodesia.org. The tour is already supported by Lonely Planet Books, Blue Gold For Life Inc. Water Treatment Systems, Real Goods, and Fat Tire Brewing but can use all the help it can get.
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