Words & Images by: L. Paul Mann
Bonnaroo Day One :: 6.12.14 :: Manchester, TN
Read L. Paul's thoughts on Day One of this year's Bonnaroo below the gallery!
Bonnaroo 2014 opened under cloudy,
humid skies Thursday afternoon. A line of vehicles several miles long stretched along I-24
just outside Manchester, TN; waiting to file into the campgrounds. It seems many campers
waited until Thursday to make their way to Bonnaroo this year, no doubt due to the
torrential rains earlier in the week that threatened to turn the campgrounds into a muddy
Festival organizers have worked feverishly over the last several days, however, using
wood, sawdust and sand to shore up roadways and walkways throughout the festival.
Consequently, the only fallout from the storms earlier in the week was a massive, humid
cloud cover. Temperatures were actually moderate for this time of year in Tennessee, but
the humidity made it feel hotter than it was.
Many of the early birds to the festival spent Thursday afternoon cooling-off in the
Centeroo fountain, on water slides and even in small baby pools filled with water. A large
crowd gathered to watch the World Cup Soccer Tournament play out on a giant inflatable
screen. Crowds seemed lighter this first day of the festival than last year, also most
likely due to the early wet forecast. But by early evening, Centeroo began to fill up with
excited concert goers.
Although the giant Main Stage area, which is as big as all the rest of the festival
grounds, and the second outdoor stage, do not open on the first day of Bonaroo, yet there
were still no less than seven music stages, an air conditioned cinema tent and the iconic
air conditioned comedy tent open for business. The tiny New Music on Tap Stage may have
had some of the most lively music of the day, with several new acts playing aggressive
rock sets in the sweltering humidity. A few of the standouts included Texas rockers,The
Unlikely Candidates. The band members, Kyle Morris (vocals), Cole Male (guitar), Kevin
Goddard (drums), Brenton Carney (lead guitar) and Jared Hornbeek (bass), play their own
version of classic rock, influenced heavily by bands like The Beatles and Rolling Stones.
Lead singer Morris looked like a drowned rat towards the end of his set, drenched in sweat
form the humidity and the intensity of his performance. Another classic rock influenced
new band also turned in a an aggressive heavy rock set later in the evening, Ontario based
Monster Truck. The foursome, consisting of Jon Harvey (bass & lead vocals), Jeremy
Widerman (guitar & vocals), Brandon Bliss (organ & vocals) and Steve Kiely (drums &
vocals), vacillated between a hard Southern rock sound like that of Lynyrd Skynyrd and a
reemergence of what was best in early Detroit rockers, much like a young Ted Nugent.
More eclectic sounds could be heard across the festival grounds at the other stages.
Nashville's own The Wild Feathers played crisp, clean Americana rock in the early
afternoon. Jonathan Wilson and his band also turned in an early afternoon harmonic
set. This Los Angeles transplant, originally form North Carolina, can really sing. Another
California band, Allah-Las, had one of the first big audiences of the afternoon.
Robert Delong, well known as an EDM DJ, played a solo show on a variety of
electronic synthesizers and percussion instruments, creating his own, new unique sound.
Darlings of NPR radio, Thao and The Get Down Stay Down, delighted a late afternoon
crowd with their own brand of bluegrass-influenced rock. Cleveland based Cloud
Nothings, was one of the first bands of the day to bring crowd surfing full throttle
to the audience with their aggressive punk-tinged rock. In the early evening, Nashville
based duo Cherub brought EDM lights and sound to a large crowd, sounding a bit like
the well known Chromeo, who will also be playing the festival. World music was represented
by Ogya (Afrobeat) in a fun early set and late in the evening by the traditional
Syrian Shaabi singer Omar Souleyman. Most of the audience had no idea what he was
singing about, but the infectious beat captured their attention.
One of the largest crowds of the evening was reserved for the emotive English singer
Banks. Backed by an electronic duo, her music harkened back to the hey day of
ambient music, with a vibe much like the English trip hop band Massive Attack. Minneapolis
based Polica, led by charismatic singer Channy Leanagh, turned in one of the most
engaging sets of the night with their own ethereal brand of electronic and R&B fusion
music. The first real jam session of the festival took place in the cinema tent following
the showing of the new documentary film, Take Me To The River, about the early
roots of Blues music found in Memphis. The film was followed by a Q and A and live
performance by some of the most influential musicians in the movie. A handful of
pleasantly surprised blues music lovers sat in the air conditioned theater listening to a
large group of young up-and-coming Memphis musicians, joined by music legends, Jerry
Harrison of Talking Heads fame, rapper Al Kapone and elder statesman of the blues, William
Bell, Bobby Rush, Frayser Boy and Ben Cauley. As a full moon cracked though the high cloud
cover, many in the Centeroo turned back to the outdoor big screen to watch NBA final Game
4 while others ate and drank themselves into a stupor with a plethora of choices across
the grounds. It was a muggy mellow and eclectic start to this year's Bonnaroo.
JamBase | And So It Begins
Go See Live Music!