By: Dennis Cook
I say it all the time
You don't pay no mind
when I tell you that I love you
Now do ya?
I wanna be clear
All I wanna hear is your voice
Have your face to see
How happy that would make me
There's a plainspoken draw to Vetiver that allows multiple points of entry into their smoothly flowing music. While they never bang a gong to get attention, fans of seriously well-put together rock have been flocking to them since their self-titled 2004 debut. They are one of those bands that other musicians talk about, with Chris Robinson (The Black Crowes), Ethan Miller (Howlin Rain, Comets On Fire), Wooden Wand and others bringing them up unbidden in my conversations with them. The comments are often succinct outbursts of sincere appreciation ("That's a damn good band" or "what a cool song, huh?"). There's the feeling by their peers that Vetiver is getting it right in many ways, and that's never been more evident than 2009's Tight Knit (released February 17 on Sub Pop), the latest edition to the "Vetiverse," both the name of their website but also the intimation of a unique cosmology of their own making.
"I guess that's true within my own songwriting, where something accrues and amasses to be a sound that one could say is Vetiver. I wouldn't say I'm doing it intentionally or by design, but if I dig deep into any of my favorite artists or writers an invitation to happenstance and happy accidents might play into the form of their work, too," says Andy Cabic, Vetiver's songwriter/leader/soul, a man cautious to a fault when speaking about his music, eager to never give anyone too firm a nail to hang anything on his work. Still, there's a reoccurring vibe that tells one they're listening to Vetiver and no one else. "I know what you mean! But the fact that we would have a hard time putting our finger on it makes me skeptical about people who seem to easily put their finger on it."
Case in point, the band's Wikipedia entry describes them as "an American folk band." Other common misses in describing their sound include "indie psych-folk," "Americana" or the dreaded "freak folk." Most writers focus on one aspect of the band, namely the more patient, airy numbers, which completely misses the subliminal swing or blues toughness that also runs through their catalog. Vetiver is so fluid in their execution of whatever they're playing that one gets the feeling they could play anything and play it well. It's a wide musical grasp and quiet confidence that's seen them called into service as the touring band for The Jayhawks' Gary Louris and Vashti Bunyan.
"I think the root of it is soundbite culture and the time people can put into simple reviews like that. I can't even be certain that people who write about me even listen to the album. They might listen to the beginnings of songs and not the whole thing, and of course, they're cribbing off one-sheets and things like Wikipedia," says Cabic. "Rolling Stone reviewed [Tight Knit] and said I was 'the thinking man's Jack Johnson' [laughs]. How is that possible? It's funny so I don't take this stuff too seriously. There's really nothing you can do about it."
|Vetiver by Steven Walter|
"[In describing the band's sound] I might describe the instrumentation. I say I'm a singer-songwriter, because at the root of the project that's what's happening. I'm writing these songs and I'm not living with or practicing with my band until right before a tour. Usually I just tell people to go listen to something we've done," offers Cabic sensibly. And he's right about the songwriting being the foundation of everything in Vetiver, where one hears tunes that have been refined until just what needs to be there remains. However, he knows full well there's a lot of competition for your ears. "There's just so many people doing music. You have this surfeit of things to choose from, and if that continues, realistically, there won't even be a need to hear anything old 10-20 years from now because there'll be this plurality of options everywhere, more even than we have now."
In a very real way, it can feel overwhelming just choosing what to listen to given all that's out there, especially knowing there's more on the way, and then more after that. In a way, the purity of Vetiver's music, the way it feels a part of something sturdier than fashion and charts, provides a bit of an oasis from the sonic onslaught. Press play and one is transported to the Vetiverse, where music is just this fine human creation to be enjoyed and allowed to inform our hunting and gathering. We all need music of retreat, our safety spots, and Vetiver is a swell one (and by the way, for Cabic it's Skeeter Davis).
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